Porkchop

Porkchop’s Catch of the Week

Brought to you by GoFish!

Even though it’s winter, the fish are biting. for more information visit www.gofishupstate.com .

August 15, 2018

Mountain Heart is a group that has changed dramatically since it’s inception in 1998. They started out as a straight forward bluegrass band. They quickly showed they were not afraid to tackle songs outside the genre, with an energy seldom matched in bluegrass music. Through the years the members have changed, as well as their style. In fact, with their previous album, Blue Skies, it was obvious that Mountain Heart would not be defined by any genre. The current lineup of Josh Shilling (piano, guitar), Aaron Ramsey (mandolin, bass), Seth Taylor (guitar), and Jeff Partin (dobro, bass) draw on their many influences to create a sound that is unique, but at the same time familiar. Bluegrass, blues, rock, and country sounds help to paint the pictures in each of the 11 songs featured on Mountain Heart’s new album, Soul Searching.
If you have ever heard Mountain Heart, you know the power of Josh Shillings vocals. That power is on display on songs like the New Orleans tinged “No Complaints” and the bluegrass flavored “You Can’t Hide a Broken Heart”. I have to mention that there are moments on this album, as well as Blue Skies, that remind me of Bruce Hornsby. I don’t know how big an influence he is on Josh Shilling, but, if I had to guess, I would say it was more than just a passing interest. The harmony singing on this album is superb on songs like “More Than I Am” and “Soul Searching”. Jeff Partin’s voice takes center stage on two beautiful songs, “Restless Wind” and “Stars”. Aaron Ramsey takes the lead on “Curly Headed Woman”, a syncopated bluegrass tune that features lead piano break by Shilling. “Amicalola Falls” is a wonderful instrumental that showcases the band’s talents. It is worth noting that Stuart Duncan, Kenny Malone, Ronnie Bowman, and Scott Vestall make appearances on Soul Searching.
It seems that Mountain Heart has been trying to discover themselves musically over the last few years. Building on all of their personal influences, and cutting their own path, It seems that they have truly found themselves, and are comfortable with what they have discovered. The name of the album, Soul Searching, could be referring to that period of discovery. Add to that the introspective lyrics on this album, and the album is perfectly named. This is an album that I will be listening time after time. Give Soul Searching a listen.

August 8, 2018

One of the most overlooked individuals in the history of bluegrass music is John Duffey. How can a man that has been inducted into the Bluegrass Hall of Fame twice be overlooked? Sure the accolades are there, but when I discuss the greats in bluegrass music with the bluegrass pickers of today, John Duffey is rarely mentioned. Perhaps this Catch of the Week will direct people back to Duffey’s work with The Country Gentlemen and The Seldom Scene, and the impact that those groups had on bluegrass music.
Epilogue: a Tribute to John Duffey is a collection of recordings that spans nearly 20 years, and pays tribute to John Duffey. When I read that this album was compiled from recordings over that time frame I was concerned that it would sound disjointed. However, that is not the case. These 17 recordings fit together very well, and includes over 50 artists. Some of the highlights from the album includes, “Sad and Lonesome Day”. Randy Waller (son of the late Charlie Waller of The Country Gentlemen) and Lou Reid provide the two part harmony on this John Duffey classic. Dudley Connell, of The Seldom Scene, takes the lead on a wonderful rendition of “Lonesome River”. Sam Bush and Belá Fleck deliver on the instrumental “Sunrise”. Also, John Cowan’s version of “Some Old Day” is outstanding. We hear great harmonies on “Cold Wind a Blowin'” featuring Ronnie Bowman and David Parmley. No John Duffey tribute would be complete without “Bringing Mary Home”. John Starling evokes Duffey’s vocalization on the song that I think is one of the spookiest songs I have ever heard.
There is many other artists included on Epilogue: a Tribute to John Duffey, including Fred Travers, Tom Gray, Ronnie Simpkins, Ron Stewart, Jerry Douglas Amanda Smith, Jimmy Gaudreau, Bill Emerson, Eddie Adcock, and Don Rigsby, just to name a few. An interesting tidbit about this album is that John Duffey’s Gibson F-12 mandolin is played throughout the album. Sometimes tribute albums, although well intentioned, are not very good. Epilogue: a Tribute to John Duffey is an exception. There is loads of outstanding singing and playing on this loving tribute to John Duffey.

August 1, 2018

Cody Jinks has been one of the heroes of the modern day outlaws. He has been seen as a trailblazer in the world of the country music rebels. There is an ever increasing number of Nashville outsiders, and many have people like Cody Jinks to thank for banging the drum, and bringing attention to the alternate forms of country music. After releasing 7 independent albums, he has just released his first album on a major label, Rounder. The album is called Lifers, and includes 11 songs songs (Jinks had a hand in writing 9 of those songs) that will serve as a good introduction to people who are just finding out about Cody Jinks.
Some of the highlights of Lifers, include the opening track, “Holy Water”. It mentions turning down whiskey, and all the other things associated with hard living, to get a shot of holy water to fight personal demons. “Somewhere Between I Love You and I’m Leavin’ ” is a beautiful, yet sad, love song. “Colorado”, one of the three songs from the album that were co-written with Ward Davis, is full of memories, both good and bad, that are ever present. “Can’t Quit Enough” is a song about habits that you just can’t shake. It reminds me of a song that Waylon Jennings could have recorded. I think that “Head Case” is one of the most interesting, and best songs of Cody Jinks career. It is written in a stream of consciousness style. That is not an easy style to pull off in songwriting, but Jinks does it with ease.
If you are just discovering Cody Jinks through this review, listen to Lifers. Then, go back and listen to his previous albums, especially I’m Not the Devil, Less Wise and 30. There is an authenticity in all of those recordings that makes Cody Jinks stand out from many of the other musical rebels. There are some artists that find themselves outside of Nashville that are trying to hard to convince everyone that they are outlaws. Cody Jinks does not have to convince anyone of where he is coming from. It is evident in all of his albums, including Lifers. Give it a listen today.

July 25, 2018

Lori McKenna is well known, and respected, as a songwriter. She has written hit songs for many artists, becoming the first woman ever to win the CMA Song of the Year Award two years in a row (2015’s Little Big Town’s “Girl Crush” and 2016’s Tim McGraw’s Humble and Kind” ). In 2017, McKenna also was the first female to be awarded the ACM Songwriter of the year. Although she has been recognized as one of the preeminent country music songwriters of our time, she is largely overlooked as performer. Her 2016 album, The Bird and The Rifle, was a breakthrough album, as it garnered three Grammy nominations. Lori McKenna has just released her tenth album, The Tree, and her songwriting and singing talents are on full display.
Some of the highlights on the album include, “A Mother Never Rests”. This song paints a vivid picture of the never ending to-do list in the life of a mother, with great lines like, “She only sits for a minute/She’s a hummingbird in the living room”. “You Can’t Break A Woman” is about a woman that is in a bad relationship, but is not looking for a way out. The album has several songs with that deal with aging. “Young and Angry Again” is about an older person wishing for younger days. “People Get Old” is about the cycle of life. Where your parents were when you were a child, is where you are now, and your parents have moved into another phase of life.

McKenna’s ability to tell stories with her writing makes The Tree a great album. It must be pointed out that with the wrong producer, this album would not be as impactful. Dave Cobb serves as the producer on The Tree, and shows again that he has an expert ability to highlight the talents of the artist he is working with. The focus is on the credibility of McKenna’s voice, and her ability to tell stories and sing songs that are relatable. I recommend giving The Tree a listen today.

July 18, 2018

This week we are highlighting Rough and Ready Heart, the new album from Blue Yonder. The Charleston, WV trio, made up of John Lily, Robert Shafer, and Will Carter, are veteran performers that mix have a sound that is a little country, jazz, and western swing. Add to that the vocal arrangements, which remind me of the harmonies heard in bluegrass and ’50’s and ’60’s country, and you have a recipe that is sure to please.
Rough and Ready Heart consists of 12 original songs. The lead vocals of John Lilly reminds me a bit of Peter Rowan. I think it’s the break in his voice. It is not a yodel, but in the same ballpark. The guitar work on this album has tinges of Roy Nichols . A couple of the tracks that stand out include, “Standing by the Side of the Road”. The song opens the album with a song that gives the feeling of being in the story as a traveling companion. The title track features great harmony singing, well placed steel guitar, and bending lead guitar licks that would make Merle Haggard proud.
Although their sound cannot be exactly pegged as one style or another, there is something so familiar about Blue Yonder. The songs are original, but you will promise you have heard them before. I don’t know if it is the subject matter of the songs, the vocal harmonies, or the lead guitar work that lends itself to the familiarity, but after giving them a listen, you will be singing along to their songs like you have always known them. Give Blue Yonder’s Rough and Ready Heart a listen today.

July 11, 2018

When I got word that The Boxcars were calling it quits, I was stunned. Then, I wondered what would become of the fine musicians that made up that group? Well, my question has been answered with the formation of a new group, The Highland Travelers. Now, before you get the wrong idea, this group is not just The Boxcars under a different name. Although some members of that group (Adam Steffery-mandolin and vocals, Keith Garrett-guitar and vocals, and Gary Hultman-dobro and vocals), are members of The Highland Travelers, this feeling of this album is different than The Boxcars. The Highland Travelers are rounded out by former members of Junior Sisk’s backing band, Ramblers Choice (Jason Davis-banjo, and Kameron Keller-bass and vocals). The Highland Travelers have released a self titled project, the band’s first album.
There are 11 total tracks on The Highland Travelers debut album. Some of the highlights include, “Kentucky Gambler”, a #1 song for Merle Haggard, that was penned by Dolly Parton. Merle Haggard’s songs are often covered by bluegrass bands, and this is another dandy from that category. The Roger Miller and Faron Young song “World So Full of Love” is sprinkled with bluegrass juice, making the song a bit more up tempo than the original. However, the feeling of the song is still there. “The Little Tennessee” is a great story song that deals with damming of the river by the TVA. It is one of the strongest songs on the album, as evident by it’s chart success when it was released as the first single from the album. Nobody does a dark, sad bluegrass song than Adam Steffey. He showcases his singing talent on “The Girl That Loved Me”. Add that to a long list of Steffey classics. The Highland Travelers stretch their musical muscles on the Jason Davis composition “Poplar Knob”. Don’t listen to this while driving down the road, or you just might get a ticket.

Although it is classified as bluegrass in genre, the self titled album from The Highland Travelers has a lot of country feeling. It has enough of that feeling to satisfy traditional country music fans that do not generally listen to bluegrass, and definitely enough grass to please hard core bluegrass fans. I recommend giving a listen to The Highland Travelers.

July 4, 2018

This week we look at an earlier review from this year, Caitlyn Smith’s Starfire, originally published on January 31, 2018

*************************************

This week we have another artist that has gone the route of releasing an EP, testing the waters, then releasing a full album that includes material from the previous EP. This formula seems to work very well for other artists, like William Michael Morgan and Ned LeDoux. This time it is singer-songwriter Caitlyn Smith that has followed that pattern. Smith is a successful songwriter, having had her songs recorded by country artists Garth Brooks, Rascal Flatts, and Kenny Rogers & Dolly Parton. She also wrote “Like I’m Gonna Lose You”, which was a number one song on the Adult Top 40 chart for Meghan Trainor featuring John Legend. Although her writing skills have been known, and appreciated for many years, it is amazing that we are just now hearing her vocal prowess. Her first album, Starfire, showcases all of her talents.
Caitlyn Smith is able to tell a story through her songs that you do not have in most modern country music. There are always exceptions, and I will not list them here because you know who they are. Smith is able to paint a picture with songs like “This Town is Killing Me”, “East Side Restaurant”, and “Scenes From a Corner Booth at Closing Time on a Tuesday”. You may recognize “Tacoma” from Garth Brooks album ‘Man Against Machine’. Those are just a few of the highlights from Starfire, however, every song on the album is outstanding.
I have to mention the production quality of this album. It feels like each song has some space to breathe. It is not a solid brick of noise, like most modern albums. You can hear the individual instruments, and the vocals are not lost in the mix. Starfire is solidly in the pop country side of the genre. You may be wondering why I am praising this type of album when it is obvious that I am a fan of traditional country sounds. The reality is that I fancy a well written song that is expertly performed. That is exactly what you have with Starfire.

June 27, 2018

Red Dirt musical act Jason Boland and The Stragglers have been making music since 1998, releasing 8 albums. They have burned up the roads in support of their music, and have a loyal fan base. Jason Boland and The Stragglers have just released their ninth album, Hard Times Are Relative. If you have to categorize this album, it would have to be a traditional country album. What I mean by that is the album is full of steel guitar, fiddles, and lots of storytelling.
Some of the highlights from Hard Times are Relative include, “I Don’t Deserve You” (w/Sunny Sweeny). It is a great way to start the album, with Boland and Sweeney interweaving their voices on this toe tapper. The title track is an example of storytelling that is missing in today’s modern offerings. “Right Where I Began” name drops various brands of alcohol, and country singers to set the mood of a man spending time with his “friends”. “Do You Remember When” wish for the way a town used to be, when it had character, instead of being sterile, and just like every other town. One of my favorite songs on the album is “Going, Going, Gone”. It is a clever song, using phrases about the game of baseball to paint of picture of a situation outside of America’s pastime .
For a 20 year veteran of the Red Dirt music scene, Jason Boland is still recording great songs. The great thing about Red Dirt music is that the only people the artist has to answer to is the fans. No record label executive is able to squelch the artist’s interpretation of the songs. Having that sort of free environment, we have seen Jason Boland and The Stragglers grow and change at their own pace. If you are looking for a change of pace from the cookie cutter sounds that Nashville produces these days, give Jason Boland and The Stragglers’ Hard Time Are Relative a listen.

June 20, 2018

As country music has expanded in recent years to include new sounds and influences, many fans of a particular style congregate with like minded people: modern country in one corner, and traditionalist in another. Because the styles are so disperate, it can be hard, though not impossible, to find a middle ground. Today’s selection is definitely on the traditional side. Joshua Hedley’s Mr. Jukebox is directly from the country music sounds of the late 1950’s and early 1960’s.
Joshua Hedley has been performing for many years, primarily as a side man, backing other artists. However, Mr. Jukebox, from Thrid Man Records, finds Hedley out front, and performing in a classic country style that is a welcome change of pace compared to today’s modern sounds. Not only does his voice have a great tone, his phrasing is directly from a bygone era. The musical arrangements are also from that same era. I would like to point out that unlike many artists who pay tribute to a style or era of music from yesteryear while adding modern twists, Hedley puts himself in the middle of an older Nashville sound, and thrives there. The album features new, original songs that you swear were from the pen of Willie Nelson, or the catalog of Ray Price.
If you are looking for something to cleanse the musical palate, I recommend giving Joshua Hedley’s Mr. Jukebox a listen. Although he is extremely talented, one cannot tell if Hedley’s recording and performing an older style will further his career. I believe there are enough people that are fans of the sound provided with Mr. Jukebox, including me, Joshua Hedley will find, and keep an audience.

June 13, 2018

If you have heard The Del McCoury Band, then, basically, you have heard The Travelin’ McCourys. Well, almost all of them. The Travelin’ McCourys are basically the backing band of Del McCory, plus one. Del’s sons Ronnie (mandolin), Rob (banjo), Jason Carter (fiddle), Alan Bartram (bass) are all members of The Del McCoury Band. Guitarist Cody Kilby, formerly of Ricky Skaggs and Kentucky Thunder, rounds out the Travelin McCourys’ lineup. The group started at the behest of Del, as a contingency plan in case something should happen to him. That was 10 years ago. Del is still performing, and The Travelin’ McCourys have been travelin’ and playin’ ever since, too. Their new, self titled album shows how The Travelin’ McCourys have continued to stay grounded in their bluegrass roots, while exploring, and recording songs by artists outside of the genre.
The album includes “Let Her Go”, a pop hit from British artist Passenger. Their take on this song makes it seem as if the song was always meant to be a bluegrass tune. The McCourys also tackle Waylon Jennings’ “Lonesome, On’ry and Mean”. It also works well as a bluegrass song, with Jason Carter taking the lead vocals. Another cover on the album is Nick Lowe’s “I Live On A Battlefield”. Again, the McCourys take a song from outside the bluegrass genre, and make it sound like a standard. “Natural To Be Gone” is a cover of a bluegrass song from the catalog of John Hartford. They stay true to the original recording, adding the harmony vocalization made famous by the McCourys. With The Del McCoury Band being veterans of Bonnaroo, and other music festivals, it is not a surprise that The Travelin’ McCourys tackle two Grateful Dead songs, “Cumberland Blues” and “Loser”. It is cool to hear the sound of The Dead mixed with The McCourys. I believe Jerry Garcia would be proud. They take on Doc and Merle Watson’s “Southbound” with a Watson-like accuracy. However, the album is not all cover songs. Ronnie wrote or co-wrote three songs for the album: “The Days I Wish I Had” (with the Gibson Brothers), “Freedom Blues” (with Mountain Heart’s Josh Shilling), and “Crowhop”, an instrumental (written by McCoury).
The Travelin’ McCourys new album reaffirms that they are a force to be reckoned with. They are rooted in bluegrass, but are not afraid to explore music from outside sources. After having many great guitarist fill in on their gigs for years, adding Cody Kilby has cemented their sound. This is a phenomenal album, and I will continue to play this album for a long time to come.

June 6, 2018

We are just shy of half way mark of the year. I thought it was time to take a look back at my favorite 2018 Catches of the Week, thus far. These are listed in order in which they were reviewed. The full reviews can be seen further down on this page.

Mary Gauthier-Rifles and Rosary Beads (February 7, 2017)

Mary Gauthier is one of the preeminent song writers of our times. Each song tells the story of someone touched by war, whether the veterans, or their families. Rifles and Rosary Beads gives voice to the veterans, and reminds us that sometimes just a pat on the back and a word of thanks for their service, although appreciated, is not enough medicine to treat those wounds that sometimes never heal. God bless America, and God help the veterans, and their families, that lived through hell on earth, so we can enjoy our milk and honey.

Kim Richey-Edgeland (April 4, 2018)

In her first album since 2013, singer-songwriter Kim Richey is back in the strongest way possible, showcasing her expert songwriting and singing. She has always seemed to be on the outside of Nashville. With Richey being on the fringes of the Nashville scene, it is appropriate that the album is titled Edgeland. Maybe that is a good thing. It allows us to be blessed with great songwriting that is not whittled down to fit the mold of Top 40 Country radio.

John Prine-The Tree of Forgiveness (April 18, 2018)

This is Prine’s first album of original material in over a decade, and it finds him a bit older, but still making high quality, poetic songs. As a person gets older, they spend a lot of their time reflecting on what has already happened, and pondering death. For many, those thoughts can be filled with regret and fear, but John Prine seems to handle it with a bit of humor, no grudges, and just rolls with life’s punches.

Ashley Monroe-Sparrow (April 25, 2018)

Ashley Monroe has released another gem in her latest album, Sparrow. She is able to combine country, folk, and pop effortlessly, and create music that is truly her own. With the success of The Blade, and the early positive reviews for Sparrow, Ashley Monroe has cemented her place as one of country music’s premier singer-songwriters.

Brent Cobb-Providence Canyon (May 16, 2018)

Providence Canyon is a great album for many reasons. The writing is outstanding. Add to that Brent Cobb’s vocal delivery, which is never in a hurry, paired with the powerful, gritty background vocals of Kristen Rogers, and you already have the makings of a outstanding album. Include the expert instrumentation, along with the genius of producer Dave Cobb, and you have one of the most enjoyable albums of the year.

Gretchen Peters-Dancing With the Beast (May 23, 2018)

Songwriter Hall of Famer Gretchen Peters follows up her critically acclaimed, award winning 2015 album, Blackbirds, with another stellar project, Dancing With the Beast. As with Peters’ previous albums, Dancing With the Beast is full to brim of outstanding storytelling. I will be listening to this album for a long time, but I know not much time will pass until all of Gretchen Peters’ fans will be clamoring for more songs from her magic pen.

May 30, 2018

Del McCoury is one of the most respected, and recognizable figures in bluegrass music. The 77-year old singer’s list of accomplishments warrant the praise he receives. He was a member of Bill Monroe’s Bluegrass Boys, he has recorded with a plethora of artists, including Doc Watson, Mac Wiseman, and Steve Earle. McCoury has recorded more than 30 albums, is a member of the Grand Ole Opry and the Bluegrass Music Hall of Fame, and has won multiple Grammy and IBMA awards. His first solo album was 1968’s Del McCoury Sings Bluegrass. McCoury’s latest album’s title, Del McCoury Still Sings Bluegrass, is a tip of the hat to that earlier album.
As with any Del McCoury album, there is a wide variety of subjects covered: love (discovering and losing), murder, and God. Some of the highlights of Del McCoury Still Sings Bluegrass includes the album’s opening track, “Hot Wired”. Written by Shawn Camp, “Hot Wired” is delivered in a style that only Del can deliver, and really accentuates the lyrics of this unique, funny song. “Bottom Dollar” sends a chill down my spine. Del lays out the loneliness of the central character of this song so thick that you can wear it like a coat. Del covers Jerry Lee Lewis’ “To Make Love Sweeter for You”. Mountain Heart’s Josh Shilling tickles the ivories to set the tone for the song, and it is a perfect pairing with The Del McCoury Band. Del McCoury also covers Carlene Carter’s “I Fell In Love”. I do not know why, but I had never considered this song being recorded by a bluegrass band. However, it works so well that, if you did not know any better, you would think it was written as a bluegrass song.
Del McCoury Still Sings Bluegrass contains 14 songs, and each one is a perfect fit for Del. Add to Del’s voice the outstanding musicianship of Ronnie McCoury (mandolin), Rob McCoury (banjo), Jason Carter (fiddle), and Alan Bartram (bass), and you have a memorable project in an extensive catalog of Del McCoury albums. Give Del McCoury Still Sings Bluegrass a listen. Not only is Del still singing bluegrass, but you will be searching for a harmony part and singing along.

May 23, 2018

Gretchen Peters is one of great songwriters of our times. Her songs have been recorded by the likes of country artists George Strait (“Chill of an Early Fall”), Pam Tillis (“Let That Pony Run”), Patty Loveless (“You Don’t Even Know Who I Am”), and Martina McBride (“Independence Day”). Peters is known outside of country music, with her compositions being recorded by Bonnie Raitt, Etta James and Neil Diamond. Her talents have led to her becoming a member of the Songwriters Hall of Fame. Peters’ award winning 2015 album, Blackbirds, received critical acclaim, and had fans eagerly wanting more tunes from her pen. Her fans have to wait no longer. Gretchen Peters’ new album, Dancing With the Beast, has been released.
As with Peters’ previous albums, Dancing With the Beast is full to brim of outstanding storytelling. Here are my thoughts on some of the songs from the album. “Arguing With Ghosts” starts off the project with great lines, like ‘the years go by like days/sometimes the days go by like years/and I don’t know which one I hate the most’. Like all the songs on this album, I can picture in my mind the story the lyrics tell. “Witchita” is a chilling tale of a young lady with some sort of malady, in a situations nobody should have to deal with, that makes a definitive stand against a predator. “The Boy From Rye” is a song that captures the feeling of doubt and changes that creeps into a young woman’s life when the competition begins in order to gain a boy’s attention. “Disappearing Act” is a song that even the most optimistic person can identify with. Everyone has had the thought that everything they do is for naught. It will all disappear one day, so what is the point. “Lowlands” is not only an excellent song, it is proof to every so called songwriting guru that songs do not have to have two verses, a chorus, verse, bridge, and chorus. There is no chorus in “Lowlands”. Take note, and heart, songwriters. “The Show” has one of my favorite opening lines of any song I have ever heard, ‘freight train plays a major 7th chord’. “Truck Stop Angel” is a song about a prostitute who finds herself surviving in a dangerous place, but hopes for an escape, either by the highway or by way of the hereafter. “Say Grace” is a thought provoking song, painting a picture of the downtrodden and disadvantaged, and how we treat them. “Love Makes a Cup of Tea” closes the album. According to Peters’ website, she wrote the song after having a dream about her mother, who passed away in 2016. In the dream, her mother reassuringly said , “You know, honey, there is love that makes a cup of tea,” and that is the seed of this beautiful, and hopeful song.
I must take a moment to mention the personnel that contributed to Dancing With the Beast: Barry Walsh (piano, Wurlitzer, Fender Rhodes, pump organ, background vocals), Dave Roe (bass), Doug Lancio (synth, electric guitar, acoustic guitar, banjo, drum program, 10 string guitar, pump organ, background vocals), Will Kimbrough (electric guitar, mandola, charango), John Gardner ( drums and percussion), Jerry Douglas (dobro), and background vocals from Lisa Oliver-Gray, Matthew Ryan, and Kim Richey. It is worth mentioning these instrumentalists and vocalist because their performances help promote the mood of Peters’ songs perfectly. I will be listening to this album for a long time, but I know not much time will pass until all of Gretchen Peters’ fans will be clamoring for more songs from her magic pen. If you are a fan of great storytelling in song, you must listen to Gretchen Peters’ Dancing With the Beast.

May 16, 2018

Georgia native Brent Cobb’s talents has been known to Nashville’s elite for a decade, writing songs for the likes of Little Big Town, Miranda Lambert, and Luke Bryan. His 2016 major label debut, Shine On Rainy Day, put not only his songwriting talents, but also his singing skills, on display to a wider audience. Since that album was released, Cobb has opened for artists such as Blake Shelton, and he will soon be on tour with Chris Stapleton. Shine On Rainy Day also received a nomination for Best Americana Album at the 2018 Grammy Awards. There has been much anticipation for Cobb’s follow up album, and It is now available.
Providence Canyon was recorded at the legendary RCA Studio A in Nashville with his cousin, award winning producer, Dave Cobb. If there is one thing we know about Dave Cobb’s production style, it is the fact that he allows the artist to shine through on the finished product, minus the unnecessary bells and whistles. That is exactly what you will find on Providence Canyon.
The album starts with a swirling steel guitar on the title track. The song talks about one of those almost perfect nights with friends that are so rare that it burns itself into your mind forever. “King of Alabama” has a groovy, swampy sound, and pays tribute to a personal music legend that has passed away. “Mornin’s Gonna Come” also has a swampy sound that is part Lynyrd Skynyrd, and part Jerry Reed, and gives the warning to not party too long. “Come Home Soon” is a laid back tune about being homesick. “Sucker For A Good Time” is a bluesy, slow stompper about a hard luck man that lets the pleasures of the world sets him back two steps for every step he takes forward. “High In The Country” is a beautiful song that has a sound that is reminiscent of the music of the 1970’s. “If I Don’t See Ya” is a southern rock style that lays down a rockin’ boogie that is sure to have you tapping your toes. “.30-06” is a funk filled song that warns a rounder to not mess with another man’s woman. “Lorene” is a gorgeous song that reminds us that some things can be left to tomorrow. Just take a break, and live for the moment. “When The Dust Settles” is bound to have everybody singing along, and tapping your fingers on the steering wheel while cruising down the road. “Ain’t A Road To Long” wrap up the album with rapid fire lyrics in the verses over a funky bass line, percussion grove, rockin’ guitars, and a soulful organ.

Providence Canyon is a great album for many reasons. The writing is outstanding. Add to that Brent Cobb’s vocal delivery, which is never in a hurry, paired with the powerful, gritty background vocals of Kristen Rogers, and you already have the makings of a outstanding album. Include the expert instrumentation, along with the genius of producer Dave Cobb, and you have one of the most enjoyable albums of the year. I highly recommend you give Providence Canyon a listen. If it does not get your toes tapping, and your head nodding to the music, you may want to check your pulse to see if you are still among the living.

May 9, 2018

This week I will review an album that is different than just about everything that is being recorded these days. The Roe Family Singers’ Songs of the Mountains, Song of the Plains,on Pinecastle Records, steps back in time to the days of the early recordings on American music. Kim & Quillan Roe have been performing for over 15 years, and playing the songs that are the bedrock of folk, bluegrass, and country music. This album features many songs that I have heard, and sang, in elementary school music class. What is interesting about this project is that the Roe Family Singers are creating new songs in the style of early recorded American music. Their original songs sound as if they could have been recorded by The Carter Family.
Songs of the Mountains, Song of the Plains has a plethora of instruments that are not widely played anymore: autoharp, musical saw, washboard, jug and kazoo. Add that the guitar, banjo, fiddle, and bass, and you have a unique sound in today’s music marketplace. This project includes classic songs like “Pretty Fair Maid in the Garden”, “Ida Red” and “Ol’ Rattler”, as well as songs from A.P. Carter (“Dixie Darling” and “Sweet Fern”), Bill Monroe (“Walk Softly on This Heart of Mine”), Woody Guthrie (“This Land is Your Land”), and Albert Brumley’s “Rank Strangers”. As I mentioned earlier, The Roe Family Singers adds their own songs, written and performed in an older style, including “O Young Lovers”, “John the Messenger”, “Peter Tosh”, “I’m Falling For You”.
If you are looking for something different to add to your music collection, The Roe Family Singers’ Songs of the Mountains, Song of the Plains is an album you need to purchase. This is a great way to hear the songs that spurred on the explosion of American recorded music, and new songs performed in that style. I am a big fan of music history, and this is music history performed in the here and now. Give Songs of the Mountains, Song of the Plains a listen today.

May 2, 2018

One day Willie Nelson will stop touring and recording. That day is not here yet. Willie just turned 85, is still touring, and has released a new album, Last Man Standing. The title of the new project is an indicator of theme of the album. Many of the songs deal with the situation of being one of the last of a special breed of performer. However, there is not a lot of sadness in this album. In fact, there is a great deal of humor, and matter of fact lyrics.
Some of the stand out tracks on Last Man Standing include the title track. It name checks Willie’s friends that have already left us (Waylon Jennings, Ray Price, and Merle Haggard), and the lingering question of why are they gone, and he is still here with lyrics like, “they lived as fast as me”. “I’ll Try to do Better Next Time” revisits the subject of reincarnation that was heard on “Highwayman”. Willie says he has tried to love everybody , “So I’ll throw a kiss to the ones that I missed and I’ll try to do better next time.” “Me and You” addresses the divide that is prevalent in the U.S. “Bad Breath” is my favorite song on the album. Willie has included humorous songs in his recent albums, and this is one of the best. The hook “Bad breath is better than no breath at all,” seems like such a simple line that songwriters everywhere are wondering why they did not think of it.
When you have a huge catalog of iconic songs, it is hard to match earlier success. As I have said before, Willie’s albums from the latter part of his career stand on their own. His most recent offerings find Willie paired with producer and co-writer Buddy Cannon. Together, they have created songs, and recorded albums that find Willie comfortable with his age, and all that comes with it. The voice sounds older, the subject matter is from the perspective of a person reflecting on all of life’s experiences, but their is still a rebellious streak that will never go away. Here is hoping that Willie Nelson with be the last man standing for a long time to come.

April 25, 2018

Ashley Monroe is one of the most overlooked singer-songwriters in country music. Her lyrics set a mood that her voice delivers with a feeling that is largely lacking in what Nashville offers us. Her album The Blade, gained critical acclaim, but not much radio time. That project was evidence of how talented Ashley Monroe is. She reminds us again on her latest album, Sparrow.
One of the most notable elements of Sparrow is the string arrangements. The strings add a depth to the already deep subject matter. Ashley Monroe wrote or co-wrote every song on the Sparrow, and with the help of producer Dave Cobb, they have created an album that finds Monroe exploring subjects that are absent in most of today’s mainstream country music. Some of the highlights of Sparrow include, “Orphan” addresses the struggles that orphaned children encounter, comparing them to sparrows that have been left to fend for themselves. “Mother’s Daughter” is a song about the fear of inheriting a parent’s bad habits and lifestyle. “Hands on You” is a sultry song about longing for unfulfilled desires. “Rita” is one of my favorite tracks on the album. Many songs are left up the listener to interpret. That is the case with this song. There is no way to understand the back story, but there is a longing in this song that cannot be missed. “Daddy I Told You” looks back at promises made by a child to their father, and is a kind of report card from a child that has grown up.
Ashley Monroe has released another gem in her latest album, Sparrow. She is able to combine country, folk, and pop effortlessly, and create music that is truly her own. There are only a few other current artists that can match that effort (Lee Ann Womack and Kacey Musgraves). With the success of The Blade, and the early positive reviews for Sparrow, Ashley Monroe has cemented her place as one of country music’s premier singer-songwriters.

April 18, 2018

Since releasing his self titled debut album in 1971, John Prine has been heralded as one of the great songwriter-poets in modern American history. His lyrics vary from the funny, to direct to the heart serious, with a voice that has an ever present, mischievous smile. He has been through some health scares over the years ( lung cancer and squamous cell cancer), that left his voice with a lower pitch, and a bit gravely. However, he has continued to record and tour. His latest album, The Tree of Forgiveness, is his first album of original material in over a decade, and it finds Prine a bit older, but still making high quality, poetic songs.
I love all the songs on The Tree of Forgiveness. Each one is pure John Prine, but I wanted to mention a few of the songs that stood out. “Egg & Daughter Nite, Lincoln Nebraska, 1967 (Crazy Bone)” is a look back at the good ole days. Some people when they think about the days gone by become sad, wishing things were the way the used to be. There is some of that in this song, but it is more of a happy ramble through the memories. “When I Get to Heaven” finds Prine making plans for the afterlife as only he can, including opening a nightclub, and smoking a cigarette “nine miles long”. One of the more dark songs on the album is “Caravan of Fools”. It warns to be careful of the company you keep. “Summer’s End” is a beautiful song that is about forgiveness. The song never addresses the story behind the plea to “come on home”.
It is worth mentioning that Dave Cobb is the producer of The Tree of Forgiveness. Again, he gets out of the way, and lets the artists showcase their talents. It is also worth noting that Jason Isbell, Amanda Shires and Brandi Carlile add background vocals on the album. As a person gets older, they spend a lot of their time reflecting on what has already happened, and pondering death. For many, those thoughts can be filled with regret and fear, but John Prine seems to handle it with a bit of humor, no grudges, and just rolls with life’s punches. I recommend giving John Prine’s The Tree of Forgiveness a listen.

April 11, 2018

Ned Hill is no stranger to the music industry. Along with his band, Ned Van Go, Hill has spent 15 years performing and recording. Now he has decided to take a run at a solo project. The sound on Six Feet Above Ground, is not totally different than previous albums from his band. Some of the harder edges are removed, and Hill’s singing and songwriting is on display.
Some of the highlights of Six Feet Above Ground include the opening track, “Half Alive”, complete with complimentary acoustic and electric guitar licks, laid back percussion, and strings. It talks about the feeling of trying to continue living after splitting with someone that, at the risk of sounding cliche, made you whole. “Detroit City (You’re One Tough Town)” is a tribute to the Motor City, and the hard knocks that it has gone through. “Revival” is a rollicking song that references many familiar Bible stories, and might make you want to shout. “Street of My Hometown” is an ode the small town American life that has died in many places across the U.S.
One of the things I like about Six Feet Above Ground, is that there is no attempt to polish Ned Hill. You get his gritty voice with no bells and whistles, or studio tricks added. It is real. As real as his lyrics. I am a huge fan of producers highlighting an artist’s talent, and getting out of the way. Big kuddos to producer for Dave Coleman for doing just that. I encourage you to not only listen to Six Feet Above Ground, but delve into the albums of his band, Ned Van Go. My Catch of the Week is Ned Hill’s Six Feet Above Ground.

April 4, 2018

Kim Richey is a name you may have heard of, but you may not know much about her. The singer-songwriter has had success penning songs for Radney Foster and Trisha Yearwood. However, she has not found the success she deserves as a performer. Her latest album, Edgeland, is an example of Richey’s talent. In her first album since 2013, Richey is back in the strongest way possible, showcasing her expert songwriting and singing.
Some of the highlights of the album include, “Red Line”, a song missing a train, and instead of watching “the world go by” from the window of a train, observing it pass from the train station. Also, “Chase Wild Horses”, a song about a glimpse back at the reckless abandon that comes with youth. Another outstanding song on this project is “Pin a Rose”, a song about a bad, perhaps abusive, relationship. “Dear John” is about a man that works on a boat on the Ohio River, and his attempt to avoid reading a Dear John letter. “Not for Money or Love” is a haunting song written from the point of view of a person’s soul that died before they had time to realize the joys of raising a family and old age.
It is good to have a new album from Kim Richey. She has always seemed to be on the outside of Nashville. With Richey being on the fringes of the Nashville scene, it is appropriate that the album is titled Edgeland. Maybe that is a good thing. It allows us to be blessed with great songwriting that is not whittled down to fit the mold of Top 40 Country radio. Give Kim Richey’s Edgeland a listen today.

March 28, 2018

If you are a fan of Emmylou Harris or Linda Rondstadt, then you will love the music of Courtney Marie Andrews. At times, her voice reminds me of each of those artists, in both her delivery and timbre. Her latest album, May Your Kindness Remain, puts Andrews’ voice at center stage. Even if she were just humming, the record would be worth a listen. Add her great songwriting talent to those vocals, and you have a project that is worth buying. Maybe buy two copies, and give a copy to friend.

Some of the albums highlights includes”Two Cold Nights in Buffalo” paints a picture that is so clear that you can feel the coldness and loss in the air. “May Your Kindness Remain” starts with Andrews’ soft, but powerful voice sliding from one phrase to another with a slight, almost yodel. Particularly on this song, her vocals remind me of those of Linda Rondstadt. “Rough Around the Edges” is a lament of someone who has lived a lot in her time, and it has made her a bit more cynical about life. “Border” sings the plight of those seeking a better life in the U.S. It is a current topic of conversation, but not a new one. This could be about immigrants at any time in American history. The song is a reminder that there are people, not just numbers in a news story, involved in this conversation. “Kindness of a Stranger” is a beautiful song, with a perfect balance between the lead and background vocals, piano, organ, and guitar. “I’ve Hurt Worse” is wonderfully sarcastic song about the things some people put up with from the one they love. “Long Road Back to You” is a great way to close out the album. This song about a journey has an almost gospel feel with the piano and background vocals, adding a reverent soulfulness.

Courtney Marie Andrews’ songs are just not well crafted, they are storytelling at it’s best. Although the 27 year old singer-songwriter has been performing and recording for many years, this is the first time most of us have heard of her. Man, what a way greet the music listening public. With her vocals and lyrics taking the listener up, down and through familiar emotions and situations, Andrews’ gift in connecting with her audience should make her a success for many years to come. May Your Kindness Remain is a Catch of the Week that you are going to want to hang on to for a long time.

March 21, 2018

The Oak Ridge Boys have nothing left to prove. With over 50 years of singing professional under the belts, they could sit back and enjoy the fruits of their labor. However, The Oaks are still going strong, performing a vigorous schedule of concerts across the country. In addition, they are still recording as well. On their latest recording, 17th Avenue Revival , The Oak Ridge Boys go back their gospel roots to deliver an outstanding album.
17th Avenue Revival , produced by Dave Cobb, starts with the traditional southern gospel sounds of “Brand New Star” . It is sure to get your toes tapping. The piano glides through “There Will Be Light” and brings to mind the southern gospel sounds of the 50’s and 60’s. “God’s Got It” is a classic quartet vocal style of southern gospel groups like The Statesmen, which drew heavily on black gospel arrangements, and features Joe Bonsall’s energetic lead vocals. Then, The Oaks then present a beautiful rendition of the George Bev Shea classic “I’d Rather Have Jesus”. Fans of the bass singing of Richard Sterban will love “Walk In Jerusalem”. I have heard “Where He Lead Me I Will Follow” many times over the years as a song on invitation of a church service, and The Oak Ridge Boys deliver as moving a version of this song as I have ever heard. “Pray to Jesus” is a funny song that has the musical feel of 1950’s rock and roll. They do a soulful version of “If I Die”, and close the album with a slow starting, then rollicking “Let It Shine On Me”.
The Oak Ridge Boys have their roots in gospel music. Even when The Oaks became a country act, much of their success can be attributed to the gospel, four part harmony from their earlier career. If you are a fan of The Oak Ridge Boys, you will love 17th Avenue Revival . If you are fan of gospel music, this is an album you need to give a listen. 17th Avenue Revival is proof that The Oak Ridge Boys are still going strong. Hallelujah, and God Bless The Oak Ridge Boys!

March 14, 2018

Dave Adkins has one of the most recognizable voices in bluegrass music. His powerful, slightly raspy pipes can be picked out without any prior knowledge of who the artist is, whether on recordings with Adkins & Loudermilk, The Dave Adkins Trio, or on his latest solo project, Right or Wrong. The Kentucky native has found success with songs like “Pike County Jail”, which led to Adkins being featured on bluegrass festivals across the country. You can add Right or Wrong to his growing resume of bluegrass victories.
There are ten tracks on this new album, and , in addition to Adkins, features an outstanding lineup of musicians, including Adam Steffey (mandolin), Terry Baucom (banjo), Justin Moses (fiddle and resonator guitar), Mitchell Brown (bass), Kyle Leapard (guitar), Tim Crouch (fiddle). The one thing that is consistent with a Dave Adkins project is the variety of songs that he includes. Right or Wrong is no exception. You will find hard driving tunes like “Blue Blue Rain”, and gospel songs, such as his take on MercyMe’s “I Can Only Imagine”. The first single from the album, “Blood Fued (Hatfields and McCoys)”, co-written with, and featuring veteran singer-songwriter Larry Cordle, has already moved to the top of the charts. The song is based on the real life story of one of the most famous fueds in U.S. history. “Goodbye Caroline” is an outstanding slow tempo, tune about leaving home, and the uncertanity that comes with change. “Him and West Virginia” is a great song about a lady that leaves behind her love to chase her dreams. “Cold in the Ground” starts out slow, then kicks into high gear, and tells about a man trying to outrun his troubles, but with little success.
Every time Dave Adkins sings, he delivers a certain soulfulness that cannot be faked. His voice delivers an emotion that gets right down to the heart of each song. With the success of the first single, “Blood Fued (Hatfields and McCoys)” Adkins has cemented his name among the best singers in bluegrass today. The rest of the songs on this project are a good reminder, as well. Give Right or Wrong a listen today.

March 7, 2018

There is not much more that needs to be said that has not already been uttered about the greatness and importance of Doc Watson. In his life, the North Carolina born, guitar picking legend made many memorable albums, and I have a great number of them. When he passed away in 2012, he left us with a catalog of more than 50 studio albums, plus several compilations. You can now add a new album to that long list of recordings with the release of Live at Club 47.
Live at Club 47 was recorded in 1963 in Cambridge, Massachusetts, and features Doc Watson in top form as a solo artists near the beginning of his career. Another album, Doc Watson at Gerdes Folk City, released in 2001, featuring live recordings from 1962 and 1963, is similar to Live at Club 47. However, in addition to featuring many songs that became part of Doc’s repertoire for many years, Live at Club 47 features a lot more of Doc talking to the audience between, and during, the songs. For those that never got to see him in concert, this new album gives a more complete idea of what it was like to see a concert featuring Doc.
The album finds Watson not only famously picking fiddle tunes and old time music on his guitar, but also playing harmonica, banjo, and autoharp. He covers songs by the Carter Family, Merle Travis, the Delmore Brothers, Pete Seeger, as well as spiritual and folk songs that are synonymous with the folk music revival of the 1960’s: “Deep River Blues”, “Wabash Cannonball”, “Billy In The Lowground”, “Little Margaret”, “I Am a Pilgrim”, and “Black Mountain Rag”.
There are no highlights on the album. Rather, the entire album is the highlight. The best way to listen to the album is straight through, as if you were a member of the audience at Club 47 in Cambridge, Massachusetts in 1963. It does my heart good to hear the newly released, old recordings from Doc Watson. If you are a fan of Doc’s, I feel sure that Live at Club 47 will bring a smile to your face, and set your toes to tapping.

February 28, 2018

Singer-songwriter Caleb Caudle is a music veteran, with his latest album, Crushed Coins, being his eight project. Before we talk about the new album, let me recommend listening to his previous releases. He is a great songwriter and performer. The new album finds Caudle’s talents on display. His expert songwriting, and straightforward vocal delivery is framed by perfectly selected instrumental placement, especially the steel guitar and strings.
Some of the highlights on the album includes, “Headlights”, a song about the disappointment that sometimes happens when a dream is realized. “Empty Arms” is about a relationship between a performer on tour and the one he loves at home. It is a mixture of country, distorted guitar, organ, and piano. The organ sometimes has the vibe of The Beatles’ “Strawberry Fields Forever”. “Stack of Tomorrows” is about putting in the work now, so you can spend the future with his better half. “Six Feet From the Flowers” is a beautiful, but sad song about trying to carry on after the death of a loved one. “Love That’s Wild” is a love song that strips away all the fairy tale elements that are sometimes associated with life and love songs. However, at it’s essence, love is still a magical, almost explainable thing. You know if you have it, or have lost it.
I recommend checking our Caleb Caudle’s Crushed Coins. His ability to craft songs, and present them is true art. His voice cuts through the recordings with a delivery that demands you sit up and listen because what he is singing is important. Add to the outstanding storytelling, the expert arrangements and instrumentation make Crushed Coins a definite must listen album.

February 21, 2018

This week we revisit Lee Roy Parnell’s 2017 release, Midnight Believer. If you grew up during the 1990’s, as I did, you may be familiar with Lee Roy Parnell. The Texas born and raised singer, guitarist, and songwriter hit the country charts with songs like “What Kind of Fool Do You Think I Am”, “Tender Moment” , and “A Little Bit of You”. He was one of my favorite artists from that era, as much for his singing as his guitar playing. continued to record and tour into the 2000’s. Parnell has now released Midnight Believer, his first album since 2006, and it is evident that he is still going strong.
As with most of Parnell’s previous work, many musical styles are included: blues, country, soul, and gospel. From the soulful “Too Far Gone” to the bluesy “Hours in Between”, from the country tinged “Pontchartrain” to the slow and beautiful “Sunny Days” (complete with a guest appearance from The Fairfield Four), your ears will experience one of the great mixing of musical styles released this year. There are a total of ten songs on this album, and each one is as enjoyable as another.
It is good to see Lee Roy Parnell releasing new music for the first time in over a decade. For our younger listeners, I encourage you to check out not only Parnell’s latest project Midnight Believer, but also his earlier work. He is one of the most talented, underrated, and underappreciated artist of our times. If you doubt what I am telling you, take a listen, and you will soon be a believer.

February 14, 2018

Volume Five is a group that has been that I have been aware of for many years. It seems that the rest of the world has just recently become aware of this collection of talented musicians and singers. Last year they were given two awards from the International Bluegrass Music Association (IBMA): Emerging Artist of the Year and Song of the Year Award for “I Am A Drifter” written by Donna Ulisse and Marc Rossi. Volume Five’s members are Glen Harrell (lead vocals and fiddle), Colby Laney (guitar and vocals), Patton Wages (banjo and vocals), Chris Williamson (bass and vocals), and Jacob Burleson (mandolin and vocals). Volume Five have released great albums over the years, including Voices and Drifter. Their latest, Milestones, may be there best album to date.
Milestones is full of great songs. Some that stand out to me include the lead single from the album, “Now That’s a Song”, a tune that notes the things in life that are sometimes overlooked, but are the makings of a good song. “Haley” is a powerful song. I can feel the emotions of the narrator of the song. The song tells a story without many details. In fact, there are some gaping holes in the story. I think that is what makes this song so strong. The listener can fill in the blanks, and draw their own conclusions. “The Lamb, The Lion, and The King” is a cover of from The Crabb Family’s catalog. For years, I have thought this song needs a bluegrass treatment. What a great job by Volume Five on this modern southern gospel classic. “Looks Like Losing You” is a classic, well written song about a lost love. “North Dakota” is the tale of a man trying to make a living for his family in North Dakota, and feeling that his better half deserves better than what they have. “Lonesome Cry of the Whipporwill” is a lonesome bluegrass tune that will be a favorite of traditionalist. Volume Five even covers a CCR song, “Looking Out My Back Door”, and they do a fine job with the tune.
Although I like all of their previous efforts, Milestones is my favorite Volume Five album. It is their most complete album, and much like Voices and Drifter, it has the Volume Five sound. The vocals, instruments, and song selection all aid their signature sound. I encourage you to listen to Volume Five’s Milestones today.

February 7, 2018

Mary Gauthier is one of the preeminent song writers of our times. She is able to tell stories that are rooted in her own experiences, no matter how painful they can sometimes be. On her new project, Rifles and Rosary Beads, she has combined her talents with the stories of military veterans and their families. The album came about through work with the group SongwritingWith:Soldiers, a non profit group started in 2011 that puts soldiers with professional songwriters together to put their stories to music, and to help with the struggles of having served, and trying to return to their everyday lives stateside.
At this point in my review I usually point out some of my favorite songs of album. This time I will not do that. Each of these songs should be listened to, and listened to again. Each song tells the story of someone touched by war, whether the veterans or their families. It would be an injustice for me to point you to one song because I feel it could be distracting you from all the stories, each one important, that are being told. Again, listen to Rifles and Rosary Beads, and listen to it again.
Each song on Rifles and Rosary Beads, gives a glimpse into the weight that U.S. veterans and their families carry each day, sometimes for years. A recent study shows that more than 7,400 current and former members of the U.S. armed forces meet their demise at their own hands. Rifles and Rosary Beads gives voice to the veterans, and reminds us that sometimes just a pat on the back and a word of thanks for their service, although appreciated, is not enough medicine to treat those wounds that sometimes never heal. God bless Ameica, and God help the veterans, and their families, that lived through hell on earth, so we can enjoy our milk and honey.

January 31, 2018

January 24, 2018

I try to keep up with the all of the new music releases in the world of country music, and neighboring genres. However, I am not an expert. Many times listeners will alert me to a new group or recording. Walker McGuire is one of the acts that I was told about by our listeners. Their song “Til Tomorrow” took off on my show, getting a great number of requests. That song is included on their new, self-titled EP.
The Walker McGuire EP consists of five songs. The aforementioned “Til Tomorrow” is very familiar with most listeners, as it has landed on the charts inside the Top 40. Other songs on this EP include “Lost”, song about the desire to remain young, but feeling lost without that special someone in your life. Also, “Mysteries of Life” is a great love song that ponders many of life’s unanswered question, such as the destination of socks in the dryer , and, most importantly, how he ended up with the girl of his dreams. “Best Kinda Bad” is about a subject that has been a constant in music, movies and literature for many years; wanting to be with a person that you, and everybody else, knows is not good for you. “18 Forever” toasts the days of our youth, when young and dumb described just about everything you did.
It is impossible to please everyone. That is true, but Walker McGuire’s new EP will please many people. It is a modern project mixed with traditional musical elements, featuring strong harmonies, clever writing, and radio friendly hooks. There is something here for everybody. I encourage you to take a listen to Walker McGuire’s self-titled EP today.

January 17, 2018

This is the time of the year when not many albums are released, but we don’t have to wait very long for new music. So, this week’s for The Catch of the Week, we are going to look ahead to albums that will be released in the first part of 2018:

Walker McGuire- Walker McGuire EP – January 12th
On the strength “Wait Til Tomorrow”, Walker McGuire’s EP has just been released. This country duo’s harmonies are bound to please traditionalist as well as fans of modern country music.

LANCO – Hallelujah Nights – January 19th
This upcoming release should do well for LANCO, riding high on the success of their single”Greatest Love Story”. The 11 track album is produced by Jay Joyce (Little Big Town, Zac Brown Band and Emmylou Harris).

Moe Bandy – Lucky Me (Book) – January 26th
Although there is not album, I thought it worth mentioning. This Moe Bandy autobiography should be an interesting read, and make folks check out the discography of this country legend.

Montgomery Gentry – Here’s To You – February 2nd
Prior to the death of Troy Gentry in a helicopter crash in September the duo had recorded new music for this upcoming album. There have been rumors circulating that Eddie Montgomery may actually do some shows in support of the album.

John Oates – Arkansas – February 2nd
One half of the Hall and Oates, John Oates is trying his hand at a more stripped down, acoustic approach. From what I have heard with the title track, this is not a rock star attempting a money grab in country music. It actually sounds genuine and sincere.

Eric Church – 61 Days in Church – April 21st

This has been released to fan club members, and as a pre-order. This will be a collection of live recordings that showcase Church’s much talked about concerts. For more details check out www.61daysinchurch.com .

January 10, 2018

LeDoux-It is a name that country music fans from my generation first heard Garth Brooks utter in his song “Much Too Young (To Feel This Damn Old)”. That was in the days before the internet, so i could not just enter the name into a search engine, and find out instantly who this mystery man, LeDoux, was. Luckily, it was not long until a record company came calling, and we were blessed with “Whatcha Gonna Do with a Cowboy”, “Cadillac Ranch”, and “This Cowboy’s Hat”. Eventually we discovered that Chris LeDoux had been recording since the 1970’s, and, by the way, he was an honest to goodness cowboy, winning the 1976 World Bareback Riding Championship at the National Finals Rodeo. By 2000 he was dealing with illness, and 2005 he left this world. His music holds a special place in the hearts of country music fans that were seeking authentic songs of the west. There were and are still folks singing that brand of songs, but he was their ambassador to a mainstream audience.
Now there is another LeDoux that is making music, and it is a welcome sound to those fans. After releasing his first EP, Forever a Cowboy, Ned LeDoux, Chris’ son, has released his first album, Sagebrush. The EP is incorporated into this broader album. Ned’s mother gave him a stack of his father’s unfinished songs. Ned worked with famed Nashville songwriter and producer Mac McAnally to finish and record the songs. Ned sounds a lot like his father, not just in his vocals, but also in the delivery of the lines. It gave me goosebumps when I heard the the song “We Ain’t Got It All”, one of two songs co-written by Ned, Chris and Mac, the other being the title track. “Brother Highway”, a song penned by Ned and Mark Sissel, will make you want to hop in a truck, point it west, and drive. A song written solely by Chris LeDoux, “Johnson County War”, tells the story of a real conflict between ranchers and large cattle companies in Wyoming during the late 1800’s. You almost feel like you are there. Another song on the EP is “The Hawk”. This song written by Ned is about life after his father’s death, and how even though he is gone, he feels like Chris is still watching over the family. Some of the standout tracks on Sagebrush that are not included on the original EP include “Some People Do”, “Another Horse to Ride” and “Better Part of Living”. “Some People Do” is a tribute to the people who choose to live in the harshest of conditions under the western sky. “Another Horse to Ride” is another song of perseverance. Although it has a cowboy theme , the lesson can be applied whether you are a roper or not. “Better Part of Living” is a song that deals with the working man’s philosophy; the best things in life are not money or material possessions. There is also an excellent cover of Chris LeDoux’s “This Cowboys’ Hat” that features Chase Rice along with Ned.
They say the apple does not fall far from the tree. I would say that is the case with Ned LeDoux. He inherited his father’s vocal chords and ability to paint western scenes in our minds. If I still had a tape player, I believe a tape of Ned LeDoux’s would be worn out just like Chris’. Once you take a listen to Sagebrush, I believe you will want to add it to your music collection.

January 3, 2018

I thought I should look back through the albums of 2017 to see if I had missed anything. It turns out that I had. Mississippi’s Aaron Vance released an album in 2017 called My Own Way. I was not familiar with Aaron Vance’s music, so I started digging. He is, to borrow from Alan Jackson, “chasing that neon rainbow”. It is an uphill climb for Vance. He is singing a style of country music that is , at the moment, not hip. On top of that, the odds are stacked against him as an African-American country singer. Outside of Charley Pride and Darius Rucker, it is hard to find another successful black country music artist. Despite all of the obstacles in his path, Vance is pushing forward with his latest album, My Own Way.
Some of the highlights on the album include the title track, which announces that he will continue to make music his own way. “Where Did Music Row Go Blues” is a song about the current mood in Nashville towards tradition. We all know that things change, but to change so drastically with nothing but a name drop in a song does not cut it. I love it! Another stand out track is the love song “Diamond Kind of Love”.
I can’t help but cheer for the underdog. That is what I am doing here. Aaron Vance is unapologetic in his approach to following his country music dream. I hope to see someone give him a shot. That is all any artist needs is a shot. If the shot does not work, so be it, but let the public decide. Stick to your guns, don’t forget your roots, and good luck Aaron Vance. Give his album My Own Way a listen today.

December 20, 2017

You might be familiar with Summer Brooke & The Mountain Faith Band from their run to semi-finals on “America’s Got Talent” in 2015. Since that national introduction, the North Carolina based bluegrass band has been busy making record and touring. They decided to combine the recording and touring in their latest album, The Sounds of Christmas. The album was recorded in front of a live audience at the Smoky Mountain Center for the Performing Arts in Franklin, N.C.
The album covers many standards of the season, while adding their own touch to these classics. Some of the holiday favorites you will recognize include “Winter Wonderland”, “Jingle Bell Rock”, and “Sleigh Ride”. They also include Christmas hymns “Joy to the World”, “Silent Night”, and “Carol of the Bells”. The song “Christmas in Heaven” will give some solace to those that are missing loved ones that have passed on. “Santa Train” will get your toes tapping, and help get you in the Christmas spirit. “Also, their rendition of “Come On Ring Those Bells” is wonderful, and includes an Irish whistle that sets this version apart from others.
This only scratches the surface, as The Sounds of Christmas has 16 songs of the season. To record a Christmas album, and make it sound different than the dozens of other holiday musical choices is quite a feat unto itself. Add to that the fact that this is a live album, and it is even more of accomplishment. Summer Brooke and The Mountain Faith Band’s The Sounds of Christmas is an album you want to add to your holiday music collection.

December 13, 2017

Porkchop’s Albums For the Music Lovers on Your Christmas List

(in no particular order):

Chris Stapleton- From a Room: Volume 1 and Volume 2
Lee Ann Womack- The Lonely, The Lonesome & The Gone
Midland- On the Rocks
Radney Foster- For You To See The Stars
Lee Roy Parnell- Midnight Believer
Sara Evans- Words
Amanda Anne Platt & The Honeycutters- Amanda Anne Platt & The Honeycutters
Rhonda Vincent and Daryle Singletary – American Grandstand
The Secret Sisters – You Don’t Own Me Anymore
Jason Isbell and The 400 Unit- The Nashville Sound
Angaleena Presley – Wrangled
Willie Nelson – God’s Problem Child
The Mastersons – Transient Lullaby
Natalie Hemby – Puxico
Alison Krauss – Windy City
Rodney Crowell – Close Ties
Marty Stuart and His Fabulous Superlatives – Way Out West
Whitney Rose – South Texas Suite
Sam Outlaw- Tenderheart
Aaron Watson -Vaquero
Chris Jones and The Night Drivers- Made to Move
Tyler Childers- Purgatory

December 6, 2017

Earlier this year, Chris Stapleton released the critically acclaimed, and Grammy nominated From A Room: Volume 1. With the title of that album, the cat was out of the bag, there would be a Volume 2. I have been waiting for the follow-up since I finished listening to the final track of Volume 1. The “A” in the album’s title refers to the famous Studio A in Nashville, where the project was recorded. Just like the first album, From A Room: Volume 2 , is co-produced by Stapleton and Dave Cobb (Sturgill Simpson, Jason Isbell),and features tunes that combines elements of country, blues, and rock and roll.
Volume 2 is a bit more sparse musically than Volume 1. There is no steel guitar or harmonica that was prevalent on the first installment. I have no problem with that, but it noticeable. Chris and Morgane Stapleton’s voices are like instruments themselves, so you don’t need much more than their powerful harmonies and a guitar to make a tune enjoyable. These songs are well written, and I would not expect anything else from Stapleton. A couple of the songs have been recorded before (“Drunkard’s Prayer” by John Michael Montgomery and “Midnight Train to Memphis” by the Stapleton era version of The SteelDrivers). The album starts with “Millionaire”, a beautiful love song about a poor man’s riches found in his better half. “Hard Livin'” has a Waylon Jennings musical feel. Add that to Stapleton’s powerful voice, and, son, you are in for a foot stomping road tune. “Scarecrow In The Garden” is one of my favorite songs on the album. I am a sucker for a story song. It is the history of a Irish immigrant family through the years, and it sounds like this part of the family line will end soon. “Nobody’s Lonely Tonight” is a slow bluesy number that is perfect for Stapleton’s voice. “Tryin’ To Untangle My Mind” is song about tyring to understand at the poor choices that have brought to you present situation.
“A Simple Song” is just that. A song about the struggles and simple pleasures that a common man experiences. “Midnight Train To Memphis” is a rocking rendition of the aforementioned version from The SteelDrivers. I like both versions, and it would be hard for me to pick a favorite. By the grace of God, I have never been an alcoholic. However, I have talked to many people that have been through that struggle, and many of their stories echo this song. The bottle has a strong hold on them, and even though they cry out to heaven, for whatever reason, they can’t seem to stop drinking. This song is done in a stripped down style with just Stapleton and an acoustic guitar. It reminds me of something that Willie Nelson could have recorded.
“Friendship” is a bluesy, almost gospel styled song about true friendship. You may recognize the song as a Pop Staples regular. When I heard this song, mental pictures of my friends that are true blue came to mind, and brought a smile to my face.
From A Room: Volume 2 was worth the wait, and not a disappointment. I have read some music critics reviews of this new album, and they criticize how it sounds too much like Volume 1. I don’t know what anybody expected. It is not like it there was a long time between these album. Plus, they are done in a certain style that Studio A captures. Besides, everything on Top 40 County radio sounds so similar that I cannot tell one artist from another. I can definitely tell Chris Stapleton apart from everyone else. The songwriting, singing, playing, and production is outstanding, and it lets the artist’s talent shine through. You do not need fancy production tricks or Auto-Tune when dealing with Stapleton. If you go to a show, he can recreate these songs just as you hear them on the album. As I said in my Volume 1 review, I would recommend that everyone leave Chris Stapleton alone, and let him continue to release great albums.

November 29, 2017

Unlike in sports, where someone can be deemed the best through the measure of yards,and the number of points and wins, it is unfair to say someone is the best in a subjective field, like songwriting. Everyone knows who the great songwriters are, and if you are included in that short list, you can be argued to be one of the best. Kris Kristofferson is in that elite group. His songs are not just well crafted, but his style of writing changed Nashville forever. The 81 year old legend was paid tribute to in a 2016 concert at Nashville’s Bridgestone Arena by country music stars from many generations. The concert was recorded for posterity, and released as the album The Life and Songs of Kris Kristofferson.
The stars that joined in the celebration is a who’s who: Reba, Martina McBride, Lee Ann Womack, Jessi Colter, Jamey Johnson, Alison Krauss, Rosanne Cash, Emmylou Harris, Rodney Crowell, Willie Nelson, Hank Wililams, Jr. , and Eric Church. All of the tracks our wonderful, and fitting tributes to Kristofferson. For me, the standout track on this recording is Lady Antebellum’s “Help Me Make It Through The Night”. The harmonies and vocal trade offs are phenomenal, and highlights the talent off Lady Antebellum, and the songwriting prowess of Kris Kristofferson.
There is a little bit of sadness with The Life and Songs of Kris Kristofferson. He is 81 and is having serious health problems. However, there is a smile through the tears because of the great catalog of songs that Kristofferson has given the world. It made me happy to hear the songs of a living legend, especially because he is a LIVING legend. To have Kris Kristofferson participating in this legendary concert is the best thing about the recording. To have the opportunity to be heralded by some of the best in the business has to be gratifying. Take a listen to The Life and Songs of Kris Kristofferson, and enjoy this once in a lifetime talent.

November 22, 2017

The title of Balsam Range’s new album, It’s Christmas Time, says it all. It is the time of the year when people start decorating the their Christmas tree , decorating the house, and baking holiday treats. If you are like me, you look for the right music to play while enjoying the festivities, and this new EP is perfect. As with every Christmas album, most of the songs you have heard before. As for me, when it comes to Christmas recordings, this is not a problem. The familiarity of the tunes mean you will be tapping your toes and singing along in no time.
What I like about It’s Christmas Time is the mixture of bluegrass with string arrangements, and tight harmonies. The combination gives this EP a classic sound on the songs “Christmas Lullaby”, “The First Noel”, “Hark, The Herald Angels Sing”. Even on the instrumental “Jingle Bells”, the strings and bluegrass instruments combine very well. The most straight forward bluegrass song on the album is “I’m Going Home, It’s Christmas”, and it is bound to please traditional bluegrass fans everywhere. “Rockin’ Around The Christmas Tree” also has a heavy dose of bluegrass, but combined with a saxophone solo that is reminiscent of Brenda Lee’s version. It will surely set your toes to tapping.
It can be easy to be cynical when a new Christmas album comes out. I have been that cynic. However, this is a well recorded project with a good cross section of songs and styles. I would recommend giving It’s Christmas Time a listen. Once you do, like me, you may be adding this to your Christmas music collection

November 15, 2017

I love discovering groups for the first time. Listening to their current album, while trying to digest as much information about the band as quickly as I can. I live for those moments. I had a chance to experience that sensation again this week with the Turnpike Troubadours. This Oklahoma based group is not new. I am just late to the party, but what a party it is. They are regional favorites, and their albums have had success on the country album charts. The Turnpike Troubadours don’t sound like anybody else in that is in the mainstream at the moment, and maybe that is what drew me to them. They are blazing their own trail with a mixture of country, rock and roll, and bluegrass. Their latest album, A Long Way From Your Heart, displays the amalgamation of sounds that exemplifies the Turnpike Troubadours.
The album has a real down home, dirt under your fingernails sound, and the storytelling is outstanding. The entire album is enjoyable, but I will highlight a few of the tracks that stood out. The opening track, “The Housefire”, is a story of loss, both of possessions and relationships. However, instead of the expected downright despair of dealing with crisis, there is a sense of quite perseverance. “The Winding Mountain Stair Blues” gives you a heavy dose of high speed bluegrass. “Unrung” is about someone telling a friend to be careful getting involved with a younger woman. It seems that caution has been thrown to the wind, and as the song says, “that bell can’t be unrung”. I really like the sound of “Pipe Bomb Dream”, with it’s twangy lead guitar, fiddle, steel guitar, and, yes, real drums. It is a song about a guy that was trying to stay a step ahead of the law. “Sunday Morning Paper” is a tribute to the musical influences that are slowly passing us by. It starts slow, then cranks into a rollicking beat that is parts Waylon Jennings, Merle Haggard, and Leon Russell.
If you are looking for a refreshing sound that will deliver you from the mundane music factory that Nashville and every other music center is producing, check out the Turnpike Troubadours. Their blend of sounds and stortelling will give you hope in the future of music. There is nothing complicated here. It’s just pure and simply enjoyable. Give A Long Way From Your Heart, a listen today.

November 8, 2017

You may not know the name Brad Hudson, but if you have listened to bluegrass, gospel, or attended a show at Dollywood you have probably heard him. Hudson has played with The Larkins (who gained popularity at Dollywood), Lorraine Jordan and Carolina Road, and gospel favorites Jeff and Sherri Easter. Recently, he has also appeared as a member of bluegrass supergroup Sideline. Now we have Brad Hudson’s first solo project, Next New Heartbreak.
The multi-instrumentalist, singer, and songwriter highlights his talents on this new album, but he did not do it all on his own. Hudson receives help from Steve Dilling (banjo and vocals), Skip Cherryholmes (guitar and vocals), Aaron Ramsey (mandolin and guitar), Ron Stewart (fiddle and banjo), Clyde Mattocks (dobro), Jeff and Sherri Easter (vocals), Dolly Parton (vocals), and even his grandma, Betty Swinson. With this collection of talent backing Hudson, you have an outstanding project. Some of the standout tracks on the album includes the up-tempo opening track, “Ramblers Song”. You can picture the scenery flying past you from the inside of a tractor trailer cab with “Truckers Blues”. “Smoky Mountain Strong” is a song written in response to the wildfires that burned so many acres, and changed so many lives in the fall of 2016. The resolve of the people of the mountains can be felt in this song. “The Day My Daddy Cried” is a powerful tear jerker. Grab the tissues. The gospel favorite “Beulah Land” features a bit of Hudson’s grandma singing at the beginning. Then, he is joined by Jeff and Sherri Easter. It is a beautiful recording. Their are two great instrumentals included on the album, “Hugging The Hound” and “My One and Only (Crystal’s Song)”, the latter being a tribute to Hudson’s wife.
Whether it is with Sideline or as a solo artist, do yourself a favor and go to a concert featuring Brad Hudson. This talented artist will please your ears, whether as a singer or instrumentalist. All of those talents are on display on Hudson’s new album Next New Heartbreak. Give this album a listen today.

November 1, 2017

When Lee Ann Womack releases an album, everyone sits up and takes notice. One reason is that her recordings usually capture a voice that is pure (keep that auto-tune to yourself). Yet another reason is that Womack doesn’t release albums as frequently as other artist. When her 2014 release ‘The Way I’m Livin’ was issued, it had been six years since we had heard her on a new project. Part of that was because of a dispute with her former label. Now when she blesses us with a new album , it is the musical event of the season.
Lee Ann Womack’s latest project is ‘The Lonely, The Lonesome & The Gone’. It finds her not only behind the microphone, but with pen in hand. Womack co-wrote half of the albums songs. The album is a mixture of country, soul, blues, and gospel, with Womack’s voice going from one style to another effortlessly. Her husband, Frank Liddell, is once again tapped as the producer. Some of the standout tracks on the album include, “All the Trouble,” a bluesy tune in which Womack’s soulful delivery makes you hang on every phrase. “Shine On Rainy Day”, written by Brent Cobb and Andrew Combs, is reminiscent of a sound from the ’60’s that is soul with a heavy dose of country. “End of the End of the World” is a song about happens when things finally work out after it looks like love was on the rocks. Womack covers the Harlan Howard penned, Patsy Cline song, “He Called Me Baby”. It is a more gritty and soulful interpertation than Cline’s, which included horns and strings. The title track is one of my favorite tracks on the album. As on the other tracks, Womack’s voice is front and center, and through it you can feel the emotion of the song. Antoher of my favorites is “Wicked”, a song with a lyrical and musical edge, that leaves you wondering just what occurred to lead this woman to end up in San Jacinto.
You will not find modern country, or strictly traditional country sounds on this album. Rather, you will find pure Lee Ann Womack. I do not throw this comparison around lightly, but Womack’s last two albums remind me of the musical choices that Willie Nelson has made in his career. It is almost impossible to peg Willie or Lee Ann as strictly one genre or another. It is better to label them as just what they are, themselves. Give ‘The Lonely, The Lonesome & The Gone’ a listen today, and if you are like me, you will give it more than one spin.

October 25, 2017

When you say Willie Nelson and stash, music might not be the first thing that comes to mind. In this case, it does involve music. Willie has pulled out a collection of recordings he made with his sons, Lukas and Micah, and is sharing his stash with the world. This is not the first time Willie has given us a taste of his stash. This latest album is ‘Volume 2’. The first volume was ‘December Day’ with his sister, pianist Bobbie Nelson.
‘Willie Nelson and The Boys, recorded in 2011, features a lot on Hank Williams, Sr. songs, including, “Move It On Over”, “Cold, Cold Heart”, and “Mind Your Own Business”, just to name a few. They also tackle Hank Snow’s “I’m Movin’ On” and Hank Locklin’s “Send Me The Pillow You Dream On”. It’s amazing how much Lukas and Micah sound like their famous father, and it is wonderful to hear Willie giving so much space for his sons to shine.
Willie has famously sang, “I woke up not dead again today”, a response to the premature reports of his demise. Although that is true, we are never promised tomorrow. That is why it is so special to receive this project from Willie that highlights not only him, but his family. I hope we hear more recordings like this from Willie. If there is one sure thing, it is that Willie always has a stash.

October 18, 2017

When Whitney Rose introduced herself to the world with her album ‘Heartbreaker of the Year’, I was hooked. Her songwriting and singing was not bound to current trends or tastes. She followed that up with the outstanding EP ‘South Texas Suite’. Rose is back again with ‘Rule 62′, which again highlights her songwriting and singing, and highlights her ability to create an album that suits her naturally.
In case you do not know, as I did not, the album title is a reference to a rule from Alchoholics Anonymous that says, and I paraphrase, “don’t take yourself too seriously.” With that title, Rose drives home the point that her admirers already know. Nine of the twelve tracks were written by Whitney Rose, and The Mavericks’ Raul Malo and Niko Bolas serve as the album’s producers . As on her previous projects, Rose is not afraid to tackle different styles, although rooted in country. There is the Tex-Mex style of “Arizona”, the sound of 1970’s country music with ” Trucker’s Funeral”. There is plenty of steel guitar, piano, twangy lead guitar, and fiddle to around on tracks like “I Don’t Want Half (I Just Want Out)”, “You Never Cross My Mind”, and “Wake Me in Wyoming”.
Whitney Rose’s singing, songwriting, and I cannot forget to mention, her band has put together another outstanding project. The darling of the Austin, TX music scene is slowly being discovered elsewhere. Don’t take yourself too seriously, but take my recommendation to the bank. Give ‘Rule 62’ a listen.

October 11, 2017

Chris Hillman has left his mark on American music. You can hear his contributions on recordings from The Byrds, Flying Burrito Brothers and Desert Rose Band. His influence can be heard in both country and rock-and-roll circles. After accomplishing all of that, what do you do for an encore? Well, if you’re Chris Hillman, you release ‘Bidin’ My Time’. The album was produced by Tom Petty. I had already decided to review this album before receiving the news of Petty’s death. The coincidence didn’t make my skin crawl, but I did have a case of goosebumps. ‘Bidin’ My Time’ is something of a pleasant surprise. Most people, including Hillman, thought that his recording career was done with his 2005 album, ‘The Other Side’. However, with the making of a new album, and, with help from former Desert Rose Band member Herb Pederson, getting Tom Petty on board as the producer, Hillman’s ‘Bidin’ My Time’ is a gem.
Some of the highlights on the album includes the album’s first track, “The Bells of Rhymney”, a song The Byrds previously recorded. This version features the backing vocals of former bandmates David Crosby and Herb Pedersen. Hillman is joined by another former bandmate and co-writer, Roger McGuinn, on “Here She Comes Again”. Hillman also sings an updated version of The Byrds “The Old John Robertson” in the bluegrass styled “The New John Robertson”. Herb Pederson joins Hillman again on a cover of the Everly Brothers “Walk Right Back”. “Given All I Can See” and “Different Rivers” are a great singer-songwriter offerings from Hillman. Another song from The Byrds, “She Don’t Care About Time”, is additional highlight from this album. Hilman closes the album with an excellent rendition of producer Tom Petty’s “Wildflowers”.
It is great to see Hillman recording again. He will also be touring in support of the album as well. If you get a chance to see Chris Hillman in concert, do it. Hillman is a legend, and has influenced rock, country and bluegrass acts. There is a very short list of artists that have had that kind of reach. Give Chris Hillman’s ‘Bidin’ My Time’ a listen today, and enjoy the sounds of a master at his craft.

October 4, 2017

If you listen to WLHR in the last couple of months, you no doubt have heard Midland’s “Drinkin’ Problem”. The song may sound a little out of place among today’s other popular country music singles. “Drinkin’ Problem” is definitely a throwback to the sounds of country music from years gone by. I was curious what the rest of the album was going to sound like. I have heard album tracks from modern artist that include a heavy dose of steel guitar and fiddle, but the rest of the album is drenched in beat tracks. However, we rarely hear a radio single that has an older style, much less receive significant airplay. Midland’s ‘On the Rocks’ is completely in the vain of “Drinkin’ Problem”.
‘On the Rocks’ provides 13 tracks that will call to mind the sounds of country music from the ’70’s and ’80’s. A lot of people have classified Midland as a nostalgia act, but just take a listen to this album, and you can hear how the band puts there on stamp on this style of music. Mark Wystrach, Cameron Duddy, and Jess Carson wrote or co-wrote every song on the album. The opening musical lines of “Lonely For Only You” totally drew me in. Besides “Drinkin’ Problem”, some of the other tracks that stand out includes, “At Least You Cried”, “Burn Out”, and “Nothin’ New Under the Neon”.
Although you can hear the influence of George Strait, Dwight Yoakam, Merle Haggard and Keith Whitley, I do not see Midland as a nostalgia act. They love the classic style of country music, and that is the vessel in which they deliver their songs. Not only will more people be exposed to Midland’s style of country music by listening to their ‘On the Rocks’, but also next year on tour with Little Big Town and Kacey Musgraves. Turn on ‘On the Rocks’ , sit back, relax, and let the steel guitar and fiddles flow.

September 27, 2017

When I was growing up, one of my favorite albums was Radney Foster’s ‘Del Rio, TX 1959’. Not only was it one of the best sounding albums of the ’90’s, but the album cover was simple, yet cool. As a bespectacled teenager with a guitar, Foster was added to my list of musical heroes, along with Buddy Holly and Elvis Costello. Through ‘Del Rio, TX 1959’, I discovered Foster’s earlier music with Bill Lloyd. Following Foster forward, I enjoyed his albums, not only for his singing, but for his ability to write songs that told stories. Radney Foster has now released a new album, and book, that is, perhaps, the best display of his talent as a storyteller.
Radney Foster lost his voice in November of 2015. He had to cancel shows, and could not even talk, having to communicate with his family through written notes. During that trying time of not being able to sing, Foster tried his hand at writing stories. Through the encouragement of his wife, and the critical eye of literary friends, he honed his new found craft, and now we have a book of short stories and a companion album called ‘For You to See the Stars’.
Each song on the album is inspired by a story in the book, or, according to Foster, vice versa. I have listened to the album several times through, but at the time of writing this review, I have only read about half of the book. I can assure you that I will be finishing the book very soon. The album features ten tracks, nine new tunes, and a new recording of his hit “Raining On Sunday”. Some of the highlights of the album includes the beautiful title track, “Belmont and 6th” (a song about the struggles of vets), “The Greatest Show On Earth” (a beautiful picture of a family get-together), “It Ain’t Done With Me” (a song about having to deal with one’s past). I can assure that you will be hearing songs from this album on The Breakfast with Porkchop Show is the weeks and months to come.
Do yourself a favor and get both the book and album ‘For You To See The Stars’. You do not need one to enjoy the other. The album and book can be enjoyed independently. However, if you enjoy good storytelling, I encourage you to buy both the album and the book. It does not matter which you enjoy first, but enjoy them just the same.

September 20, 2017

Larry Campbell and Teresa Williams have played important backing roles for scores of artists, including Roseanne Cash, Mavis Staples, Bob Dylan, and, most famously, Levon Helm, not only on recordings, but also as part of his legendary Midnight Rambles at his Woodstock, NY home. Although they have had quite a successful run in a musical support role for a who’s who of performers, this husband and wife duo struck out on their on with their 2015 critically acclaimed self titled album. They have released a new project, ‘Contraband Love’, that highlights their songwriting prowess along with a mixture of country, blues, and rock music.
The majority of the songs are original tunes that were written or co-written by Campbell. The album starts with “The Other Side of Pain”, a song with a you get what you deserve message from an ex-lover. “Save Me From Myself” showcases Williams emotional vocal delivery. Campbell does a great job on the rocking “Hit and Run Driver”. The title track is a sweet waltz that is reminiscent of a song that Emmylou Harris would have recorded. “Three Day in a Row” is a gritty blues shuffle that uses great imagery to paint the picture of the dire straits the in which character finds himself. Campbell and Williams tackle the beautiful Carl Perkins’ love song “Turn Around”, with the help of late Levon Helm on drums, in what was one of Helms’ last recordings. “When I Stop Loving You” is a soulful love song that expresses one person’s persistent, unfading affection for their lover. “It Ain’t Going To Be a Good Night” sounds just like it’s title suggests. You might want to find a place to hide because the cards are not in your favor. Probably most well known as a song from Bessie Smith’s catalog, “Might Sweetie Went Away” is presented Campbell and Williams in a bluesy New Orleans style, complete with a tuba taking the place of the bass. The husband and wife produce great harmonies on the rocking “The Wishing Well”. The swamp blues of “Slidin’ Delta” is a great way to wrap up the album. I really like the Jimmy Rogers yodel, provided in harmony, by Campbell and Williams
Add ‘Contraband Love’ on top of their 2015 self-titled debut album, and Larry Campbell and Teresa Williams have proved that they belong out front, not just behind other artists. With the amalgamation of all the styles, this album will be classified as Americana. That would not be an incorrect assertion. However, I find that most music that are given that label can only be defined one of two ways, either good or bad music. In fact, I think most music in any style can be defined that way. ‘Contraband Love’ definitely falls into the good category.

September 13, 2017

The Grascals have been favorites since their inception, and their latest album, ‘Before Breakfast’ is bound to keep them in bluegrass fans’ good graces. The IBMA award winning group consists of In a guitarist Terry Eldredge, bassist Terry Smith and mandolinist Danny Roberts, banjoist Kristin Scott Benson , fiddler Adam Hayes, and guitarist John Bryan. The group’s selection of songs on this new album fits them perfectly.
The album starts out with the the dark song, “Sleepin’ With the Reaper”, penned Becky Buller and Grant Williams. I like the fact that bluegrass and country writers are not afraid to write songs like this. It reminds me that life is not always sunshine and roses. The Grascals follow that up with “Demons”, another song that has some more darker, but real lyrics. The song was written by country legend Bill Anderson and Jon Randall. You may recognize it, as the song was recorded earlier by Kenny Chesney. The mood picks up a bit with Delia, which will definitely get you toes to tapping. No bluegrass album would be complete with a gospel number or two. The Grascals have included “I’ve Been Redeemed”, “There Is You”, penned by Kelsi Hargill of Flatt Lonesome, and the Flatt and Scruggs composition “He Took Your Place”. Band member Terry Smith, along with his brother Bill, penned the song “Lonesome”, a tribute to the lonely souls of the world, and haven’t we all been one at sometime. The band tackles a couple of drinking song, with the funny Harley Allen song “Beer Tree”, and the Tim Stafford and Bobby Starnes penned “Clear Corn Liquor” that includes a refrain of “Whiskey Before Breakfast”. The Webb Pierce song “Pathway of Teardrops” will be recognized by most bluegrass fans from the catalog of The Osborne Brothers. The Grascals’ version is fantastic! Band members Danny Roberts and Adam Hayes’ “Lynchburg Chicken Run” is a toe tapping new instrumental. The fiddle, mandolin, and banjo work on “Lost and Lonesome” is outstanding. Listen to this song while driving at your own risk. You may end up with a speeding ticket.
The Grascals have released some very enjoyable albums in their career. I have to say that ‘Before Breakfast’ is my favorite from beginning to end. The song selection, classic covers and new compositions, are spot on. This is an album you will want to listen to, not only before breakfast, but all day long. Give ‘Before Breakfast’ a listen today.

September 6, 2017

I am going to tell you about an artist that you may not be familiar with. I was not aware of him until recently. His name is Tyler Childers. He is not a new artist. In fact, he has been writing and performing for many years. That may seem an overstatement about the 26 year old Childers, but the years of hitting the stage, traveling, and trying to make ends meet have shaped the Kentucky native into the person he is today.
Tyler Childers’ latest album, ‘Purgatory’, is gaining attention across the country. Along with Childer’s great songwriting and singing, having Sturgill Simpson as a producer sure helps grab people’s attention. I do not want to underplay Simpson’s efforts on the album, but Childer’s is the star. It sounds as if Sturgill did what good producers do, and that is stay out of the way of the artist when they are creating. Childers’ music has shades of classic country, bluegrass, and soul. I try to stay away from comparisons, but I can hear the influence of Waylon Jennings, Sturgill Simpson, and maybe a little Steve Earle on this album. However, make no mistake, everything about this album is 100% Tyler Childers. For me, some of the highlights on the album include, the stripped down acoustic “Lady May”, the traditional country “I Swear (To God)”, and the Appalachian style murder ballad, “Banded Clovis”.
Childers’ music seems honest and pure. I think what many people are looking for in music today, no matter the genre. is honesty that can be captured, not created, in a studio. That is what you will find on Tyler Childers’ ‘Purgatory’. I suggest that you give it a listen today.

August 30, 2017

Sisters Shelby Lynne and Allison Moorer are vocal and songwriting powerhouses on their own. They have produced critically acclaimed albums during their careers. Since, I heard that they were going to be releasing a new duet album, I have been anxiously awaiting the release date. Now it is here! ‘Not Dark Yet’ sees the sisters combining their talents to create one of the memorable albums of 2017.
‘Not Dark Yet’ begins with a cover of The Killers’ “My List”. It is a very open, sparse recording featuring Moorer on the lead vocals. “Every Time You Leave” is a song written by Charlie and Ira Louvin. This is a sad song about a couple that tries to stay together, but ultimatley continue to separate. The title track is from Bob Dylan’s catalog, and finds Moorer once again singing lead. “Not Dark Yet” is a song that presents a feeling of despair. With Dylan’s lyrics and Lynne and Moorer’s harmonies, this is a winner. Lynne and Moorer’s cover of the Jessi Colter song “I’m Looking For Blue Eyes” is wonderful. The two voices in conjunction with the piano and steel guitar give this song a haunting sound. Lynne and Moorer present Townes Van Zandt’s “Lungs” in a dark, powerful arrangement. The mournful vocals, and musical arrangement, complete with percussive piano and lonely acoustic guitar lead line, frame this song perfectly. “The Color of a Cloudy Day” comes from the pen of husband and wife singer-songwriters Jason Isbell and Amanda Shires. Even if you didn’t know it, with the phrasing of the lyrics, you can tell this is a song from Isbell. This is a great cover. The sisters take on the Merle Haggard classic “Silver Wings”. The continuous harmony throughout the song, as compared to the strategically placed harmony lines in the Hag’s version, give this song a more of an Everly Brothers feel, and that is not a bad thing. They begin with Nick Cave’s “Into My Arms,” the lead single from his 1997 album The Boatman’s Call. The song, which proves the benefit of turning to rock for expert lyricism, is about a man’s devotion to his woman and the push to bring them together.One of the more unusual song selections of the album is Kurt Cobain’s “Lithium”. This is the second time in recent memory that an album has featured a Nirvana cover, the other being Strugil Simpson’s “In Bloom” from his ‘A Sailor’s Guide to Earth’. I think it shows that Cobain’s lyrics resonate with so many people, no matter their musical background. The only song that is not a cover on the album is “Is It Too Much”. It is a very intimate songs that is almost like a conversation between the sisters. This beautiful song shows that they know , and can relate to, each other’s pain and suffering,
Shelby Lynne and Allison Moorer have released an album that I have been waiting a long time to hear. With their gorgeous voices, expert instrumental arrangements and performances from the likes of keyboardist Benmont Tench, under the eyes and ears of producer Teddy Thompson, ‘Not Dark Yet’ is one of my favorite albums of the year. I don’t know how long it will be before we are given a duet project between these sister, if ever. I hope to hear more from them, but for now I will put this album on repeat, and kick back and enjoy listening to these artist work.

August 23, 2017

If you grew up during the 1990’s, as I did, you may be familiar with Lee Roy Parnell. The Texas born and raised singer, guitarist, and songwriter hit the country charts with songs like “What Kind of Fool Do You Think I Am”, “Tender Moment” , and “A Little Bit of You”. He was one of my favorite artists from that era, as much for his singing as his guitar playing. continued to record and tour into the 2000’s. Parnell has now released ‘Midnight Believer’, his first album since 2006, and it is evident that he is still going strong.
As with most of Parnell’s previous work, many musical styles are included: blues, country, soul, and gospel. From the soulful “Too Far Gone” to the bluesy “Hours in Between”, from the country tinged “Pontchartrain” to the slow and beautiful “Sunny Days” (complete with a guest appearance from The Fairfield Four), your ears will experience one of the great mixing of musical styles released this year. There are a total of ten songs on this album, and each one is as enjoyable as another. Because of that reason, I will not pick a favorite song on this album. It would be impossible for me to choose just one.
It is good to see Lee Roy Parnell releasing new music for the first time in over a decade. For our younger listeners, I encourage you to check out not only Parnell’s latest project ‘Midnight Believer’, but also his earlier work. He is one of the most talented, underrated, and underappreciated artist of our times. If you doubt what I am telling you, take a listen, and you will soon be a believer.

August 16, 2017

The Lonesome River Band has been one of the top bluegrass bands for 35 years. Through many albums and different band configurations, the LRB have been a standard bearer for bluegrass music. Since 1990 Sammy Shelor has been a member of the band, and by the early 2000’s he has been leading the band. Currently the band is made up of lead vocalists, Brandon Rickman (guitar) and Jesse Smathers (mandolin), along with Mike Hartgrove (fiddle) and Barry Reed (bass). Their latest project ‘Mayhayley’s House’ see’s the LRB moving in a more modern direction, tackling songs that will please country music fans, while still staying rooted in tradition.
Some of the country songs that the Lonesome River Band put on the album includes Crystal Gayle’s “Wrong Road Again”, Don Williams’ “Old Coyote Town”, Charley Pride’s “Hickory Hollow Times & County News”, and the Western Swing standard “Ida Red”. They also recorded a version of the Billy Yates and Melba Montgomery song “As The Crow Flies”. The LRB performing these songs sounds like a natural fit. Other songs on the album include the murder ballad “Blackbirds And Crows”, ‘Diggin’’’, a song about struggling to survive, “As Lonesome As I Am”, from the pens of Matt Lindsey and Shawn Camp, and post breakup song “I Think I’m Gonna Be Alright”. There is also the title track, the up beat “Lonesome Bone”, the bluegrass regular”Fly Around Pretty Little Miss”, and a Gary Nicholson and Shawn Camp tune “It Feels Real Good Goin’ Down”.
‘Mayhayley’s House’ has a little something for everyone. Whether it’s traditional bluegrass standards, interpretations of great country songs, or new songs, the Lonesome River Band is bound to please you one way or another with their new album. I encourage you to give it a listen today.

August 9, 2017

With the recent passing of Glen Campbell, I thought it would be appropriate to post an earlier review of one of his albums. This was originally posted on March 11, 2015:

I am still catching up on reviewing albums that were released a few weeks ago during the winter weather. This album was released on February 17th, although an EP consisting of 5 of the songs featured on the most recent recording was released in September 2014. Glen Campbell’s I’ll Be Me, the soundtrack to the documentary of the same name, features the final recordings of the country superstar. Campbell who was diagnosed with Alzheimer’s Disease, decided to document his final tour.

The film’s soundtrack album features Campbell on only six of its ten tracks. “I’m Not Going to Miss You” , is featured twice on the album, as bookends. The opening version features the Wrecking Crew, a group of L.A. studio musicians, of which Campbell was a member. The Wrecking Crew played on many albums in the 1960’s and 1970’s, including The Mamas and Papas, The 5th Dimension, The Beach Boys, and Phil Spector’s Wall of Sound. ”
“I’m Not Going to Miss You”, co-written by Campbell, deals with his condition directly. It’s sad and somber tone sets the mood for the remainder of the album.
Glen Campbell’s other offerings on the album includes, “All I Need is You”, ” The Long Walk Home”, along with “A Better Place” and “Wichita Lineman”, recorded live at the Ryman Auditorium.
The remainder of the album features Campbell’s daughter, Ashley, on “Remembering” and “Home Again”. She co-wrote both songs, which showcases her beautiful singing voice. I hope to hear more from her in the future. The Band Perry provide two versions of the John Hartford penned, Campbell classic, “Gentle of My Mind”, which has received airplay on country radio. Their poppy, rootsy interpretation of the song is surprisingly enjoyable.
I’ll Be Me reminds of us of how important music was and is to Glen Campbell’s life. Already knowing the situation that Glen Campbell and his family are going through did not lessen the feeling of watching a friend slowly fade away, in song, no less. Many people have watched family members and friends fight the losing battle with Alzheimer’s. Just as with those loved ones, Glen Campbell may lose his memories, but history will never forget.

August 2, 2017

Margo Price caught the eye of fans and critics in 2016 with her debut album, ‘Midwest Farmer’s Daughter’. Since then, she has been writing new songs, and adding those songs to her set lists on tour. Everyone has taken notice of that, and have been anticipating a new album. The rumors are that an LP is in the works, but in the meantime, Price surprised the public with a four song EP called ‘Weakness’.
Price recorded ‘Weakness’ in Memphis, just as she did with ‘Midwest Farmer’s Daughter’. The latter was recorded at the historic Sun Studios. The new EP was recorded at Sam Phillips Recording, opened by the Sun Studios founder in the 1960’s. With ‘Weakness’, she turned to producer Matt Ross-Spang, the producer of her debut album. Alex Munoz,her husband and bandmate Jeremy Ivey and Price also received productions credits on this EP.
The title track is a rollicking honky tonk tune, that is bound to please fans of classic country music. “Just Like Love”, co-written by Price and Ivey, is a dark, pensive track that is aided by the echo on her voice and the instruments. “Paper Cowboy” calls out a particular man’s manliness as nothing more than a veneer. This track allows for plenty of musical breaks and experimentation. Sometimes the music on “Paper Cowboy” reminds me of early country rock sounds, a la The Flying Burrito Brothers, at other times I draw a comparison to some of the spaciness of Sturgil Simpson. “Good Luck (for Ben Eyestone)” is a beautiful goodbye song dedicated to Nashville drummer Ben Eyestone, who died in July at the age of 28 due to cancer.
‘Weakness’ should tide everyone over until Margo Price’s next LP is released. This is an excellent way to get new music to the masses that have been asking for more since ‘Midwest Farmer’s Daughter’ was released. If you are looking for a break from the normal Nashville sound, ‘Weaknes’ is it. As a side note, the EP is available for download, but it also available on vinyl as a two 45s through Third Man Records.

July 26, 2017

After twenty years with RCA, and hits like “Suds in the Bucket”, “Born To Fly”, and “No Place That Far”, Sara Evans has embarked on a new venture with a her first album, ‘Words’, on her own label, Born to Fly Records. We have seen veteran country music artists do this very thing with varied results. In this case, Evans hits the mark with ‘Words’. Not only does is it pleasing to the ears, but it is just as satisfying lyrically.
The album finds Sara Evans teaming with her longtime producer Mark Bright to create an album that is familiar yet fresh. The songs cover many different styles, from the rootsy “Long Way Down”, to the pop styling of “Marquee Sign”, to ballads like “Make Room at the Bottom”. The songs come from the pens of many acclaimed songwriters, including as Hillary Lindsay, Gordie Sampson, Brett James, Darrell Scott, and Ashley Monroe. I enjoyed the country musical elements, fiddle and mandolin especially, that are found throughout the album, even on the more pop oriented tracks.
I know I am beating a dead horse, but this album reminds me that country music radio needs to sit up and pay attention to the overlooked albums from the fairer sex. The women of country music, even favorites like Miranda Lambert, don’t receive the airplay that they deserve. Add Sara Evan’s ‘Words’ to a long list of project from female artists that will not make Top 40 Country playlists. I keep hoping something will change, and we will hear Evans, Brandy Clark, Angaleena Presley, Ashley Monroe, Natalie Hemby, and the like, played alongside their male counterparts. Never the less, Sara Evans has made a statement with ‘Words’. She is ready to make music on her term, that is pleasing to the listener, and satisfying to the artist.

July 19, 2017

In the past few years, one of my favorite groups has been The Honeycutters. I discovered them through their album ‘Me Oh My’. The Asheville, N.C. group’s followup album ‘On the Ropes’ knocked me out. Their new album sports a name change to Amanda Anne Platt and the Honeycutters. Platt, an award winning songwriter, has been singing lead and providing the majority of songs for the group. The rest of the group, The Honeycutters are Matt Smith ( pedal steel,guitar), Rick Cooper (bass), Josh Milligan (drums,harmony vocals), and Evan Martin (keys, guitars). Amanda Anne Platt and The Honeycutters new self titled album continues to build upon their previous successes, with an amalgamation of country, folk, and rock music.
The 13 song album starts with “Birthday Song”, a look back at one’s life so far, at the uncertain future, but with the the happiness of being here now. “Long Ride” is a song of reassurance to someone who has experienced so many heartaches that it is expected again. The tasteful steel guitar sets, and maintains, the mood of this song. “What We’ve Got” is about having an eye opening experience, realizing that there is no need to look any further for someone else better. The person you have been with is exactly who you want and need. “Diamond in the Rough” is a reminder that no matter who you encounter, we are all human, and all want to be something special, and “just want to be somebody, somebody could love”. “Eden” is one of the standout tracks on the album. It paints the picture of American reality, not the American Dream. There is a sense of being close to the end of your rope, but it is overridden by a dogged determination that is the essence of the American Spirit. “The Guitar Case” is a song about the struggles of a musical troubadour. The melody is beautiful, and the piano on this song is refreshing. We need more ivories tickled in country music. According to their website, “Learning How To Love Him” was written by Platt, “after hearing an acquaintance of hers talk about learning that her husband of 40+ years was terminally ill. She says, “What really struck me was how she described the tenderness that the news brought back to their relationship.” Amanda sings, “’I woke last night and I felt so afraid, I turned on the light and shook him awake and we stared at the ceiling, listening to the sink drip… I spent my whole life learning how to love him and I never loved him more than I do today.” This is quite an extrodianary song, capturing the emotions of that situation.”Brand New Start” is about just what the title suggests, a brand new start in a relationship. “Late Summer’s Child” is laid back song, and there is something about the lyrics and musical arrangements that makes me feel the warmth of late day sunshine during the last days of summer, as it fades into the slight chill of nights that signify autumn will be here soon. “The Good Guys (Dick Tracy)” is a very interesting song, encouraging comic strip hero Dick Tracy to take the plunge. This song features excellent work on the keys and guitar. “Rare Thing” is an ode to a true love. “The Thing We Call Home” is about life on the road. The musical arrangement of this song would make it right at home at any honky tonk or dance hall in Texas. “The Road” is ending a stormy relationship with parting good wishes.
Amanda Anne Platt and The Honeycutters continue to impress with their songwriting and musicianship. I suggest getting their new self titled album, and listen to it while taking a ride through the country or the mountains. Once you have done that, I recommend purchasing their previous albums, and repeating the process. Remember, if you are looking for their previous albums, it will be listed as The Honeycutters. The new, self titled album will reflect the name change, Amanda Anne Platt and The Honeycutters.

July 12, 2017

Although she is the Queen of Bluegrass, Rhonda Vincent has always had an affinity for classic country music. From her early albums to current, Vincent has covered many country songs, including her album of duets with country star Gene Watson, ‘Your Money and My Good Looks’. Of course, we all know the love of classic country music that Daryle Singletary has displayed. When you put those two wonderful voices together, and you really have something special . Rhonda Vincent and Daryle Singletary have just released a wonderful new album, ‘American Grandstand’.
This is not the first time that Vincent and Singletary have teamed up. They harmonized on Singletary’s debut album on a cover of Keith Whitley’s “Would These Arms Be In Your Way”, and back in 2014 on the classic “We Must’ve Been Out of Our Minds”. On ‘American Grandstand’ they tackle take another turn on the latter. Vincent and Singletary include classic duets like “After The Fire Is Gone”, “Golden Ring”, and “Louisiana Woman, Mississippi Man”. They also add some great duets that may not be as recognizable, like Merle Haggard and Bonnie Owens’ “Slowly and Surely”, and George Jones and Tammy Wynette’s “One”. There is another George Jones song on the album, “A Picture of Me (Without You)”. Although the most famous version of this song is as Jones solo recording, George also recorded a duet version with Lorrie Morgan. So, this is not uncharted territory, just not frequently visited. “Up This Hill and Down”, a Osborne Brothers tune , is another great cover. Harlan Howard’s “Above and Beyond” is also included on this album, as well as, “As We Kiss Our World Goodbye”, “Can’t Live Life”, and the title track.
‘American Grandstand’ will be well received by fans of classic country music. The harmonies on this album are some of the most powerful duets in recent memory. I believe it comes through so clearly because every vocal performance was recorded in the same room, at the same time. That is almost unheard of in today’s world of country music. I recommend giving ‘American Grandstand’ a listen today, and feel the power and emotion in the voices of Rhonda Vincent and Daryle Singletary.

July 5, 2017

Throughout the history of country music, vocal harmonies have been one of key elements of the genre. The list of those that have displayed those harmonies is a who’s who of country music: Merle Haggard and Bonnie Owens, The Oak Ridge Boys, Buck Owens and Don Rich, and The Statler Brothers. Then, there is special subset of harmony singers. There are groups that are completely comprised of blood relatives, and for some reason, those harmonies are so tight that they stand out above the rest: The Everly Brothers, The Louvin Brothers, The Judds and Larry Gatlin and The Gatlin Brothers. You can hear those family harmonies from sisters Laura and Lydia Rogers, The Secret Sisters.
After catching everyone’s attention with their self titled debut album, the Secret Sisters’s album ‘Drop the Needle’ was met with mixed reviews from critics. They released from their record label in 2015, and many wondered how long it would be before we heard from the Secret Sisters again. The question has been answered with their new album, ‘You Don’t Own Me Anymore’, on New West Records.
‘You Don’t Own Me’ is a collection of 12 songs that showcases the gamut of emotions as told through the angelic harmonies of the Secret Sisters: from the heartbreak “To All The Girls That Cry” to the toe tapping “King Cotton”. Along with those two songs, some other that stand out on the album are their cover of Simon and Garfunkel’s “Kathy’s Song”, the dark and gritty “Mississippi”, the memory soaked “Little Again”, and the bluesy “The Damage”. I mention those songs as ones that stand out to me. However, there is not a weak track on this project. It is quite the opposite. “You Don’t Own Me Anymore” features harmonies that sound like they are from heaven, but, sometimes, from the perspective of someone that has gone through hell. A lot of people had written the Secret Sisters off, but, somehow, with the help of singer-songwriter Brandi Carlile (who produced this album to be made), they have resurrected their career. I recommend that you give the Secret Sisters’ ‘You Don’t Own My Anymore’ a listen, and notice the outstanding songwriting, and expert, heavenly harmonies.

June 28, 2017

After gaining critical acclaim with his 2013 album ‘Southeastern’, and the follow up album, the Grammy Award winning ‘Something More Than Free’, Jason Isbell has shown himself to be one of the most important songwriters in American music. His ability to craft songs, both lyrically and musically, is second to none. Fans have been anxiously awaiting Isbell’s new album from the moment they finished listening to ‘Something More Than Free’. With the introspection and personal growth that was shown on ‘Southeastern’ and ‘Something More Than Free’, many wondered on what the next album would focus. ‘The Nashville Sound’ from Jason Isbell and the 400 Unit has arrived, and that question has been answered.
‘The Nashville Sound’ is a mixture of reaction to current events, personal reflection, and becoming a parent. Isbell and his wife Amanda Shires, who is also a member of the 400 Unit, welcomed their first child in September 2015. With those subjects as the majority of the inspiration for the songwriting, Isbell and The 400 Unit went into the studio with producer Dave Cobb, who produced Isbell’s two breakthrough albums, and have created a gem of an album.
The album starts with “Last of My Kind”. This song is about feeling out of place where you currently are. In could be interpreted as a Southerner, or a person from the country, trying to find their place in the big city. The musical style on “Last of My Kind” is akin to what we have become accustomed to on ‘Southeastern’ and ‘Something More Than Free’, and act as way to ease the listener into the heavier, rocking sound on ‘The Nashville Sound’.
“Cumberland Gap” introduces the heavier sound from Jason Isbell and the 400 Unit. The song is about plight of coal miners and their families. I think this song will resonate with any working class person that is living paycheck to paycheck, just trying to survive. “Tupelo” is a laid back tune lamenting a previous life and love that is better than one’s current situation. “White Man’s World” has garnered the most opinions, positive and negative, of any song on the album. The song questions what progress has been made in our society, and what type of future future generations have to look forward to. Personally, I find it to be more of a self examination, and what can be done to make positive changes, than a song of hopelessness. “If We Were Vampires” is a song that acknowledges that even the greatest of marriages usually end, because of death, with one half of the relationship surviving alone. It is a sad, but beautiful song, and one of my favorites on the album. “Anxiety” deals with an issue that people are comfortable talking about, now more than ever. Even when everything is going great, there is a nagging thought in the back of your head that it is getting ready to fall apart. The musical arrangement of this song serves the lyrics well, setting the stage for the uneasiness that anxiety brings. “Molotov” addresses a previous stage of one’s life, a different life, if you will. “Hope the High Road” finds Isbell not complaining about the current state of things, but displaying some hope for the future to be better. There is some great slide guitar work on this song, too. The album closes with “Something to Love”, a song of best wishes to his daughter. This track and “Hope the High Road” balances the darker elements on the first part of the album with optimism.
‘The Nashville Sound’ is named as such because of where it was recorded, the famed Studio A that has produced many great albums were recorded over the years, including Chris Stapleton’s latest album, ‘From A Room’. If you are looking for the classic sounds from yesteryear that were created in that studio, you have another thing coming. Instead, you will find Jason Isbell and the 400 Unit have created on of the one of the best albums, lyrically and musically, of 2017.

June 21, 2017

I recently had a conversation with a friend of mine about Steve Earle. The subject of Mr. Earle came up because we both were anticipating the release of his new album, ‘So You Wannabe An Outlaw’. The talk quickly turned to Steve Earle’s career. After talking about the great projects that he has produced, we both said, almost at the same time, that, in our view, Steve Earle is simply a folk singer. Sure, he has recorded his songs in various styles (country, bluegrass, etc.), but the lyrics of songs are that of folk songs. When ‘So You Wannabe An Outlaw’ was released, that point was reiterated.
‘So You Wannabe An Outlaw’ is the first completely country style album that Steve Earle has released in years, and it is full of great songs. It opens with the title track, and features a guest appearance from one of the original outlaws, Willie Nelson. For those that think of the Outlaw Music lifestyle in romantic terms, they are met with lyrics like, “Living on the highway, ain’t everything it’s suppose to be/Everybody reckons that they wanna be free, ain’t no body wants to be alone.” The music of “Looking For a Woman” sounds like it could have been a Waylon Jennings song, which appropriate because Earle dedicated this album to the his Oulaw hero. “Cutting Out a Firebreak Line” is a folk ode to the firefighters that fight forest fires. Personally, I would like to hear more songs like this, not only from Earle, but other songwriters as well. With, “News From Colorado” and “The Girl On The Mountain” he gives us the stripped down singer-songwriter style that he is so good at delivering. It does not get more Outlaw than being in prison, and “If Mama Coulda Seen Me” covers that subject. The sound and subject matter of “Fixin’ To Die” is the heaviest on the album. Steve Earle duets with Miranda Lambert on “This Is How It Ends”. With both having gone through very public recent divorces, (Earle from singer Alison Moorer and Lambert from singer Blake Shelton) these two seem like the perfect candidates to sing this song about the end of a relationship. The beautiful interplay of the mandolin and fiddle over a slow shuffle beat on “You Broke My Heart” creates in my mind an image of a man wandering the streets of town while dealing with his broken heart. “Walkin In LA” has a Buck Owens/Bakersfield sound, complete with guest vocals from Johnny Bush. “Sunset Highway” features the guitar sounds that sounds as if it was influenced by the sound of The Byrds. That sound is the perfect background for a song that is about the freedom of hitting the road, and leaving your problems behind. “Goodbye Michelangelo” is a tribute to one of Steve Earle’s friends, the late Guy Clark. Guy Clark influenced and guided so many songwriters that his life and passing must be commemorated in song. In addition to Earle, Rodney Crowell also wrote about Guy on his latest album, too. Steve Earle states Clark’s importance with the lyric, “”Taught me everything I know.”
Steve Earle has always marched to the beat of his own drum, sometimes wandering off the parade route completely. One thing that can be said of Earle is that he has always remained true to the craft of songwriting, no matter what pitfalls have found him. ‘So You Wannabe An Outlaw’ is another great sample of the greatness of Steve Earle. I recommend giving it a listen.

June 14, 2017

When a legendary artist releases a new album, many times people overlook it. That is always a big mistake. In recent years, albums by Merle Haggard, Ray Price, and Willie Nelson have proven that fact. You can add Bobby Bare to that list. His latest album, ‘Things Change’, his first album in five years, shows that Bobby Bare still has a thing or two to say. Of course, he always has. He was one of the leaders in Nashville of 1960’s Outlaw movement that let stars like Waylon and Willie flourish. History shows that Bare was a renegade , denying session musicians from his sessions, and recording songs from rebellious songwriters, such as Billy Joe Shaver and Shel Silverstein. Bobby Bare has always been an excellent judge , and writer of great songs. It is evident again on ‘Things Change’.

According to Bare, the chorus for the title track comes directly from a conversation he had with songwriter Hoyt Axton. It is simple, but brilliant. “The End” is about the end of a relationship and the memories that come with the break-up. “Ain’t No Sure Thing” is a reminder that you shouldn’t count your chickens before they hatch. “The Trouble with Angels” states that the only problem with those heavenly beings is , “that they all fly away”. Sometimes the truth is simple, and easy to find. One of the best songs on the album is “I Drink” by Mary Gauthier. It is about dealing with alcoholism, as it is passed down from the parents to the children. “Mercy Now” is a prayer for family.friends, and even the nation that are suffering, and in need of help. “Trophy Girl” was written by Bare, Mary Gauthier, Guy Clark and the producer of the project, hit singer/songwriter Max T. Barnes. It is the final song that Clark wrote before his passing. It’s about an old codger getting him a young trophy female companion. However, as the song says, “trophy girls don’t hang around to long”. “Where Did it Go” is a song that is a look back at lovers, friends, and good times that have disappeared from view. “You Got the Light” is about using the light within you to shine on, and help others. Bare also remakes his classic 1963 song “Detroit City”, with help from Chris Stapleton.
Bobby Bare has always been able to show the emotions of a song through his voice, and it is evident again on ‘Things Change’. Over the years, many artists have tried to let the emotion be heard in their voice, and it comes across as cheesy. Even though you can hear the age in Bare’s voice, you can still hear the smile, and feel the pain in Bare’s delivery in a way that feels real. When you add outstanding songwriting to that kind of voice, and you have a great album. Sometimes things do change, but, thankfully, Bobby Bare’s greatness has not.

June 7, 2017

With their years of performing with top level bluegrass bands (Dailey with Doyle Lawson and Quicksilver, and Vincent with Ricky Skaggs and Kentucky Thunder), when Jamie Dailey and Darrin Vincent joined forces in 2008 to form their own band, Dailey and Vincent, the bluegrass world knew they were in for something special. Seven albums and multiple Grammy award nominations later, Dailey and Vincent have proven that, indeed, fans were in for something special. The group has not only satisfied bluegrass fans, but added new country music fans, as well. ‘Dailey and Vincent Sing the Statler Brothers’ did a lot to make those inroads with traditional country music fans. They struck such a chord with their new fan base that Dailey and Vincent were inducted as members of the Grand Ole Opry earlier this year. Shortly after their induction to the Opry, Dailey and Vincent released their eighth album, ‘Patriots and Poets’.

Dailey and Vincent, along with band members Jeff Parker, Patrick McAvinue, Jesse Baker Aaron McCune, Shaun Richardson, come out of the gate swinging with “Gimme All the Love You Got”. This song is a bluegrass burner, led by the banjo, that has already struck a chord with grass fans, is the number 1 song for the month of June on the Bluegrass Today charts. As with many songs in the Dailey and Vincent catalog, “Beautiful Scars” is a gospel themed song. It is a song of encouragement for everyone that bears scars, emotional and physical, and that God sees them, and will, ultimately, heal them. “Baton Rouge” captures the country Cajun sound, and tells of a man trek from Baton Rouge to Birmingham. “Until We’re Gone” , with guest vocals from gospel artist Taranda Green, is a beautiful love song about enduring love through a couple’s lives, from youth to older age. It used to be said that you could not release a bluegrass album without a gospel song, a murder ballad, or a song about jail. Well, “Bill and Ole Elijah”, the story of two prisoners, fills the bill of the song about jail, and it’s about a prison break, no less. “Unsung Heros” is a salute to the not only policeman and fireman, but also others, like teachers, that do not always get the recognition that they deserve. “Spring Hill” is a great instrumental song that highlights the instrumental prowess of Dailey and Vincent. “God’s Love” featuring Jamie Dailey’s long time boss and mentor, Doyle Lawson, is another great gospel track on this album. “California” is about a wife chasing her dreams, and her husband following her to left coast. Steve Martin adds a recitation on this song. Another guest, David Rawlings, song “Here Comes the Flood.” What starts out as a tiny rainstorm spirals into a horrible flood. The people of the town can’t do anything to save their farms or possessions. All that they can do is flee to higher ground and pray for the best. Unfortunately, everything is destroyed and the community struggles to recover. Things get so bad that the narrators father lands up drinking himself to death. “That Feel Good Music” drops the names of songs that every These are both religiously inspired songs that are about what God means to them. In the case of “He’s Been So Good to Me” is a tip of the hat to the type of songs that we grew up on, and you don’t hear anymore. This will be a favorite of traditional country music and bluegrass fans. The vocal harmonies of Dailey and Vincent are renowned, and it is on display on the acapella gospel song “He’s Been So Good to Me”. “No Place Love Won’t Go” has a more modern sound than any song on the album, albeit with bluegrass instruments. It is a great sound! You can hear the Stater Brothers influence in “That’s What We Were Put Here to Do”, a song that states their gratefulness for their success, and the reason they believe they are here is to sing and play music for other people to enjoy. “America, We Love You” is another song that exemplifies Dailey and Vincent’s love of the sound of the Statler Brothers. I can see this song being a fan favorite for years to come. ‘Patriots and Poets’ closes with an instrumental , “255 North”, that once again reminds the world that not only can these guys sing, but they are not bad pickers either.
‘Patriots and Poets’ showcases Dailey and Vincent at their best. Outstanding harmonies and expert playing are on display on this 16 song project. I believe that ‘Patriots and Poets’ will please their current fans, and attract new ones. Whether it’s bluegrass, country, or gospel, Dailey and Vincent have so many ways, your bound to like some of them.

May 31, 2017

It’s time to review the best albums that have been released so far this year. These are not in any particular order.

Chris Stapleton – From A Room: Volume 1
There is not a weak song on the album. From “Broken Halos” to “Death Row”, ‘From A Room’ is a strong project. Hopefully, everyone will stay out of Stapleton’s way, and let him keep recording outstanding albums. By the way, ‘From A Room: Volume 2’ will be out later this year.

Angaleena Presley – Wrangled
As with other Nashville outsiders (Sturgill Simpson, Chris Stapleton, Jason Isbell, Brandy Clark, etc.), Angaleena Presley is putting out quality records that have something to say. Radio play may not be in the future for Wrangled, and that is a shame because Presley is singing songs that will connect to an audience that has been force fed gruel, and is hungry for the truth, whether they know it or not.

Willie Nelson – God’s Problem Child
This one of my favorite projects of Willie’s most recent releases, and I love them all. God’s Problem Child reminds us of some things we already know: Willie is a great singer, picker, and songwriter. The fact that he is able to do those things, at such a high level, at the age of 84, is truly amazing. I have listened to this album from beginning to end four times, and I’m getting ready to do it again. Give God’s Problem Child a spin today, and , like me, you may become a habitual listener.
The Mastersons – Transient Lullaby

From the opening track, the beautiful love song “Perfect” to the last track, “Happy When I’m Moving”, a song a lovers pulled apart because of the highway’s call, ‘Transient Lullaby’ covers many emotions in with a laid back, real feeling that the listener can tap into. If you are a fan of great songwriting and beautiful harmonies, I recommend giving The Mastersons’s ‘Transient Lullaby’ a listen.
Natalie Hemby – Puxico

After writing hit songs for Miranda Lambert (“White Liar” and “Automatic” ),Little Big Town (“Pontoon” and “Tornado”), and Toby Keith (“Drinks After Work”), Hemby strikes gold on her solo album Puxico. The album showcases not only her expert writing skills, but as a performer, highlighting Hemby’s voice.

Alison Krauss – Windy City

It has been more than 15 years since her last solo album of all new recordings. Windy City is well worth the wait. Krauss and producer Buddy Cannon picked out just the right songs for this project, all cover songs. Krauss tackles songs from the catalogs of Glen Campbell, Brenda Lee, Roger Miller and The Osbourne Brothers with ease.
Rodney Crowell – Close Ties
Rodney Crowell reminds us of how great a songwriter and performer he is with Close Ties. His work has always stood on it’s on, but with the passing of Guy Clark, and with some of the songs dealing with Crowell’s relationship with Guy and Susanna Clark, Close Ties seems to push him into the void left by Clark’s absence. Maybe it just reminds me how precious a commodity storytellers and songwriters are. I recommend you giving Close Ties a listen today.
Marty Stuart and His Fabulous Superlatives – Way Out West

It is Stuart’s tribute The Golden State of California. When I read about the album, and before I listened to it, I expected it to be heavy on the preeminent country music style from California, the Bakersfield sound. You get some of that, but it is really a wide coverage of musical styles from the left coast: surf music, Spaghetti Western, cowboy tunes, and the sound of the Byrds and The Beach Boys.

Whitney Rose – South Texas Suite
Her follow up to Heartbreaker of the Year, Whitney Rose’s EP South Texas Suite showcases her talent’s, not only as a singer and songwriter, but as a producer. This six song EP is a love letter of sorts to her new home, Texas. Many times when you admire someone, or in the case, some town from a distance, it is a let down when your finally have your first encounter. It is evident that Whitney Rose’s admiration of Texas has lived up to all her

May 24, 2017

I normally don’t expect to find music that will be in the running for Porkchop’s Catch of the Week from Brooklyn, NY. However, that is what I discovered in The Mastersons. This husband and wife duo comprised of Chris Masterson and Eleanor Whitmore have been in the music business for many years, with Masterson touring with Son Volt, Whitmore with Kelly Willis, and then together as part of Steve Earle’s backing band The Dukes and Duchesses. The Mastersons have just released their third album, ‘Transient Lullaby’.
Sometimes two people combine their voice, and it seems like a natural fit: Dolly Parton and Kenny Rogers, Emmylou Harris and Gram Parsons, and Simon and Garfunkel. That is what we have with Chris Masterson and Elanor Whitmore. Individually, I am sure The Mastersons can sing with just about anyone, but when you put Chris and Elanor sing together it is magic. When you add great songwriting, The Masterson wrote or co-wrote every song on ‘Transient Lullaby’, with the stripped down instrumentation, you have one of the most enjoyable albums to come out this year.
Some of the highlights on the album include the title track. The steel guitar and fiddle work frame this traveler’s anthem beautifully. “You Could Be Wrong” is about taking a stand on the wrong side of an issue. Many times when this type of question is raised, it can be in an argumentative way, but here it is presented as more of a discussion. “Fight” is a song about two people trying to resolve their differences because they love each other. The line , “Let’s make it right this time…..because I don’t want to fight with anybody else but you.” The song features a mandolin, mixed with percussive piano, and sparse guitar licks that is a unique, perfect mixture of instruments. “Highway 1” has two people moving apart, with one wanting to stay where they are, while the other wants to hit the road. Whitmore’s fiddle work adds an emotional touch to the song that captures the feelings of the story. “This Isn’t How It’s Supposed to Go” starts with a flourish of strings, then settles into a pace that reminds me of an Emmylou Harris and Gram Parsons tune. Once again, you can hear beautiful fiddle work, mixed with an organ and string arrangements that set this song apart from the other songs on the album.

May 17, 2017

The Zac Brown Band has been one of my favorite mainstream country acts since they hit with “Chicken Fried”. There was something about Brown’s songwriting and delivery, both vocally and musically, in songs like “Highway 20 Ride” and “Colder Weather” that connected with the public. In addition, the Zac Brown Band’s stage presence grabbed concert goers, and added to their allure. Being true artists, it didn’t surprise me to see ZBB spread their wings and try some news things. They spread their wings, and tackled new genres and sound with their album ‘Jekyll + Hyde’. However, The Zac Brown Band returns to familiar territory with ‘Welcome Home’.
The album begins with “Roots”, an autobiographical tune of the ZBB’s rise to stardom through hitting the road and playing small, local venues. “Real Thing”focuses on the genuine experiences in life that stick with you, no matter how bright your star shines. “Long Haul” is a song that will strike a chord with many people, who despite their shortcomings that may cause difficulties in a relationship, are not going anywhere. They are in it for the long haul.
A common theme among musical road warriors is that of loving the what they do for a living, but missing the one’s left at home. “2 Places at 1 Time” addresses that feeling perfectly. “Family Table” brought to mind the feeling I had when as a kid I visited my great grandparents. There always seemed to be just minutes away from being delivered to that old kitchen table.
The single, “My Old Man”, is one of the highlights of the album. It finds a father thinking back to the lessons he learned from his father, and hoping he can pass them on to his own progeny. “Start Over” finds the Zac Brown Band sharing the influence of Jimmy Buffett and island sounds Every time I hear it, I want to pack a bag, and head for the ocean. This song will be one that concert crowds will be quick to learn, and sing along with for years.
“Your Majesty” is a love song that is about slowing things down, and spending time with that speical someone. “Trying to Drive”, I believe it features singer Aslyn dueting with Brown, is another stand out track from ‘Welcome Home’. It is a gospel drenched bluesy song that is wonderful. I hope this track is released as a single. The album closes with a cover of John Prine’s “All the Best” , with Kacey Musgraves providing harmonies. This is a beautiful, stripped down recording that Brown and Musgraves make sound like this song was made for them.
‘Welcome Home’ finds the Zac Brown Band coming back to a sound that is reminiscent of their earlier albums. The album is full of heartfelt lyrics that will resonate with fans. I applaud artists that take an artistic, musical risk, such as we heard with ‘Jekyll + Hyde’, but it is good to hear ZBB go back to the themes that made the country music world fall in love with them. The Zac Brown Band has returned to their roots, and I say welcome home.

May 10, 2017

I, like many WLHR listeners, have followed Chris Stapleton from his time with the bluegrass group The SteelDrivers. He hit the mainstream nearly two years ago with the release of his album ‘Traveler’, and his performance with Justin Timberlake at the 2015 CMA awards. He had already had success as a songwriter (Luke Bryan’s “Drink a Beer”, Thomas Rhett’s “Crash and Burn”, and Darius Rucker’s “Come Back Song”) before his breakthrough as an artist. Even with the breakthrough of ‘Traveler’, Stapleton has retained the image of an outsider, primarily because of his strong, soulful vocals, and songwriting. He continues to project that image with his latest album, ‘From A Room: Volume 1’.
The “A” in the album’s title refers to the famous Studio A in Nashville, where the project was recorded. The album, co-produced by Stapleton and Dave Cobb (Sturgill Simpson, Jason Isbell), features tunes that combines elements of country, blues, and rock and roll. All the songs, with the exception of the cover of Willie Nelson’s “Last Thing I Needed, First Thing This Morning”, are co-written by Stapleton, and they are excellent. There are a few tracks that stand out more than others on this album. The rocking “Second One to Know” will make your foot press the gas pedal a little harder, so be careful. A friend of mine pointed out the only problem with this song is that it fades out while they are still rocking out. “Either Way” displays the talent of Chris Stapleton in a stripped down formula in which there is no where to hide any flaws. It is just his powerful voice and an acoustic guitar. The last track, “Death Row”, is a chilling song from the perspective of a death row inmate that is counting down his final days.
There is not a weak song on the album. From “Broken Halos” to “Death Row”, ‘From A Room’ is a strong project. Some critics have complimented Chris Stapleton’s talent, while lamenting that he is not a pure country artist. Well, with everything having changed drastically in Nashville in the last fifteen years, you would be hard pressed to find any such artist. Before these critics talk about country purity, perhaps they should stop praising the names of Willie and Waylon. Stapleton is more akin to Nelson and Jennings than any other artists I can think of. I would recommend that everyone leave Chris Stapleton alone, and let him continue to release great albums.

May 3, 2017

When the words “living country music legend” are mentioned, Willie Nelson is one of the few names, perhaps the first, that comes to mind. If he never made another album, his place in country music history is already cemented. However, Willie has continued to write, record, and perform great songs into his 80’s (he just turned 84). It is difficult to get a definite number of albums that Willie has released. Everyone agrees that it is over sixty albums, and his latest, God’s Problem Child, is another gem in his shining discography.
God’s Problem Child sees Willie Nelson teaming up with his recent go to producer and co-writer, Buddy Cannon. This is an album of original material that features Willie’s voice , and the tones that only Trigger can produce when it is in the master’s hands. Even though he is 84, I get lost in the thought that Willie will always be with us, and he furthers that thought with his youthful approach to recording and touring. God’s Problem Child finds Nelson pondering his age, and his mortality.
Songs like “Old Timer”, “It Gets Easier”, and “Butterfly” deal with reflection, getting older, having to change the way you approach life, and the normal expectations of everyday life. No need to worry. God’s Problem Child is not a downer of an album. We get songs like “Still Not Dead Again Today”, where Willie addresses false internet rumors of his impending doom.
The songs “Delete and Fast Forward” and “I Made A Mistake” are indications that Willie is aware of the social changes we are dealing with. It is a clear message that Willie is aware of what is happening, and what people in places of power are trying to pull. Willie is like a laid back version of what Santa would be like if he were from Texas. “God’s Problem Child” , featuring Tony Joe White, Jamey Johnson, and Leon Russell, reinforces Willie’s place as a black sheep in the good Lord’s flock.
One of my favorite songs on the album is the Nelson/Cannon like “Your Memory Has a Mind of Its Own”. It sounds like a song that the Red Headed Stranger would have released in the 1970’s. It is a modern day classic. “True Love” is another great song. Through the ups and downs of love, Willie proclaims to true love that, “I’ll leave this world believing in true love, you’re still my friend.” The final track on the album is Nelson’s tribute to his friend, Merle Haggard. “He Won’t Ever Be Gone” is a beautiful song featuring Merle’s son, Ben, playing Haggard style guitar leads, and adding wonderful harmony vocals.
This one of my favorite projects of Willie’s most recent releases, and I love them all. God’s Problem Child reminds us of some things we already know: Willie is a great singer, picker, and songwriter. The fact that he is able to do those things, at such a high level, at the age of 84, is truly amazing. I have listened to this album from beginning to end four times, and I’m getting ready to do it again. Give God’s Problem Child a spin today, and , like me, you may become a habitual listener.

April 26, 2017

Angaleena Presley is an outlaw, whether she likes it or not. The subject matter of her songs, which are more than surface deep, automatically place her outside of Nashville’s main stream. Add to that her honest, country vocal delivery, complete with a dash of attitude, and you have one of the leading artists in the outsider movement against current Nashville trends. With Presley’s first album, American Middle Class, we see a picture of her life, growing up in Kentucky. Her latest album, Wrangled, is Presley’s story from the time of her arrival in Nashville to her current position as one of the leading voices of a new outlaw movement.
If, like me, you are anxious for a new Pistol Annies’ project, the album’s first track, “Dreams Don’t Come True”, may be as close as we get. The song was written by Presley , and fellow Pistol Annies members Miranda Lambert and Ashley Monroe, and features Lambert and Monroe providing backing vocals. “High School” is a pefecct marriage between country and the sounds of ’60’s girls groups.
“Only Blood”, co-written with Chris Stapleton and featuring Morgane Stapleton is a modern interpretation of a standard, classic tale of murder, complete with a distorted guitar that hearkens back to the instrumental break on Marty Robbins’ “Don’t Worry”. If you frequently seek a safe space to hide from the world, you won’t be able to handle this, killer song (pun intended)! “Country” is a little bit punk, and a little Bob Dylan’s “Subterranean Homesick Blues” ,and a direct attack on the substance of modern country songs. It comes with a rap in the middle from Yelawolf, with a tip of the hat to Waylon, Hank, and Sturgill Simpson. The video for “Country” also borrows from Dylan’s video of his aforementioned song. The title track is song about a woman growing tired of her place in life, and longing to rise above those that try to hold her down.
If you are looking for sass, you’ll find it on “Bless My Heart”. Calling out the fake to your face biddies, and adding a promise of a face slap, will ring a bell with today’s more independent women. This is a great song! “Outlaw” has Presley wishing that she were not an outlaw or a renegade. I don’t think she is considering changing her ways. More accurately, I think she wishes her songs, with their varied stories, messages and themes, were more accepted. “Mama I Tried” borrows the famous lick from Merle Haggard’s “Mama Tried” to frame this song. This is one of the songs from the album that could be played on modern country radio, pleasing both fans of classic and modern country music. The late Guy Clark’s fingerprints are on this record, especially on “Cheer Up Little Darling”. Co-written by Clark and Presley, the recording features Shawn Camp playing Guy’s guitar. This is as straight forward song as you will hear. Beautiful! “Groundswell” is a tribute to miles, years, and hard work of a working musical artist. “Good Girl Down” is another anthem of female empowerment, co-written by the “Queen of Rockabilly”, Wanda Jackson. “Motel Bible” is a song, maybe warning, of what you may experience if you imbibe too much.
As with other Nashville outsiders (Sturgill Simpson, Chris Stapleton, Jason Isbell, Brandy Clark, etc.), Angaleena Presley is putting out quality records that have something to say. Radio play may not be in the future for Wrangled, and that is a shame because Presley is singing songs that will connect to an audience that has been force fed gruel, and is hungry for the truth, whether they know it or not.

April 19, 2017

Sam Outlaw seemingly came out of nowhere with his last album, Angeleno. The album was the farthest thing from the outlaw sound I expected when I heard his last name (it was his mother’s maiden name). However, I guess you could say that he is an outlaw of sorts. Angeleno showcased a sound that is far different than the popular sounds that are currently coming out of Nashville. A brand of California country music that is all his own. He continues to blaze his own trail with his latest album Tenderheart.
The album starts with a soft, country rock style. Then, if shifts gears at track 5 to a solid, old time country sound. You could really split this album into two halves. That being said, the two distinct styles do not fight against each other. They somehow seem to work together to show us a more complete picture of Sam Outlaw.
The soft country rock sounds of the first four tracks (“Everyone’s Looking For Home”, “Bottomless Mimosas”, “Bougainvillea, I Think”, and “Tenderheart”) are great in their own right. My favorite of those is “Bottomless Mimosas”. I don’t know how else to say it, but that it has a California sound, complete with slow, twangy guitars and steel guitar mixed with Outlaw’s vocals. Then we see the shift to a more traditional country sound with songs with songs like “All My Life”, that has all the elements of a country songs: young love, the threat of a daddy with a gun, and a happily ever after ending. “She’s Playing Hard to Get (Rid Of)”, a song that uses the classic songwriting technique of twisting a well known phrase to present a story. I also really enjoyed “Two Broken Hearts”, the story of two lost souls that found each other at their lowest points. It is not all love and lost love. There is even a song about drying clothes on the line, “Dry in the Sun”. It made me want to unplug my clothes dryer. The final two tracks seem to combine the two early styles to a sound more reminiscent of what can be heard on the Angeleno album.
Fans of the light, country rock, and traditional country sounds may want the album to be totally in the style in which they prefer. However, I believe the differing sounds displayed on this record are pure Sam Outlaw. I love the mixture, and I say bring it on! It is not as if it is a forced marriage of sounds just to be eclectic. Sam Outlaw doesn’t seem to be swayed by popular opinion. He is doing his own thing. I am always looking for well written songs that are performed and produced in a way that supports the song. That is what you will find on Tenderheart. Give it a listen, and, maybe, like me, you will make room on your mp3 player, CD or vinyl collection for Sam Outlaw.

April 15, 2017

While we have a little lull in new releases in the world of country music, I thought I’d take a look back at some of the best albums to come out thus far this year:

Natalie Hemby’s Puxico–

After writing hit songs for Miranda Lambert (“White Liar” and “Automatic” ),Little Big Town (“Pontoon” and “Tornado”), and Toby Keith (“Drinks After Work”), Hemby strikes gold on her solo album Puxico. The album showcases not only her expert writing skills, but as a performer, highlighting Hemby’s voice.
Alison Krauss’ Windy City–

It has been more than 15 years since her last solo album of all new recordings. Windy City is well worth the wait. Krauss and producer Buddy Cannon picked out just the right songs for this project, all cover songs. Krauss tackles songs from the catalogs of Glen Campbell, Brenda Lee, Roger Miller and The Osbourne Brothers with ease.
Rodney Crowell’s Close Ties

Rodney Crowell reminds us of how great a songwriter and performer he is with Close Ties. His work has always stood on it’s on, but with the passing of Guy Clark, and with some of the songs dealing with Crowell’s relationship with Guy and Susanna Clark, Close Ties seems to push him into the void left by Clark’s absence. Maybe it just reminds me how precious a commodity storytellers and songwriters are. I recommend you giving Close Ties a listen today.
Marty Stuart and His Fabulous Superlatives’ Way Out West–

It is Stuart’s tribute The Golden State of California. When I read about the album, and before I listened to it, I expected it to be heavy on the preeminent country music style from California, the Bakersfield sound. You get some of that, but it is really a wide coverage of musical styles from the left coast: surf music, Spaghetti Western, cowboy tunes, and the sound of the Byrds and The Beach Boys.

Whitney Rose’s South Texas Suite

Her follow up to Heartbreaker of the Year, Whitney Rose’s EP South Texas Suite showcases her talent’s, not only as a singer and songwriter, but as a producer. This six song EP is a love letter of sorts to her new home, Texas. Many times when you admire someone, or in the case, some town from a distance, it is a let down when your finally have your first encounter. It is evident that Whitney Rose’s admiration of Texas has lived up to all her expectations.

April 08, 2017

Rodney Crowell has done everything in his musical career: hanging out and collaborating with a who’s who of songwriters (Townes Van Zandt and Guy Clark), being a member of Emmylou Harris’ band, writing hit songs, and having hits with his own recordings. That would have been enough for Crowell to remembered in the annals of country music history. However, the later part of his career has seen him release some wonderful albums that are showcases for his talents as a songwriter and storyteller. Rodney Crowell’s latest album, Close Ties, is no exception.
Close Ties is a collection of storytelling songs, 10 in all, many which look at his own life experiences. Here are my thoughts on some of the tracks from the album.
“East Houston Blues” addresses the hard times of his childhood. “Life Without Susanna” tells the story of Crowell’s relationship with Susanna Clark, wife of Guy Clark. Speaking of Guy and Susanna Clark, they are mentioned with many fellow songwriters throughout the album (Towns Van Zandt, Willie Nelson, Tom T. Hall and Steve Earle ), including “Nashville 1972”. The song is a recounting of Crowell’s arrival and early adventures in the Music City, when it seemed that the content of the lyrics was more important than strict commercial appeal. Rodney Crowell is joined by Sheryl Crow on “I’m Tied To Ya”, a painfully honest composition.
My favorite song on the album is “It Ain’t Over Yet” , featuring Rosanne Cash and John Paul White. This autobiographical song, featuring the harmonies from Cash and White, reminds me of sitting down with a family member that recounts their youthful mistakes, while issuing a warning to not make the same mistakes they have made. Not to preachy, just the right amount of nostalgia and regret.
Rodney Crowell reminds us of how great a songwriter and performer he is with Close Ties. His work has always stood on it’s on, but with the passing of Guy Clark, and with some of the songs dealing with Crowell’s relationship with Guy and Susanna Clark, Close Ties seems to push him into the void left by Clark’s absence. Maybe it just reminds me how precious a commodity storytellers and songwriters are. I recommend you giving Close Ties a listen today.

March 22, 2017

You might be familiar with name Sunny Sweeney. Back in 2010 she had a hit with “A Table Away”. I have heard her name mentioned with much accolades, not only for her singing, but also her songwriter. However, her name never moved to the forefront of the Nashville scene, like I thought it would. She left the Music City, and went back to her native Texas to try her luck as an independent artist. She released Provoked in 2014, and now her sophomore independent release, Trophy, has been released.
I do not want to discount her earlier releases. Each one has been a part of the process Sunny Sweeney developing into who she is today. However, I feel like Trophy is the first album that feels like it is 100% Sunny Sweeney. The combination of a honky tonk tinged song like “Pass The Pain”, the classic country sound of the Jerry Jeff Walker cover “I Feel Like Hank Williams Tonight” , and the edgy sounding “Pills”, Trophy has something for everybody. In addition to Sweeney’s wonderul songwriting, she is joined by other writers, including Lori McKenna (“Humble and Kind” and “Girl Crush”), who co-wrote four songs on Tophy: “Nothing Wrong With Texas”, “Bottle By My Bed”, “Grow Old With Me”, and “Trophy”.
The two most powerful songs on the album are “Bottle By My Bed” and “Unsaid”. The former is a song that covers the subject of infertility. “Bottle By My Bed” is such a well written song about a subject that many people have dealt with that you can feel the pain throughout the song. “Unsaid” deals with another painful subject, suicide. More precisely, it deals with the guilt of those left behind to deal with the aftermath of a death. The regrets of what should have been done and said, things that may have prevented the suicide. These two songs are perfect examples of expert songwriting dealing with painful, real life situations.
Trophy is an excellent album. I have listened to the album completely through three times. For me, that is a sign of a great album. If I can listen to it again and again, and not get tired of it, it is evidence that the project is well written, produced and performed. I highly recommed giving Sunny Sweeney’s Trophy a listen.

March 15, 2017

Marty Stuart and his Fabulous Superlatives have released a new 15 track album called Way Out West. It is Stuart’s tribute The Golden State of California. When I read about the album, and before I listened to it, I expected it to be heavy on the preeminent country music style from California, the Bakersfield sound. You get some of that, but it is really a wide coverage of musical styles from the left coast: surf music, Spaghetti Western, cowboy tunes, and the sound of the Byrds and The Beach Boys.
The album starts with “Desert Prayer Part 1”, in what sounds like a Native American chant, overlayed with what I believe is a sitar. It sets the mystic tone of this album. Then Marty and the Superlatives crank into the Venturesesque “Mojave”, replete with the guitar work of Kenny Vaughn. In fact, there are three more instrumentals: the Spanish classical guitar driven “El Fantasmo Del Toro”,and two more surf-type tunes “Quicksand” (cue Link Wray) and “Torpedo”.The sound and lyrics of “Lost on the Desert”, a song recorded by Johnny Cash, makes you feel as if you are indeed lost on the desert. The title track is a little bit psychedelic and trippy, reminiscent of The Doors, with a country twang. “Old Mexico” is a great song that borrows musical from Johnny Cash, and vocally from Marty Robbins. You can hear the influence of The Byrds in “Time Don’t Wait”. “Air Mail Special” is a song co-written by jazz legend Benny Goodman. Marty and the Superlatives turn the song into a song that would make Buck Owens and the Buckaroos proud. “Please Don’t Say Goodbye” is a great song. In addition to the twangy guitar bends, and tight harmony singing, the strings send this song to a different level. “Whole Lotta Highway (With a Million Miles to Go)” has the sounds of The Byrds, Merle Haggard, and probably the most traditional country harmonies on the album. “Wait for the Morning” starts out as a stripped down, harmony rich, song, and ends with the electrified sounds of Bakersfield
Marty Stuart and His Fabulous Superlatives (Harry Stinson, Kenny Vaughan, and Chris Scruggs) and producer Mike Campbell (guitarist with Tom Petty and the Heartbreakers) did an excellent job in presenting this tribute to California. Not only are so many of the musical styles associated with The Golden State represented, but the lyrics and musical arrangements are well thought out. The old saying advises young men to look west. I would tell everyone to look Way Out West. You will not be disappointed.

\March 08, 2017

Aaron Watson is the independent, overnight success that was 15 years in the making. I was made aware of this road worn troubadour with his breakthrough 2015 album, The Underdog. Watson was the first solo male artist to top of the country album chart with a self released and independently promoted album in the modern ratings era (1991- present). With success comes the worry from fans that an artist may change their sound to be in line with popular sounds of the genre, in order to gain more success. I would have been surprised if Aaron Watson had done that. Instead, as I anticipated, he stuck to his guns with his latest album, Vaquero.
In the day and time we are seeing more and more EP releases from artist that are on the outside of Nashville’s hit factory. However, Vaquero offers 16 new tracks to a fan base, hungry for the musical offerings from Aaron Watson. Here are some of the highlights from Vaquero:
“The Arrow”- This is a song of encouragement. No matter what you encounter, be steady, and follow your arrow.
“Diamonds and Daughters”- A beautiful message from a father to his daughter. This is sure to bring a tear to many an eye. Expect to hear this at weddings for years to come.
“They Don’t Make Em Like They Used To”- A nostalgic song that everyone can identify with. Longing for the way things used to be, whether it is moments with family, or an old truck, it’s not like it used to be.
“Clear Isabel”- Some may take this as a political song. Maybe it is, but I didn’t take it that way. The story of someone trying to find a better way of life for their family, whether on the other side of the river, or the other side of the tracks, is not a new one. Listen to the instrumental “Mariano’s Dream” before moving on to “Clear Isabel”.
“Vaquero”- The classic song about receiving advice from a veteran of life’s hard knocks. This is my favorite song on the album.
There is something about Aaron Watson’s delivery, whether on Vaquero or The Underdog, that feels honest and down home. He is not an artist that is stuck in the sounds of the past, or running headlong to the modern, bro-country sounds. Instead, Watson is comfortable in his own skin. In a quote on his website, Watson says, ““It doesn’t really matter whether I’m playing a dancehall in Texas or a stadium tour around the world, I’m just me,” he says. “I won’t change. I’m just too rooted in what I believe in. When you’ve played for such a long time to nobody, now that there’s somebody, you really don’t take that for granted.” Here is to much more musical success for the Red Dirt vaquero, Aaron Watson.

March 01, 2017

Chris Jones and the Night Drivers have just released a new album, Made to Move. The followup to their 2015 album Runaway Tonight once again highlights the rich baritone vocals of guitarist and bandleader Jones, along with his expert songwriting. Joined by bassist and co-writer Jon Weisberger, banjoist Gina Clowes, and mandolin player Mark Stoffel, Chris Jones and the Night Drivers again offers a collection of songs with varied subject matter and diverse sounds.
The from the start of the album with the bluesy “All the Ways I’m Gone” to the spirited instrumental “What the Heck?”, the final track on the album, Chris Jones and the Night Drivers take on all styles and subject matter in this twelve track project. It is hard for me to pick favorite songs on this album. I truly enjoy the entire project, but if you twisted my arm, I would list “Living Without”, “Raindrops Fell”, “All the Way’s I’m Gone”, the gospel tune “Sleeping Through the Storm”, their unique version of “Dark Hollow”, and the instrumentals “Last Frost” and “What the Heck?”.
In my circle of bluegrass friends, Chris Jones and the Night Drivers is not mentioned in the same breath as other artists. That is a shame. I have been preaching the good news of Chris Jones and the Night Drivers to whoever will listen. Chris Jones and the Night Drivers is one of my favorite bluegrass acts. They offer great songwriting, singing and playing every time they release a project, and Made to Move is no exception.

February 22, 2017

It seems that everything that Alison Krauss touches musically turns to gold, or Grammy Awards, 27 to be exact. That is tied for the second most all time. Whether singing solo, with her band Union Station, or collaborating with Robert Plant, Krauss is a favorite of fans and critics alike. We have not heard her on a solo album featuring new recordings since 1999, until her new album Windy City.
Windy City features classic country music songs, carefully selected by Krauss and producer Buddy Cannon. It is evident by Cannon’s track record that he knows when to interject his opinion and expertise, and when to step back, and let the artist display their talents. He does that again on Windy City, helping to pick songs and arrangements, along with Krauss, that will let Alison’s talent shine.
Alison Krauss sounds fantastic from the album’s opening track, Brenda Lee’s classic “Losing You”. With the Osbourne Brothers and Mac Wiseman tune “It’s Goodbye and So Long To You”, you know that not every song on the album will be a slow tempo. The arrangement, featuring a horn section, is a memorable addition to this tune. The title track is a wonderful heartbreaker from the Osborne Brothers’s catalog. This is one of my favorite tracks from the album. Krauss’ cover of Willie Nelson’s “I Never Cared For You” is wonderful. The lyrics are great, by themselves. It’s one of those, “Oh yeah! I didn’t like you anyway,” kind of songs. Add to that Alison Krauss’ delivery with emotion, and you have a winner. She also digs into the Roger Miller catalog for a song from the Broadway show, Big River, “River In The Rain”. In the musical, this song is written as a duet between Huck Finn and Jim. Alison Krauss somehow turns the song not only into a great solo perfromance, but a beautiful love song at that. I was glad to see a Vern Gosdin song, “Dream of Me”, on this project. I am a huge fan of “The Voice”, Vern Gosdin, not the TV show, and Krauss made this song, like the others on this album, her own. I think recording another artist’s signature song can be one of the most difficult tasks to do, and do well. “Gentle on My Mind” is one of first songs that come to mind when you mention Glen Campbell. On top of that, The Band Perry recorded and released the song not too long ago. However, Alison Krauss steps up to the plate, and knocks it out of the park. It sounds like the song was written for her. “Poison Love” is a Bill Monroe tune that Krauss takes on, and, if you are not careful, you will find yourself singing along before you hear it first time. Krauss adds another Brenda Lee song, “All Alone Am I” , to this project. Once again, just a wonderful song selection to highlight Krauss’ talent.
The album’s final track, “You Don’t Know Me”, is Alison Krauss at her best; delivering a song that is pleasing to the ears, and full of vulnerabilty, too. This Eddy Arnold tune, also covered by Ray Charles and Mickey Gilley, is a great way to close out Windy City.
This album is outstanding. Not only will Alison Krauss fans enjoy it, but classic country music fans, too. In addition, I believe that albums like this, that feature covers of classic songs of the genre, may inspire newer country music fans to explore the roots of country music. We will have to wait and see if Krauss can work her Grammy magic next year, but if I were a gambling man, my bet would be on Alison Krauss and Windy City.

February 8, 2017

Mac Wiseman is one of the legendary voices in bluegrass and country music. After starting as the bass player with country singer Molly O’Day, he moved on to play guitar as a member of Lester Flatt and Earl Scruggs new band when they left Bill Monroe. Then, Wiseman joined Bill Monroe’s Bluegrass Boys for a time before hitting the road as a solo artist. He also saw great success during the folk revival of the 1960’s. Wiseman’s outstanding career lead to him being inducted into the International Bluegrass Music Hall of Honor and the Country Music Hall of Fame. Nothing need be added to Wiseman’s extensive discography. However, the new album I Sang the Song (Life of the Voice With a Heart) takes a new approach to add to the story of Mac Wiseman.
I Sang the Song (Life of the Voice With a Heart) sprang out of conversations that Mac Wiseman had with songwriter Peter Cooper and Thomm Jutz. Wiseman told stories from over 90 years of life, and Cooper and Jutz paid attention. They penned ten songs that were written directly from the stories that Mac Wiseman shared with them. From the opening track, “The Guitar”, which tells the story of Mac getting his first guitar from Sears, Roebuck & Co., to “Simple Math”, a song that drives home the difficulties of a farming family trying to survive, Cooper and Jutz make you privy to those weekly conversations and recollections of the music legend. In addition to Peter Cooper, Thomm Jutz, and Mac Wiseman, the likes of Alison Krauss, John Prine, Shawn Camp, Sierra Hull, Justin Moses, Jim Lauderdale, Junior Sisk, Sonya Issacs Yeary, Becky Issacs Bowman, Buddy Melton, Milan Miller, Andrea Zohn, and Ronnie Bowman add their talents to this outstanding album.

All of the tracks on I Sang the Song (Life of the Voice With a Heart) gives us an album of all new songs , with the exception of the 1950’s Wiseman tune “‘Tis Sweet To Be Remembered”. I admire the work of Peter Cooper and Thomm Jutz in transforming Mac Wiseman’s life stories into a wonderful collection of songs that brings the 91 year old legend back into the spotlight. I encourage you to explore not only I Sang the Song (Life of the Voice With a Heart), but also Wiseman’s huge discography. God Bless Cooper and Jutz, and God Bless Mac Wiseman.

February 1, 2017

WhitneyRose-SouthTexasSuite

I first heard Whitney Rose on one of my many musical treasure hunts, when I discovered her album Heartbreaker of the Year. Her voice and the musical arrangements of that album elicit the sounds of yesteryear. It definitely helped to have The Mavericks’ Raul Malo, a purveyor of the sound of the 1950’s and ’60’s, producing Heartbreaker of the Year. Since the release of that critically acclaimed album, Rose has relocated from her native Canada to Austin, Texas, and become a regular of that town’s legendary music scene. Rumors of a new album have persisted for over a year, and now the wait is over.
Whitney Rose’s EP South Texas Suite showcases her talent’s, not only as a singer and songwriter, but as a producer. This six song EP is a love letter of sorts to her new home. Many times when you admire someone, or in the case, some town from a distance, it is a let down when your finally have your first encounter. It is evident that Whitney Rose’s admiration of Texas has lived up to all her expectations.

“Three Minute Love Affair” is about the magic of a trip around the dance floor, complete with the Tejano accompaniment. “Analog” is a declaration to Whitney Rose’s affinity of the way things used to be, and still are for her. “My Boots” is a fun, steel guitar fueled, sassy song about keeping it real. “Bluebonnets for My Baby” is doo wop meets country song that is perfect for a slow dance with your favorite dance partner. “Looking Back on Luckenbach” is another song drenched in steel guitar that’s sound is pure Texas. “How ‘Bout a Hand for the Band” is an instrumental featuring Rose’s talented band.
South Texas Suite is a great follow-up to Whitney Rose’s critically acclaimed Heartbreaker of the Year. I recommend giving South Texas Suite a listen, and, like me, you may fall in love with Whitney Rose’s musical love letter to the Texas.

January 25, 2017

the-infamous-stringdusters-laws-of-gravity-album-cover-art
If you are at all familiar with the Infamous Stringdusters, you know they are a hard group to classify. They use instruments that are associated with bluegrass music. However, to put the Infamous Stringdusters in that box would be not only wrong, but also difficult, and a disservice to the talent that has been documented in their previous seven albums. They have tackled many genres in their discography, including the soulful 2016 release Ladies & Gentlemen. The latest release from the Stringdusters, Laws of Gravity, finds them going back to a much more stripped down songs rooted in bluegrass.
However, I want to make it clear that Laws of Gravity is not a straight bluegrass album. The Stringdusters still do what they always have, and that is stretch out musically, with non-traditional chord changes and syncopation that are reminiscent of a jam band. Songs like “Black Elk” highlight just that. Make sure to watch your speed if listening to “Sirens” while driving. “A Hard Life Makes a Good Song” is the most traditional bluegrass song on the album. “Maxwell” is a song about a hard life, and it does indeed make a good song. The laid back tempo of my favorite song on the album “Back Home”, draws me in. I keep going back to this song when I put on the album. Another great song is “I Run to You”. It puts me in mind of the New Grass Revival, and is a great way to close out the thirteen song album.
I have been an admirer of the Infamous Stringdusters. There exploration of sound throughout their history is not only admirable, but enjoyable. Some fans that like the envelope being pushed in the Stringdusters music, may not enjoy this stripped down presentation. I think there never has been, nor will there ever be, an envelope that can contain the Stringdusters. I find it refreshing to hear the music on Laws of Gravity. I believe it highlights the immense talent of the Infamous Stringdusters, and, most of all, it is an enjoyable ride.

January 18, 2017

natalie-hemby-puxico

In years past there was much discussion about the role of female artists in country music. We have seen the rise of strong female artists like Carrie Underwood. Then we saw the rise of the female singer-songwriters like Miranda Lambert and Kacey Musgraves. 2016 saw some great albums from female singer-songwriters: Lori McKenna (The Bird and the Rifle) and Brandy Clark (Big Day in a Small Town) just name a few. 2017 is off to a good start in trying to keep up the pace with Natalie Hemby’s Puxico.
If you read liner notes like I do, you may recognize Natalie Hemby’s name. She has written songs for Miranda Lambert (“White Liar” and “Automatic” ),Little Big Town (“Pontoon” and “Tornado”), and Toby Keith (“Drinks After Work”). With the relase of Puxico, the name of her hometown in Missouri, Hemby has served notice that she is more than a writer.
The album has a similar theme, small town life, as other albums of late from female singer-songwriters (see Brandy Clark’s Big Day in a Small Town, and Kacey Musgraves’ Pageant Material). The album starts with the laid back “Time Honored Tradition”. This song about small town life is a great start for this project. “Cairo, IL” is a haunting, beautiful song about a place not to awful far from Puxico, Missori, that is gone, but still lingers in a ghost-like stage. It has my favorite line in the whole album, “nothing moves, but nothing stays”. “Ferris Wheel” has a very traditional country sound. It features a steel guitar throughout. This is my favorite song on the album. “This Town Still Talks About You” is a beautiful song about how small town legends are never forgotten. Again, the steel guitar work on this song is outstanding. “I’ll Remember How You Loved Me” sings the praises of love. When other things have been lost and forgotten, the fingerprints of love remain.
One thing that makes this album different than many other singer-songwriter albums is the use of effects on Hembry’s vocals. This has drawn criticism from some reviewers. Normally, I like a more dry sound to vocals, especially from a singer-songwriter. However, for some reason, this time it doesn’t bother me. At the risk of sounding like a music snob, I think it gives it a feeling of memories recalled in a daydream. It is real, can be felt, but is in the distant past. There are nine tracks in all on Puxico, and I don’t hear a bad song among them. As I have hoped in the past, my wish is that Natalie Hemby’s album be given a chance on mainstream country radio. I do not know if that will happen or not, but I do not think you will regret adding Puxico to your personal music collection.

January 11, 2017

dale-and-ray

I was very excited when I read that traditional country disciple Dale Watson and the Western Swing banner carrier Ray Benson were working on a duet album. I am not only a fan of traditional country and Western Swing, but I like the fact that Dale and Ray are rebels. They are not rebellious in an aggressive, in your face kind of way. They don’t really care if Nashville pays them any attention. However, there are a lot of folks that are paying attention.
Their is a lot of humor on the album, Dale and Ray, including the opening track on the album, “The Ballad of Dale and Ray”. There is a lot of name dropping, but Dale and Ray have actually rubbed elbows with the stars they mention. “Feelin’ Haggard” is a beautiful tribute to Merle. You don’t hear a lot of peppy heartbreak songs, but the cover of the Louvin Brothers’ “I Wish You Knew” fits the bill perfectly. “Bus’ Breakdown” is another funny song, lamenting the popular mode of transportation for a touring country artists. They cover Willie’s song , “Write Your Own Songs”, about writing songs and dealing with the critics. “Cryin’ to Cryin’ Time Again” is a new song that references the Bakersfield hits of yesterday. I like “Forget About Tomorrow Today”. It is a great reminder to not worry about the future so much, but enjoy the moment. “A Hangover Ago” is a stone cold country honky tonker that would make any traditional country fan smile. Ray’s love of Western Swing can be heard in “Nobody’s Ever Down in Texas”. “Sittin’ and Thinkin’ About You” sounds like Texas meets Honolulu. The interplay between the guitar and mandolin are outstanding.

The album, Dale and Ray, is everything I expected it to be: Honky Tonk meets Westwern Swing, tons of fiddle and steel guitar, and loads of fun. I know there is more to come from Dale Watson and Asleep at the Wheel’s Ray Benson in their respective careers. However, it is nice to see these two musical rebels join forces to promote great music, and most of all, to have fun while making music. Sometimes music is taken so serious by fans, me included, that the fun tends to be forgotten. Thanks to Dale and Ray for reminding us of that. Long live the Dale and Ray!

December 21, 2016

loretta-lynn-white-christmas-blue-1476726333
It is rare for me to review a Christmas album. It is unheard of for me to review 2 Christmas albums in one season, but that is what has happened this year. Earlier I reviewed Kacey Musgraves’ A Very Kacey Christmas, and now it is time for Loretta Lynn’s White Christmas Blue. Let me state for the record that I am not against Christmas music. As a matter of fact, I love it! However, most holiday recordings seem like they are being done for the sake of making a seasonal record. It sounds like they are phoning it in. That is not the case with this year’s choices.
I have enjoyed Loretta Lynn’s 1966 Country Christmas album for years. It still holds up. On White Christmas Blue, produced by Patsy Lynn Russell and John Carter Cash, she revisits some of those earlier recordings with songs like “To Heck With Ole Santa Claus”, “Country Christmas”, and classic Christmas songs like “Away in a Manger”, “Jingle Bells”, and “Blue Christmas”. Recording material that has been covered again and again could have ended badly. However, there is something fresh and honest in Loretta’s take on these songs. In addition, the title track, featuring co-writter Shawn Camp on harmony vocals, is a great new song to kick of the album. In total, there are 12 tracks including Loretta’s recitation of “‘Twas the Night Before Christmas”.
From year to year, I don’t add many new Christmas songs to my collection. This year I have added two albums, including White Christmas Blue. Loretta Lynn is in a very creative and productive place in her career. With her album Full Circle and now White Christmas Blue being such quality projects, it makes me look forward to what is next for Loretta Lynn.

December 14, 2016

ned-ledoux-forever-a-cowboy

LeDoux-It is a name that country music fans from my generation first heard Garth Brooks utter in his song “Much Too Young (To Feel This Damn Old)”. That was in the days before the internet, so i could not just enter the name into a search engine, and find out instantly who this mystery man, LeDoux, was. Luckily, it was not long until a record company came calling, and we were blessed with “Whatcha Gonna Do with a Cowboy”, “Cadillac Ranch”, and “This Cowboy’s Hat”. Eventually we discovered that Chris LeDoux had been recording since the 1970’s, and, by the way, he was an honest to goodness cowboy, winning the 1976 World Bareback Riding Championship at the National Finals Rodeo. By 2000 he was dealing with illness, and 2005 he left this world. His music holds a special place in the hearts of country music fans that were seeking authentic songs of the west. There were and are still folks singing that brand of songs, but he was their ambassador to a mainstream audience.
Now there is another LeDoux that is making music, and it is a welcome sound to those fans. Ned LeDoux, Chris’ son, has released his first EP on the Thirty Tigers label, Forever a Cowboy. Ned’s mother gave him a stack of his father’s unfinished songs. Ned worked with famed Nashville songwriter and producer Mac McAnally to finish and record the songs. Ned sounds a lot like his father, not just in his vocals, but also in the delivery of the lines. It gave me goosebumps when I heard the first song on the project, “We Ain’t Got It All”, one of two songs co-written by Ned, Chris and Mac, the other being the title track. “Brother Highway”, a song penned by Ned and Mark Sissel, will make you want to hop in a truck, point it west, and drive. A song written solely by Chris LeDoux, “Johnson County War”, tells the story of a real conflict between ranchers and large cattle companies in Wyoming during the late 1800’s. You almost feel like you are there. The final song on the EP is “The Hawk”. This song , written by Ned, is about life after his father’s death, and how even though he is gone, he feels like Chris is still watching over the family.
They say the apple does not fall far from the tree. I would say that is the case with Ned LeDoux. He inherited his father’s vocal chords and ability to paint western scenes in our minds. I hope we hear more from Ned LeDoux in the future. If I still had a tape player, I believe Ned LeDoux’s would be worn out just like Chris’. Once you take a listen to Forever a Cowboy, I believe you will want to add it to your music collection.

December 7, 2016

sturgill-simpson-a-sailor

With the announcement yesterday Sturgill Simpson’s A Sailor’s Guide to Earth was nominated in the Country Album and overall Album of the Year categories for the 2017 Grammy Awards, I thought it would be worth revisiting the critically acclaimed album.
When a friend of mine introduced me to Sturgill Simpson’s Metamodern Sounds in Country Music, my mind was blown. I had never heard such a mixing of genres: Waylon-like vocals, outlaw country music and psychedelic sounds. I could not stop listening to the album. I kept the CD in my car’s player for well over a year, taking it only a handful of times. The more I listened to his music, and read about his career, it was apparent to see that Sturgill was doing things his own way, and would continue to do so. A Sailor’s Guide to Earth is a prime example of Simpson’s independent spirit. Instead of taking the safe route, and producing an album that is similar in style to Metamodern Sounds.., he ventured out to tackle a concept album, complete with soulful organ fills, R&B horns ,and orchestral string swells.
The album serves as a letter, if you will, to Sturgill’s young son. The opening song, “Welcome to Earth (Pollywog), is just that; an honest greeting from a father to his son. The next song, “Breakers Roar”, is a beautiful lament and warning that life is, “all a dream.” The musical arrangement almost sounds like a lullaby. “Keep It Between the Lines” is a funky number, that is a father’s warning to his son about some of life’s pitfalls to avoid. It is told from a place of experience. “Sea Stories” is a sailor’s tale of traveling the Far East for the first time. Although a little different than the stories that my grandpa told, it is familiar enough to bring a smile to my face. The much talked about cover of Nirvana’s “In Bloom” is not just daring, but a great interpretation. It is one of my favorite tracks on this album. For the earlier songs that lay out warnings about struggles you may face in life, “Brace For Impact (Live a Little)” is a father’s encouragement to enjoy life. It reminds me of the speech many of us have heard to have fun, but not too much. I don’t know if anyone else noticed, but toward the end of the song, the guitar sounds like a passing police car with blaring siren. Maybe it’s a warning of things to come if you have too much fun. “All Around You” is a foray into southern soul matched with steel and slide guitar, and strings. Wow, what a sound! “Oh Sarah” is a beautiful, honest love song. “Call to Arms” is a rebellious number that questions the truthfulness of authority. This is a great rocking, R&B number to end the album.
If you were expecting Sturgill Simpson’s next album to be Metamodern Sounds 2, you are in for a surprise. That being said, I respect that he is marching to his own drum. Simpson wrote every song except the Nirvana cover on the album. He also produced the album, his first attempt at that great feat. For me, A Sailor’s Guide to Earth is a complete success. The writing is outstanding, the music goes in a different, daring direction, but not for the sake of a new sound. It supports the lyrics. The southern soul, string arrangements, country steel guitar and Sturgill’s voice fit together like perfect puzzle pieces to form this wonderful concept album. I encourage you to take a listen to Sturgill Simpson’s A Sailor’s Guide to the Earth.

November 30, 2016

brandy-clark

This week I revisit one of the best albums of the year, Brandy Clark’s Big Day in a Small Town. Coming off of her acclaimed 12 Stories album, and earlier success as a songwriter ( Miranda Lambert’s “Mama’s Broken Heart” and the Band Perry’s “Better Dig Two”), Brandy Clark put her pen and voice to work on her latest album Big Day in a Small Town. The album has Clark combining her efforts with fellow songwriters Jesse Jo Dillon, Luke Laird, and Shane MacAnally, with whom she wrote five songs on this album. This album deals the themes of small town life.
The album starts with “Soap Opera”. This song is a hilarious look at the drama in a small town, and it is definitely takes an ensemble cast to make this show go. “The Girl Next Door” is the most like the sound Nashville is producing right now, but has the sass and spunk of a Loretta Lynn song with lines like ,”If you want the girl next door/Then go next door”. The feeling that so many people experience when life hits them hard after their high school days are over is expressed in “Homecoming Queen”. Living and praying from paycheck to paycheck is something that so many of us can identify with, and it addressed in “Broke”. “You Can Come Over” is one of my favorite songs on this album, with It’s beautiful piano and soulful organ supporting Clark’s wonderful vocal delivery. It is a song about someone trying to set boundaries with an old flame. “Love Can Go to Hell” uses a clever turn on a phrase to describe what can happen when you are in a relationship that goes bad. “Big Day in a Small Town” is a funny companion song to “Soap Opera”, telling about the stories that make the rounds in the local gossip circle. “Three Kids No Husband” gives a real look at someone who might be the subject of small town gossip, but in reality should be praised for her perseverance. If you are a prude, “Daughter” is not for you. I am not a prude, so this is right up my alley. Wishing a heavy dose of karma on an bad ex-lover made me belly laugh out loud. If there was ever the perfect song title for a country song it would be “Drinkin’, Smokin’, Cheatin'”. It’s from the perspective of someone that tells of all the stuff they don’t do, but if they did do those things, then this is how they would do it. “Since You’ve Gone to Heaven” is a beautiful, but painful song about how life has come crashing down after the death of a loved one.
Brandy Clark has delivered a gem in Big Day in a Small Town. It should satisfy fans of modern country sounds, as well as the fans of thoughtful, well crafted songs. The songs deal with the troubles that can be experienced in a small town. Although some of the characters in the songs seem to be looking for a way out of the small town, I never get the impression that Clark hates small town life. Big Day in a Small Town may be one of the best albums of 2016, when all is said and done.

November 23, 2016

ronniedunntattooedheart

There are very few artists that are able to put out albums that are true to the sound and style that made them a star, while continuing to sound modern and fresh. Ronnie Dunn is one of those artist. His latest album, Tattooed Heart, showcases Dunn’s recognizable voice on songs that are in the tradition of songs from an earlier time in his career.
The album is full of great songs, from “Ain’t No Trucks In Texas” to “I Worship The Woman You Walk On” . The title song, an Ariana Grande song suggested to Dunn by his daughter, is one of the most daring ideas in recent memory by a country artist. To cover a song by such a well known non-country artist could have crashed and burned. However, Dunn owns the song. Also there are also guest appearances by former musical partner Kix Brooks on “Damn Drunk”, and former tour mate and collaborator Reba on “Still Feels Like Mexico”. Some other highlights on the album includes “Only Broken Heart In San Antone” and “She Don’t Honky Tonk No More”, a couple of songs that could have been recorded by Brooks and Dunn in the early part of the career.
I enjoy seeing stars from an earlier time in country music making new albums. I always try to give them a listen, and there have been some great albums this year from those types of artists ( see Vince Gill and Steve Wariner, to name a few). Ronnie Dunn’s album Tattooed Heart deserves a listen, not only by the fans, but by radio station music directors across the country. Ronnie Dunn should be played side by side with the stars of today.

November 16, 2016

kacey-musgraves-christmas

Although I haven’t started playing Christmas music around the house yet, it will not be long. It is time to start looking for new Christmas albums to add my already extensive yuletide collection. This year there are many new albums, but the one that really stands out to me is Kacey Musgraves A Very Kacey Christmas. The album includes several holiday classics as well as four new songs written by Musgraves.
The album features a little bit of the sounds of Hawaii, a little soul, a little bit of the classic sounds of Christmas songs of the 1940’s-1960’s, and a lot of Texas country. Kacey Musgraves tackles standards like “Have Yourself a Merry Little Christmas”, the Alvin and the Chipmunks’ classic “Christmas Don’t Be Late”, “Rudolph the Red Nosed Reindeer”, and “Feliz Navidad”. There are cameos from Willie Nelson (“A Willie Nice Christmas”), the Quebe Sisters (“Let it Snow” and “Mele Kalikimaka”), and Leon Bridges (“Present Without a Bow”).
There are 12 tracks in all on A Very Kacey Christmas, and this is an album that I will not select tracks off of, and add piece meal to my playlist. This album will be played completely through, and all the way through the holiday season, including New Year’s Eve (it includes “What Are You Doing New Year’s Eve?”). Add this album to your list, check it twice, and have yourself A Very Kacey Christmas.

November 9, 2016

john-prine-for-better-for-worse-1024x1024
There are many great songwriters in our time. In my opinion, one of the greatest of all time is John Prine. With nearly fifty years of songwriting that has inspired untold numbers of other writers and performers, it seems odd that I would be reviewing a Prine album that is full of covers. However, his latest album, For Better, Or Worse, a collection of duets with his own list of handpicked female collaborators, showcases the longevity of the songs from other songwriters, including Hank Williams, with the honest vocal delivery.
The freedom to select the songs and collaborators is nothing new to John Prine. He has been recording on his own label since the 1980’s. Even without knowing that you can sense it in just listening to For Better or Worse. The names of Prine’s collaborators includes Iris DeMent , Miranda Lambert , Kacey Musgraves, Morgane Stapleton, Amanda Shires, Kathy Mattea, Lee Lee Ann Womack, and his wife Fiona Prine. Some of the standout songs on the album includes
“I’m Telling You” with Hank Williams granddaughter Holly Williams, the Ernest Tubb and Loretta Lynn song “Who’s Gonna Take Your Garbage Out” with Iris Demint, Hank Williams “Cold, Cold Heart”with Miranda Lambert, a duet with Morgane Stapleton on Vince Gill’s “Look At Us”, and “My Happiness”, a beautiful duet between John and his wife, Fiona.
If you are not familiar with John Prine’s earlier, original work, I encourage you to check it out. Start with his very first album and work your way through his career. Even though For Better or Worse is not a project of original Prine compositions, it is a shining example of great songwriting and Prine’s wonderfully honest vocal delivery. Take a listen to For Better or Worse. You will be the better for it.

November 2, 2016

steve-wariner

There are some great pickers in Nashville, but some guitar pickers just stand apart from the rest, especially if you are a C.G.P (Certified Guitar Player). That designation was created and awarded by guitar virtuoso. Chet Atkins. As far as know only four people were given the award by Chet: John Knowles, Tommy Emmanuel,Jerry Reed , and Steve Wariner. This Catch of the Week comes to us from one of the C.G.P.’s, Steve Wariner.
The title of Wariner’s 20th studio album, All Over the Map, has a double meaning. Taken literally, it is a nod to his travels to every state in the Union and all of Canada. Many of his travels came from his time touring and playing bass with Dottie West and Chet Atkins. The album title is also an indication of what to expect on the project. There are many different sounds on this album: country, jazz, blues, rock and folk.
Of the albums 12 tracks, 7 of them are instrumentals, including “Nashville Spy-line” featuring the legendary Duane Eddy, and “Down Sawmill Road” with the mandolin playing of bluegrass and country star Ricky Skaggs. There is also “Meanwhile Back in Austin” with Eric Johnson, and Steve’s son, Ryan, on “The Last Word”. Steve also pays tribute to his father with the tune “Mr. Roy”.
If you are a fan of Wariner’s wonderful voice, there is no need to fear. His golden voice, complete with complimentary jazz scat singing, can be heard on songs like “C.G.P.” (featuring Tommy Emmanuel and John Knowles), the boogie woogie laced “Drop Top” (featuring Jack Pearson), and “Way It Goes (featuring Greg Martin).
All Over the Map puts me in mind of some of the Chet Atkins albums I used to purchase Chet’s album, bring it home, and play it all the way through without skipping a track.Then I would repeat the process over and over again. That is what I am going to to do with All Over the Map. I love how seamlessly Steve goes from one genre to another. I recommend you pick up All Over the Map today, and enjoy the journey.

October 26, 2016

jim-lauderdale

You never know what your going to get with an album from Jim Lauderdale. Well, you do know that you are going to hear quality songwriting, singing and playing. However, you don’t know what style it is going to be: country, bluegrass, soul, gospel, and singer-songwriter. With Lauderdale’s latest album, This Changes Everything, he is in a honky tonk mood straight out of Texas, Austin to be exact. Lauderdale assembled a great band for this album, including pedal steel player Tommy Detamore, pianist Floyd Domino , bassist Kevin Smith , drummer Tom Lewis , and Chris Masterson.

Although this is the first album of this style, Lauderdale is not a stranger to Texas country music. He has written many songs that George Strait, including “We Really Shouldn’t Be Doing This”, a Top 5 hit for King George. Jim includes that song on This Changes Everything, along with a collection of songs that give you the feeling that you are listening to a band at a Texas dance hall. Each song is drenched with steel guitar and fiddle, with the occasional drizzle of piano. From the Texas Swing “You Turned Me Around” to the shuffle of the title track and “I’ll Still Be Around”, from the tug of the heartstrings in “It All Started and Ended With You” and the sentimental “Nobody’s Fault”, Lauderdale truly captures the sound of Texas music.

Lauderdale may be one of the few artists that can visit different styles of American music with no flaws. This non-native nails the sound of the Lonestar state as well as he has has tackled bluegrass, soul, and gospel on his 28 other studio albums. Don’t be fooled by the album’s title, This Changes Everything. Sure, it is his first attempt at a completely Texas country music sound, but some things never change, like Lauderdale’s expert songwriting and soulful singing.

October 19, 2016

brent-cobb-shine-on-rainy-day-e1475860692822

I have to admit that I was not familiar with Brent Cobb, although I should have been. He moved to Nashville to try to make it as a songwriter, and he has had his songs recorded by the likes of Luke Brian, David Nail, and Kellie Pickler. However, Cobb has struck out on his own as a solo artist. His album Shine On Rainy Day was recently released. It is one of the smoothest albums to come out this year.
Shine On Rainy Day, produced by Brent’s cousin Dave Cobb, producer of albums for Jason Isbell, Chris Stapleton and Sturgill Simpson, is an album that has a the feel of the late 1970’s or early 1980’s. It in not a nostalgic sound by any means. The songwriting and sound is honest and pure. It is also very laid back. Some critics are not fans of the laid back feel. However, with songs like “Solving Problems”, “South of Atlanta” and “Country Bound” being standouts on the album this is one of my favorites of the year.
I hope folks will sit up and take notice of Shine On Rainy Day. Brent Cobb is already known in Nashville for his songwriting, and now for being Dave Cobb’s cousin. Maybe with the new album, folks will recognize him as a performer, too.

September 28, 2016

dwight-yoakam-swimming-pools-movie-stars

Dwight Yoakam has always marched the twang of a different guitar. That is why it is no surprise that his latest album, the much ballyhooed bluegrass based Swimmin’ Pools, Movie Stars…, is , if nothing else, 100% Dwight. I guess I didn’t get the memo that the album was to be filled with bluegrass covers, mostly from Yoakam’s catalog. That is by any means a knock on the album. It just when I heard about this project, and with Dwight’s Kentucky roots, I assumed we would hear Dwight covering Bill Monroe, Flatt & Scruggs, and the Stanley Brothers, but you know what happens when you assume.
Dwight covers songs like “What I Don’t Know”, “I Wouldn’t Put It Past Me” , “Two Doors Down”, “Guitars, Cadillacs” with Appalachian harmonies and a who’s who of bluegrass pickers, including Bryan Sutton (guitar), Stuart Duncan (fiddle), Scott Vestal banjo) and Adam Steffey (mandolin). One of the most interesting and talked about songs on the album is Yoakam covering Prince’s “Purple Rain”. If I were not familiar with the song, i would have thought it was a song written to be performed as a bluegrass song.
If you are looking for the bluegrass style that is the norm in modern bluegrass music on Swimmin’ Pools, Movie Stars…, you won’t find it. Again, that is not a knock against the album. Rather, it is a fact that you should know. What I can say about the album is it is a fresh, Appalachian inspired album of cover songs that sounds great. I don’t think that Dwight has ever put out a bad album, and there is no point in starting now.

September 21, 2016

willie-nelson-ray-price

Willie Nelson and Ray Price are two giants in the history of country music. These giants were also friends, and they had worked together over the years. Ray Price recorded the Nelson penned “Night Life”, Willie joined Price’s band, The Cherokee Cowboys, and played bass for a time in the 1960’s. Later the two would be tour mates, and would release the San Antonio Rose album in 1980.
Prior to Price’s death in 2013, he began working on his final album, Beauty Is…. .The legendary Fred Foster was enlisted to produce the album. When Willie Nelson decided to pay tribute to Ray Price, he called on Foster to produce the album.
For the Good Times/ A Tribute to Ray Price features music from his entire career, both the honky-tonk and the more string based pop side. The honky tonk style songs, complete with the Ray Price shuffle, features The Time Jumpers, the western swing based group that includes Vince Gill and Paul Franklin.
The complete listing for Willie Nelson’s For the Good Times: A Tribute to Ray Price Track Listing:
1. “Heartaches by the Number” (featuring the Time Jumpers)
2. “I’ll Be There (If You Ever Want Me)” (featuring the Time Jumpers)
3. “Faded Love”
4. “It Always Will Be”
5. “City Lights” (featuring the Time Jumpers)
6. “Don’t You Ever Get Tired of Hurting Me” (featuring the Time Jumpers)
7. “Make the World Go Away”
8. “I’m Still Not Over You”
9. “Night Life”
10. “Crazy Arms” (featuring the Time Jumpers)
11. “Invitation to the Blues” (featuring the Time Jumpers)
12. “For the Good Times”

Sometimes tribute albums feel rushed and forced. That is not the case here. Willie Nelson, the Time Jumpers, Fred Foster, and everyone else involved in this album took a lot of care in offering up this tribute to a country legend. I recommend giving a listen to Willie Nelson’s For the Good Times/ A Tribute to Ray Price.

September 14, 2016

time-jumpers-kid-sister

I am a huge fan of Western Swing, and therefore I am a huge fan of the Time Jumpers. The group consists of 10 members: Vince Gill (vocals, electric and acoustic guitars), “Ranger Doug” Green (vocals, acoustic rhythm guitar), Paul Franklin (steel guitar), Brad Albin (upright bass), Billy Thomas (drums, vocals), Kenny Sears (vocals, fiddle), Larry Franklin (fiddle), Andy Reiss (electric guitar), Jeff Taylor (accordion, piano), and Joe Spivey (fiddle, vocals). Their latest album, Kid Sister , is in a lot of ways a tribute to former member, the late Dawn Sears, who died of cancer in December 2014.
Actually, Dawn makes her last appearances on this album with “My San Antonio Rose”, as a duet with Dawn’s husband Kenny Sears, and singing harmony on “I Miss You”, a Vince Gill/Ashley Monroe song. Kenny sings the Gill penned “This Heartache”, a song inspired by Dawn’s passing.
The fun “We’re The Time Jumpers” introduces the band. It is one of my favorite tracks on the album. Another song that Gill wrote,
“Honky Tonkin”, ,not be confused the Hank Williams song of the same name , is a great song about someone trading in their old life and settling down.
The Time Jumpers expertly tackle the classic 1950’s song “I Hear You Talkin'”. The “Table For Two” moves away from the Swing to a classic country ballad . They stay with the ballad styling with “The True Love Meant For Me”.
“Ranger Doug” Green’s heartbreaker “Empty Rooms”, and the funny “Bloodshot Eyes” are perfect additions to this album. The latter made me laugh out loud.
The jazzy “Blue Highway Blue” and blues drenched “Sweet Rowena” offer a nice change of pace to the album .
Paul Franklin instrumental “All Aboard” is a great reminder of why he is a perennial nominee for CMA Musician of the Year.
When I heard that the Time Jumpers were coming out with a new album, I could not wait for it to be released. It was definitely worth the wait. Give Kid Sister a listen, and be prepared to tap your toes.

September 7, 2016

JoshWilliams-ModernDayMan

There have been a lot of albums that have been released in the last few weeks. They are good albums, but, not to sound like a music snob, they don’t meet up to the standards that are required for my recommendation. I take the Catch of the Week very seriously, and will only recommend the best new albums. That is why I am going back to spring of this year to grab this week’s Catch.

(orignaly published May 5, 2016)

Josh Williams is known for his role as the guitarist with the award winning Rhonda Vincent and the Rage. Although a guitarist for the chart topping bluegrass band, Williams, much like Vincent, are also fans of traditional country music. Josh Williams seamlessly blends the two genres on his latest album, Modern Day Man. It should not be such a big deal to blend the bluegrass and country music, but in this day and time it is not done very often. Many in the bluegrass world have an isolationist policy when it comes to their music, probably because they have seen what has happened to country music. They want to hold on the core of music. I can’t blame them. However, the traditional country sounds are a close cousin to bluegrass that have been heard together over the years on recordings by the likes of The Osbourne Brothers and J.D. Crowe and the New South. Bluegrass fans, please sit down. There are drums on this album. Hold on! It is subtle, and does not interfere with the rest of the instruments or vocals. From “Queen Of The County Fair” to “Great Divide” to “Another Town” to “Mordecai”, with the help of producer J.D. Crowe, Josh Williams flawlessly lives in the worlds of bluegrass and country. Although, I do not think that this album should be looked at as bluegrass or country, I know people tend to classify music. If you are going to classify Modern Day Man I think you should classify it as “outstanding”.

August 31, 2016

With all the coverage of Sturgill Simpson’s Facebook comments about the ACM Merle Haggard Spirit Award, I thought we would revisit Sturgill’s breakthrough album, Metamodern Sounds in Country Music. As many of you know, I am a big Sturgill Simpson fan. However , I am not featuring his album as way of giving his most recent comments an amen. Rather,this is a way for those that have not checked out his music to be properly introduced to it. Once you listen to this album, check out his latest album, A Sailor’s Guide to Earth. Now here’s my review from back in 2014:
A friend of mine turned me on to Simpson. I was late to the party, but better late than never. I was not familiar with Simpson or his 2013 debut album, High Top Mountain.
For his sophomore release, Metamodern Sounds in Country Music , Simpson and his band cut an album that has the sound of the Outlaw Movement of the 1970′s, but it sounds fresh. Not a direct impersonation, but rather similar in style, Sturgill Simpson’s voice has a Waylon Jennings quality. Simpson’s songwriting may be the strongest element of the album. I love quality, fresh material, and this album is full of it. Some of my favorite tracks are the Simpson penned “Living the Dream,” and “Life of Sin.” Simpson’s rendition of the Charlie Moore’s and Bill Napier’s trucker anthem “Long White Line” is excellent. He has recently received a lot of attention for the song “Turtles All the Way Down”, which he played on the Tonight Show with Jimmy Fallon. But it and all the other songs are pure Sturgill Simpson. .
This album won’t be for everybody’s taste, but if you are a real fan of the Outlaw Movement of the 1970′s, I would recommend at least giving Metamodern Sounds in Country Music a try.

August 17, 2016

Cody-Jinks-Im-Not-The-Devil

I was turned on to the music of Cody Jiinks by a couple of WLHR listeners. His previous albums have been great, and I have been looking forward to the release of his latest album, I’m Not the Devil. Jinks has been doing things his own way. He writes, sings and plays his the songs he performs. With an outlaw spirit this Lone Star poet has released a true artist’s album. Here are my thoughts on the tracks on I’m Not the Devil:

“The Same”- This song is a great start to the album. It’s a classic broken heart song. Time has moved on, but, good or bad, he is still the same.
“I’m Not the Devil”- Co-written with Ward Davis, this song is title track, first single, and best track from the album. This was written in studio in about an hour. Amazing!
“No Guarantees”- This is one of the few upbeat songs on the album. Despite the title, the song offers one guarantee, and that is “It is going to get hard before it gets easy”.
“No Words”- Some people would say this is a song of cynicism. I think it is a song of learned truths. It’s brutal, honest, and real, concerning everything from disappointment to love.
“Give All You Can”- This is a great song of encouragement. Give what you have to help others. What other reason is there for living?
“She’s All Mine”- I love the steel guitar in this song. This is a love song from deep in the heart of Texas.
“The Way I Am”- A wonderful cover of this Merle Haggard tune. Jinks sounds like he should be singng this tune.
“Chase That Song”- A honky tonk burner with a boogie woogie piano. Chasing the Muse can be as exciting as the story in the song.
“Heavy Load”-Mix fiddle, steel, and twangy, Spaghetti Western guitar with the lyrics in the this song, and you have a memorable songs about living with regret. Oh yeah, add a Bible scripture from Revelations about the Four Horsemen of the Apocalypse. Wire Tombstone and cue Wyatt Earp.
“Grey”- This is a stripped down song with just acoustic guitars. Remember, things aren’t black and white. Most times they are grey.
“Church at Gaylor Creek”- This is a great cover song from Billy Don Burns. It’s a trip down memory lane to a simpler time, and one you wish you could really go back to.
“Vampires”- We have all had the kind of thoughts that are addressed in this song. When you look back over your life, there are a lot of broken dreams and what if’s?”.
“Hand Me Down”- If there is one song that typifies why Jinks is classified as Outlaw country, this is it. You may be bombarded by what you’re supposed to do, like or accept, but you don’t have to take it. Make your own decisions, and don’t be afraid to question the norms.

Because Cody Jinks does things his own way, it means no outside interference from a label executive. It can be a double edged sword. You don’t have the publicity that comes with a large record company, but you are allowed to be grow as an artist. I’m Not the Devil showcases an artist that stays true to his country roots because that is what he wants. It’s not to break into mainstream country radio or find success on the charts, but rather to put out a quality album that an artist can be proud of. With that being said, a lot of people have already purchased the album, and there seems to a groundswell of support for I Am Not the Devil. Maybe with the success of artists that are doing things there own way (Chris Stapleton, Sturgill Simpson, Jason Isbell), hopefully we will see Cody Jinks added to that list.

August 10, 2016

lori mckenna

It is a doggone shame that talented artists and songwriters practice their craft for many years with very little recognition. That is the case with Lori McKenna. Although recognition has come with the success of songs she has penned, Little Big Town’s “Girl Crush” and Tim McGraw’s “Humble & Kind”, McKenna is not a household name, although she should be.
Her latest album, The Bird and The Rifle, was just released. The project sees McKenna team up with producer Dave Cobb, who has worked with likes of Sturgill Simpson, Chris Stapleton and Jason Isbell. The album includes ten songs that were written or co-written by McKenna.
The songs on this album deal with real subject matter: A troubled marriage (“Wreck You”, “If Whiskey Were a Woman”, and the title track), the realization that things never stay the same with a nostalgic look back (“Giving Up on Your Hometown”and “We Were Cool”), some people never change (“Old Men Young Women”), getting over a bad breakup (“Always Want You”), and looking for a meaningful relationship (“Halfway Home”). Add to that a love song (“All These Things”), and her version “Humble and Kind”, and you have a great record.
McKenna’s ability to tell stories with her writing, and deliver those stories with stark honesty makes The Bird and The Rifle a great album. However, that is allowed to come through because of Dave Cobb’s expert ability to stay out of an artist’s way. The focus is on the stories, and McKenna’s voice. In a world of homogenized, over produced music, albums like The Bird & The Rifle gives me hope about the future of music.

August 3, 2016

Volume 5-Drifter

As many of you know, I am a fan of bluegrass music. With that being said, you can look back at some of my previous editions of Porkchop’s Catch of the Week and see the bluegrass sprinkled in with the country albums. One of the very early reviews I wrote was on Volume Five’s Voices. I have been waiting on their new album just after that review was posted. Volume Five’s latest album, Drifter, is here! Just as with all their previous albums, Drifter is a prime example in how to be contemporary while sounding traditional, and that is not an easy thing to do. A little too much in either direction, and you can alienate a portion of the intended audience.
Volume Five consists of Glen Harrell (fiddle & vocals), Harry Clark (Mandolin), Colby Laney (Guitar),Patton Wages (banjo/guitar & vocals),and Chris Williamson (upright bass & vocals), and the guys move effortlessly from one song to another, tackling speedy bluegrass songs like 95 Years, then gently deliver “Because of You”. They also cover the Bill Monroe classic “Tall Pines” and really deliver on the only instrumental tune on the album, “Lucky Seven”.
With Harrell’s smooth lead, and each member’s expert musical skills, Volume Five continues to be one of the most consistent bands in today’s bluegrass roster. I feel as if Volume Five is sometimes overlooked in the world of bluegrass. Year after year, and album after album, Volume Five proves that they deserve to be ranked as one of the top band of the genre. Check out their new album, Drifter, today.

July 27, 2016

kree harrison

You may be familiar with the name Kree Harrison. She was runner-up on American Idol in 2013. Usually after a high finish on American Idol, you see an artist pushed into the studio for a quick album, so as strike while the iron is hot. Well, that is not what happened with Kree. In fact, I am not exactly sure what happened, but we did not see a quick album turnaround. I, for one, am glad that never happened. I don’t know for sure, but I feel the album would have been a homogenized, pop country CD that would have ended up on my desk as a drink coaster. Now, we have a new album from Harrison that is a quality product, with great writing, playing and singing. Good things come to those that wait.
This Old Thing, Kree Harrison’s new album, is an honest, amalgamation of styles that highlights her great voice, and songwriting skills (she had a hand in writing 9 of the albums’ 13 songs).
From the R&B influenced title track to the steel guitar and fiddle drenched “Something Else”, Harrison is a fresh presentation of music from the Music City. Maybe the fact the album was recorded outside of Nashville, North Carolina to be exact, gives this project the fresh sound.
Kree Harrison’s This Old Thing is a country album that also draws on other influences. As we have seen with other artists that are putting out albums that end up with a country label, This Old Thing highlights a strong influence from the old school R & B side of things, especially horn arrangements (also see Sturgill Simpson). I guess it would be more appropriate to place these albums under the American umbrella. It is a wide umbrella, that includes so many styles of music that are played by musicians on instruments, and not loops created by a slick producer. Long time country music fans want a couple of thing: music with soul, and lyrics that evokes emotions. You will definitely find both of those things in Kree Harrison’s This Old Thing.

July 20, 2016

earls of leciester rattle and roar

Nearly two years since the Earls of Leicester released their self titled, debut album, they are back at as they roll out Rattle & Roar. Just as with their first project, the new album features songs from the Flatt and Scruggs songbook performed by the likes of Dobro player Jerry Douglas, guitarist and singer Shawn Camp, banjo player Charlie Cushman, Jeff White on mandolin (replacing Tim O’Brien from the first album), fiddler Johnny Warren, and longtime Alison Krauss bassist Barry Bales. Rattle & Roar features sixteen songs, not including the “Steel Guitar Blues Intro”.
Here is the track listing for the Rattle & Roar:
1) The Train That Carried My Girl from Town
2) Why Did You Wander?
3) All I Want Is You
4) Steel Guitar Blues Intro
5) Steel Guitar Blues
6) You Can Feel It in Your Soul
7) A Faded Red Ribbon
8) Just Ain’t
9) Mother Prays Loud in Her Sleep
10) I’m Working on a Road (To Glory Land)
11) Will You Be Lonesome Too?
12) Flint Hill Special
13) What’s Good for You (Should Be Alright for Me)
14) The Girl I Love Don’t Pay Me No Mind
15) Branded Wherever I Go
16) Buck Creek Gal
17) Pray for the Boys

There is a variety of songs on this album. You hear the instrumental prowess of the Earls on tunes like “Steel Guitar Blues”, “Flint Hill Special”, and “Buck Creek Gal”. Gospel sounds can be heard on songs such as “You Can Feel It In Your Soul” and “Mother Prays Loud in Her Sleep”. Then there are the stories of heartbreak that are common in bluegrass music in “Why Did You Wander?” and “The Girl I Love Don’t Pay Me No Mind”.
You will not normally hear me praising a group of performers for playing nothing but cover songs. However, there is something different about the Earls. It is not just because I am a fan of bluegrass music. There is something else that makes their albums, and performances interesting and exciting. However, I cannot put my finger on it, but when I hear the music, I am completely engaged to the sound. Pick it Earls!

07/13/16

MarkChestnut

Fans of traditional country music are going to be pleased with this Catch of the Week. Mark Chestnutt’s latest album, Tradition Lives, tells you what

this album is about from it’s title. This album is soaked in tradition: crying steel guitars, walking honky tonk bass lines, and soaring fiddles.

The album kicks off with a honky tonker, “I’ve Got a Quarter in My Pocket”. The song should get folks on the dance floor pretty quickly.
What country album is complete with a cheating song? “Is It Still Cheating” comes from a collaboration between Jamey Johnson, Randy Houser and Jerrod Niemann.
Some of my other favorite tracks on the ablum include “Lonely Ain’t the Only Game in Town” with it’s honky tonk shuffle, the heartbreakers “Oughta Miss Me By Now” and “So You Can’t Hurt Me Anymore”, the hilarious “Look at Me Now”, “Hot”, a jazzy song that we can identify with during our current heat wave, and the message to Music Row in “Never Been to Texas”. The album features a bonus track titled “There Won’t Be Another Now”, which is a tribute to Merle Haggard.
It has been four years since Chestnutt’s last album, and seventeen years since his last number 1, “I Don’t Want to Miss a Thing”. He was hesitant to cover the Aerosmith song, and, according to reports, Chestnutt left his label after they wanted his next single to be another pop based song. Since then, Mark Chestnutt continued to record albums, and tour, although it was an uphill climb without the support of radio airplay. He has put out some great projects in the subsequent years.
Music is constantly changing. Unfortunately, it changed so drastically from the early 2000’s to current that artists like Mark Chestnutt get left in the dust, through no fault of their own. I, for one, am glad to hear new music from Mark Chestnutt. He has always been one of my favorite country singers. There is no pretense with him. Whether in his songs or an interview, you get honesty. I feel we will never go back to a purely traditional sound on country music radio, ,but you can bet your boots that you will hear it on stations like 92.1 WLHR next to the hits of today. Tradition not only lives, but thrives in the music of Mark Chestnutt.

07/06/16

edgar loudermilk

After stints with Rhonda Vincent and The Rage, Marty Raybon and Full Circle, and Adkins & Loudermilk, Edgar Loudermilk struck out on his own with this current band. I have been anticipating the album from Edgar Loudermilk since I heard the first single, “My Kentucky Home”. Georgia Maple does not disappoint. This album highlights the talents of The Edgar Loudermilk Band, featuring Loudermilk (bass), Jeff Autry (guitar), Zack Autry (mandolin), and Glen Crain (dobro), not only on their respective instruments, but also with their voices.

“My Kentucky Home” was the first single from Georgia Maple. This upbeat number is a great way to start the album. The next song, “Homesick Blues”, has a much darker sound. It is enough to send a chill down your spine. Perhaps my favorite song on the album is “Dreaming Enough to Get Me By”. There is something about the chord progression and lyrics of this song that grabbed me from the first time I heard it. “Georgia Maple” is a classic song that takes us down memory lane. Memories are also what drives “My Home in Caroline”. There is no place like home! The jazzy “I’ll See You in My Dreams” happily swings, and will set your toes to tapping. “Harvest of My Heart” catches your attention from the get go with the harmony lead work from multiple instruments. Talk about smooth as silk! It was great to hear the cover of Don Williams “It Must Be Love”. Yes, kids, before Alan Jackson recorded it, Don Williams was known for this song. Glen Crain’s dobro work on this song is outstanding. You will also hear some great instrumental work on “Blues Ain’t Coming Through My Door”. “Trains Can’t Turn Around” is a traditional bluegrass burner, featuring tight harmonies, and expert picking. “Until Your Love Brings Me Back” is a beautiful love song, and reminds you of the many different sounds and styles that you experience with Edgar Loudermilk’s music. What bluegrass album is complete without a song about the realization that mistake has been made, and is trying to be rectified. You find that theme in “The Letter”.

As I mentioned earlier, I have been anticipating the release of this album since I first heard “My Kentucky Home”. I recommend you giving a listen to Edgar Loudermilk’s Georgia Maple. I also want to encourage you to go out and see The Edgar Loudermilk Band featuring Jeff Autry when they are around our area. You will be glad you did.

06/29/16

sturgill simpson- a sailor

Usually around Independence Day I take a look back at the albums that have been release this year thus far. We have reviewed some great albums this year including the from the likes of Vince Gill, Willie Nelson, Loretta Lynn, Mary Chapin Carpenter, producer Dave Cobb’s Southern Family and Brandy Clark (be sure to scroll down on this page and read all the reviews for albums from this year). However, if I had to choose one that stands out it would be Sturgill Simpson’s A Sailor’s Guide to Earth. I thought I would post my review of that album again here at the unofficial halfway point of the year:

When a friend of mine introduced me to Sturgill Simpson’s Metamodern Sounds in Country Music, my mind was blown. I had never heard such a mixing of genres: Waylon-like vocals, outlaw country music and psychedelic sounds. I could not stop listening to the album. I kept the CD in my car’s player for well over a year, taking it only a handful of times. The more I listened to his music, and read about his career, it was apparent to see that Sturgill was doing things his own way, and would continue to do so. A Sailor’s Guide to Earth is a prime example of Simpson’s independent spirit. Instead of taking the safe route, and producing an album that is similar in style to Metamodern Sounds.., he ventured out to tackle a concept album, complete with soulful organ fills, R&B horns ,and orchestral string swells.
The album serves as a letter, if you will, to Sturgill’s young son. The opening song, “Welcome to Earth (Pollywog), is just that; an honest greeting from a father to his son. The next song, “Breakers Roar”, is a beautiful lament and warning that life is, “all a dream.” The musical arrangement almost sounds like a lullaby. “Keep It Between the Lines” is a funky number, that is a father’s warning to his son about some of life’s pitfalls to avoid. It is told from a place of experience. “Sea Stories” is a sailor’s tale of traveling the Far East for the first time. Although a little different than the stories that my grandpa told, it is familiar enough to bring a smile to my face. The much talked about cover of Nirvana’s “In Bloom” is not just daring, but a great interpretation. It is one of my favorite tracks on this album. For the earlier songs that lay out warnings about struggles you may face in life, “Brace For Impact (Live a Little)” is a father’s encouragement to enjoy life. It reminds me of the speech many of us have heard to have fun, but not too much. I don’t know if anyone else noticed, but toward the end of the song, the guitar sounds like a passing police car with blaring siren. Maybe it’s a warning of things to come if you have too much fun. “All Around You” is a foray into southern soul matched with steel and slide guitar, and strings. Wow, what a sound! “Oh Sarah” is a beautiful, honest love song. “Call to Arms” is a rebellious number that questions the truthfulness of authority. This is a great rocking, R&B number to end the album.
If you were expecting Sturgill Simpson’s next album to be Metamodern Sounds 2, you are in for a surprise. That being said, I respect that he is marching to his own drum. Simpson wrote every song except the Nirvana cover on the album. He also produced the album, his first attempt at that great feat. For me, A Sailor’s Guide to Earth is a complete success. The writing is outstanding, the music goes in a different, daring direction, but not for the sake of a new sound. It supports the lyrics. The southern soul, string arrangements, country steel guitar and Sturgill’s voice fit together like perfect puzzle pieces to form this wonderful concept album. I encourage you to take a listen to Sturgill Simpson’s A Sailor’s Guide to the Earth.

06/22/16

Dolly Shine

I am always discovering new artists and groups as I look for albums to review for the Catch of the Week. This week I discovered a group called Dolly Shine. The group gets it’s name from a Spanish phrase used in south Texas, “Dale Shine.” According to their website, the terms means to “give it shine”, but today it “give it gas” or “go for it.” That is just what this band does on their latest album Walkabout. Now, this is not their first album. Dolly Shine actually has a full length album, Room to Breathe, and an EP, All In, under their belt. The group’s latest effort is as pure an Americana sound as there is: lots of country, mixed with bluegrass, rock and blues.
The band describes the album as a concept album of sorts. Each song is individual story, but all from the perspective of a drifter. From the rocking country number, “Blackbird”, to the song of bumping into an old love in “Come Out Swingin'”, from the classic tale of knowing what results will come because of your actions with “Twist the Knife”, to the story of drugs and death in “Snakeskin Boots”, Dolly Shine tells stories that keep your attention, all backed by some of the best roots music this side of the Rio Grande.
I will not use this time to rant against modern country songs that are either about partying, or have their stories covered up by annoying drum loops. There is room for all kinds of music under country music’s umbrella. In my opinion, the umbrella needs to cover more than just Nashville. As it always been, the music scene in Texas survives and thrives behind Nashville’s back (i.e. Bob Wills and the Texas Playboys, Willie Nelson, Waylon Jennings, Lyle Lovett). The modern scene has produced some great new music from the likes of Aaron Watson, The Randy Rogers Band and Aaron Einhouse. I can add Dolly Shine to that list, and you should, too. Sit back today, and take a listen to Walkabout.

06/15/16

Coming off of her acclaimed 12 Stories album, and earlier success as a songwriter ( Miranda Lambert’s “Mama’s Broken Heart” and the Band Perry’s “Better Dig Two”), Brandy Clark put her pen and voice to work on her latest album Big Day in a Small Town. The album has Clark combining her efforts with fellow songwriters Jesse Jo Dillon, Luke Laird, and Shane MacAnally, with whom she wrote five songs on this album. This album deals the themes of small town life.
The album starts with “Soap Opera”. This song is a hilarious look at the drama in a small town, and it is definitely takes an ensemble cast to make this show go. “The Girl Next Door” is the most like the sound Nashville is producing right now, but has the sass and spunk of a Loretta Lynn song with lines like ,”If you want the girl next door/Then go next door”. The feeling that so many people experience when life hits them hard after their high school days are over is expressed in “Homecoming Queen”. Living and praying from paycheck to paycheck is something that so many of us can identify with, and it addressed in “Broke”. “You Can Come Over” is one of my favorite songs on this album, with It’s beautiful piano and soulful organ supporting Clark’s wonderful vocal delivery. It is a song about someone trying to set boundaries with an old flame. “Love Can Go to Hell” uses a clever turn on a phrase to describe what can happen when you are in a relationship that goes bad. “Big Day in a Small Town” is a funny companion song to “Soap Opera”, telling about the stories that make the rounds in the local gossip circle. “Three Kids No Husband” gives a real look at someone who might be the subject of small town gossip, but in reality should be praised for her perseverance. If you are a prude, “Daughter” is not for you. I am not a prude, so this is right up my alley. Wishing a heavy dose of karma on an bad ex-lover made me belly laugh out loud. If there was ever the perfect song title for a country song it would be “Drinkin’, Smokin’, Cheatin'”. It’s from the perspective of someone that tells of all the stuff they don’t do, but if they did do those things, then this is how they would do it. “Since You’ve Gone to Heaven” is a beautiful, but painful song about how life has come crashing down after the death of a loved one.
Brandy Clark has delivered a gem in Big Day in a Small Town. It should satisfy fans of modern country sounds, as well as the fans of thoughtful, well crafted songs. The songs deal with the troubles that can be experienced in a small town. Although some of the characters in the songs seem to be looking for a way out of the small town, I never get the impression that Clark hates small town life. Big Day in a Small Town may be one of the best albums of 2016, when all is said and done.

06/08/16

Mary-Chapin-Carpenter-The-Things-That-We-Are-Made-Of-1024x1024

Mary Chapin Carpenter is back with a new album. The Things That We Are Made Of has Carpenter working with critically acclaimed producer Dave Cobb, known for his work with Chris Stapelton, Sturgill Simpson and Jason Isbell. The thing that makes Cobb’s work as producer stand out is his ability to get out of the artists way, and let them showcase their talents. I have always been a fan of Mary Chapin Carpenter’s singing and songwriting, and this album places those two things at the forefront of it’s presentation.
This album is a reflection on life’s positive and negatives that shape who we are.
“Something Tamed Something Wild” is an exploration of just that; the duality of good and bad in our lives. “The Middle Ages” is not only a reflective song, but one of pondering what the future holds. “What Does It Mean to Travel” and “Livingston” are songs that deal with the solitude, and, sometimes, loneliness or a journey. “Map of My Heart” is a song of perseverance, and strength. It can only be sung by those that have truly been through life’s ups and downs, and come out on the other side. “Oh Rosetta” is a song that deals with the feelings of doubt of everything we do in this life. and ourselves. Other tracks on the album include the contemplative “Deep, Deep Down Heart” , the beautiful and powerful walk down memory lane in “Hand on my Back”, the song about being really being connected to someone with “The Blue Distance”, “Note On A Windshield” is a song of overwhelming vulnerability versus the strength to take action now, and the reflective title track, “The Things That We Are Made Of”, rounds out the album
The Things That We Are Made Of catches Mary Chapin Carpenter doing what she does best: singing and songwriting. She is at her best when she is telling the stories that songwriters tell. The stories that come from personal experience, or at least close observation. This is an album that won’t find it’s way on to commercial radio, but I hope that it finds it’s way into your music collection. It will definitely be in mine.

06/01/16

Mountain Heart

I have followed Mountain Heart from their beginnings as a strictly bluegrass band. They have morphed over the years, and with their latest album, Blue Skies, Mountain Heart has transitioned once again. The group features Mountain Heart veterans Josh Shilling and Aaron Ramsey, along Jeff Partin, Seth Taylor, and fiddler and vocalist Molly Cherryholmes (you may recognize her from the group Cherryholmes). Mountain Heart has always pushed the limits in the bluegrass world, incorporating tunes from the Allman Brothers, Bruce Hornsby and Stevie Wonder into their concerts. However, this sees Mountain Heart performing original songs in many different styles. Mountain Heart seems to move effortlessly from style to style. Here are my thoughts on the tracks from the album Blue Skies:

The album starts with the laid back, toe tapping title track “Blue Skies”. Sometimes it is tempting to put a blistering song as the first track on an album. I like this laid back song as the album opener. It set’s the tone for the rest of the project.
The piano style and vocals on “Miss Me When I’m Gone” puts me in mind of Bruce Hornsby. It is a bluesy, rootsy song
Mountain Heart puts out a nice version of Dylan’s “Maggie’s Farm”.
“No One to Listen” is a stripped down, lonesome, songwriter’s ballad. The line “even gypsies need a friend” sticks with you from the first listen. This song shows the diversity of sounds that Mountain Heart possesses.
“She’ll Come Back To Me” is a soul drenched offering from a sad, heartbroken case that is trying to come to grips with the loss of a lover.
“Addicted” is a roots based pop number that agains showcases the many genres the group is able to live in. It will have you chanting “Oh, oh, oh”.
If you didn’t know it by the what you have heard already, “The Bad Grounds” shows that Mountain Heart, as a band, is full of instrumental juggernauts.
“Have You Heard About The Old Hometown” has a southern spiritual sound, and laments the death of a town.
Boogie woogie mixed with jazz featuring bluegrass instruments and a piano is what you will find on “I Can’t Get Over You”. I am a sucker for boogie woogie, so this is quickly becoming one of my favorite tracks on the album.
“Hurting” is a piano ballad dedicated to the many people that experience the pain and disappointment of dealing with real life situations of the world that has changed around them. and not for the better.
In a genre driven musical landscape, it may be hard for some people to get behind Blue Skies, an album that includes so many musical styles, and, in fact, creates it’s own genre. I have no problem with it. If the music is good, and moves you, makes you tap for toes, clap your hands, close your eyes and soak it in, then I am all in. The sky is the limit for Mountain Heart.

05/25/16

the honeycutters on the ropes

The Honeycutters released one of my favorite albums in 2015 with Me Oh My. It showcased the band’s unique style, identified as Appalachian honky tonk, featuring Amanda Platt’s singing and songwriting style, Rick Cooper on bass, Tal Taylor on mandolin, Josh Milligan on drums, and Matt Smith on pedal steel, electric guitar, and dobro. Now they have released a new album, On the Ropes. It holds true to the standard established on Me Oh My, and in some ways surpasses it.
With the exception of their rendition of Leonard Cohen’s “Hallelujah”, which is beautiful, all the other songs are written by Platt. I believe her songwriting places her in the day’s upper echelon of writers. I love the interplay between the mandolin and steel guitar, with an organ and piano interwoven as a musical backdrop for the album. It is part of The Honeycutters’ signature sound that carries over from their previous album.
The opening, title track is song’s opening line, “I’ve been making something out of nothing for a long time now”, grabs you from the get go. This song is about someone who has been through tough times, and because of those experiences, is prepared to face tough times again.
“Blue Besides” is a song of encouragement. It reminds us that failures will happen, but do not let failures keep you from getting back up.
“Golden Child” tells of someone that has lived a lot of life, and experienced it’s ups and downs. It does not mean they are ready to get off of life’s roller coaster. Fasten your seat belts.
“The Handbook” is a humorous look at most women’s expectations, or what the handbook says they want. This song features a great piano line, intertwined with Hawaiian steel guitar, and catchy backing vocals.
“The Only Eyes” is a sad love song, expressing the feelings of want when it comes to love. Wanting a better, not perfect, relationship.
“Back Row” has a great harmonica part. The rest of the music on this songs reminds me of a Fleetwood Mac song. It’s not a imitation, especially with the harmonica. The lyrics, as on all the other songs, are outstanding.
“Useless Memories” has a sound from yesterday, but is not a revivalist piece. It is fresh. It a nostalgic look back at things that, when they are recalled, bring some comfort and happiness.
“Piece of Heaven” is a beautifully sad song, in the spirit of country songs of by-gone era. Bartender, I’ll have another.
” While “Let’s Get Drunk” is a perfect song to follow “Piece of Heaven”. It is a toe tapping honky tonk song. There is a no truer statement than, “And if I’m gonna live with with my choices/I expect that I’ll regret at least a few”.
“500 Pieces” is a bitter sweet heart breaker. “Baby, it ain’t hard to see/in the warm glow of the TV screen/ You’re more than the mess they made of you.”
“Ache” is a stripped down, haunting song of pain and loss. I hate to repeat myself, but this is a beautifully sad song.
“Barmaid’s Blues” is the lament of someone working in a late night place, trying to keep the hope alive that things will one day change for the better.

You never know what the next album holds after a previous project gains widespread attention, as Me Oh My . With that apprehension, I was also optimistic that we would receive another dandy from The Honeycutters. Thank goodness that feeling was right. On the Ropes is an album, that offers familiar, but fresh sound that will make you want to listen to it again and again.

05/18/16

aaron einhouse

This Catch of the Week was a nice surprise. I have to admit, I was not aware of Aaron Einhouse’s work. However, when I discovered the Austin, TX born and raised singer-songwriter’s new album , It Ain’t Pretty, it set my toes to tapping, and my soul flying.
The music is a mixture of bluesy country, soul and rock and roll. Einhouse’s gruff vocals remind me of other outlaw singers, especially Sturgill Simpson. The songwriting stands out, too. The title track, co-written with Hal Ketchum, that says, “life ain’t pretty but it’s real,” and “I’m here to tell you that it’s all wrong/I’ve been lied to by fairy tales and songs.”What country album would be complete without a cheating song. “My Susannah” is that song for this album. “The Richest Man” is a classic warning song from an older person who has lived enough to offer warnings about life’s pitfalls. My favorite songwriters are those that can tell a story that is easy to see through their words. “The Fall Are of Eli Wilde” paints the picture of a wild, tough man that meets his match in a woman.
Aaron Einhouse’s It Ain’t Pretty captures a singer-songwriter at the top of his game: great songwriting, delivered with great vocals, backed by killer musicians.

05/11/16

Aubrie-Sellers

I am not perfect. My wife already knows this, and now everyone else does, too. I have to admit that I overlooked this album when it was released. It was not an intentional. I guess the album got lost in the shuffle of the other releases that came out around the same time. I am glad that I did eventually find Aubrie Sellers’ New City Blues.
There is an interesting combination of sounds on this album. Sellers has been quoted as called her music “garage country”. That may the perfect explanation of New City Blues. The music, at it’s core, is traditional country. Sometimes I hear the sounds of the late 1950’s early rock/country crossovers seeping through. Add to that the guitar work, which is sometimes a little on the grungy side, and sometimes a little twangy side.Then there is Sellar’s outstanding voice. She has a pure country sound, that displays a great deal of emotion, which is a requirement in country music. She is definitely making her own way in the music world, but I would be remiss if I didn’t point out that she is daughter of singer Lee Ann Womack and songwriter Jason Sellers. Also, her step dad is producer Frank Liddell, who also produced this album.
Enough about her lineage. Sellers is standing on her on. In fact, when I first listened to the album, I had no idea of who her parents were. Therefore, it had no bearing on my impression of this album. It is just a great listen! There is not a track on New City Blues that I dislike, however there are a couple that stand out to me: “Sit Here and Cry” and “Liar, Liar”. The unique “garage country” sound of Aubrie Sellers’ New City Blues needs to come out of the garage and into the light, so everyone can hear. Give it a listen today, and spread the word.

05/04/16

JoshWilliams-ModernDayMan

April 27, 2016

del and woody

A group of recently discovered songs from the pen of a legend, recorded by well known modern artists. We have seen this before, sometimes with amazing results. Del and Woody is one that will go down on the side of amazing results. The “Del”is Del McCoury, the legendary bluegrass singer, and the “Woody” is the iconic American songwriter and singer of the 1930’s and ’40’s. The album features songs that Nora Guthrie, daughter of Woody Guthrie, unearthed. Although the songs were completed lyrically, they were never recorded. So, we can only guess what tune Woody had in mind for the songs. That is where Del comes in. Nora saw The Del McCoury Band perform in the early 2000’s, and decided that Del would be the perfect person to record her father’s music.
If you have a limited knowledge of Woody Guthrie (“This Land is Your Land”, a sticker on his guitar that read “This Machine Kills Fascists”, and his influence on a young Bob Dylan), it may surprise you that these songs are not protest songs. In addition, these songs fit in the bluegrass vein perfectly. The thing to remember is that many of Guthrie’s songs and many bluegrass standards have one thing in common; they are songs of, by, and for the common man, especially hard working, country folk.
Songs like “New York Trains”, which complains of the problems of traveling in the big city, “Ain’t A Gonna Do”, a song about a poor person’s meal and the desire for a lady’s love, and “Californy Gold”, which reminds the listener that money does cannot rid one of this world’s problems, have themes that are very familiar to a bluegrass audience. It does not hurt that a voice like Del’s is delivering these songs.
Trying to collaborate can be a daunting task. It can even be more difficult across decades of time, but Del’s bluegrass drenched voice and Woody’s well written words fit together, hand in glove. Although Woody was no doubt influenced by the music of the Carter Family, his songs are not covered in bluegrass circles like those of the Carter’s. Del and Woody shows us that why they should be.

April 20, 2016

sturgill simpson- a sailor

April 13, 2016

hayes-carll_lovers-and-leavers_sq-5e0bb88de6df25e7987fdc84d743cdd828eb8182-s800-c15

If you are a fan of songwriters, then you know the name Hayes Carll. He is known for his humorous turn of a phrase, and folk rock sound. That is why some fans may wonder what happened to those types of songs on Carll’s new album, Lovers and Leavers. This album is much more stripped down than previous albums, almost entirely acoustic, and the mood of the songs a little more dark. Some music critics have said the mood of this album is sad. I guess you can say that. I think it is more along the lines of realism; Dealing with life’s ups and downs, like a divorce, through the cathartic process of songwriting.

Carll collaborates with many great songwriters on Lovers and Leavers, including Jim Lauderdale (“Drive”), Allison Moorer and Jack Ingram (“The Love That We Need”), Will Hoge (“Good While It Lasted’) and J.D. Souther (“Jealous Moon”). My favorite song on the album “Sake of the Song” is a co-write with Darrell Scott. That song is about the craft of songwriting. Fantastic!

For all the Hayes Carll fans concerned about the very different direction of Lovers and Leavers, I may be wrong, but I believe that we will see him go back to the style of his earlier projects in the future. However, if he doesn’t, I won’t complain. To me, this album is just as important as any of his others. You can feel the pain of loss and the apprehension of beginning a new romance from a songwriter’s perspective. Ultimately, my favorite song from the album reminds us the reason that Hayes Carll does what he does, “it’s all for the sake of the song.”

April 6, 2016

southern family

One thing that stood out to me about this album was the fact that the vocals were not fighting with the music. The vocals, and lyrics, were prominent. The storytelling is what Southern Family is all about. The music actually supports the singer, and waits it’s turn before laying out a lead line or a break.
The lyrical mastery shown on this record is remarkable. Jason Isbell’s “God is a Working Man”, Jamey Johnson’s “Mama’s Table”, Zac Brown’s “Grandma’s Garden”, and Brandy Clark’s “I Cried” are some of the best examples of this lyrical acumen. By the way, it is not just the lyrics that stand out. The delivery is just as important. Kudos to each of the artist for their treatment of the songs, and to Cobb for his production. In fact, the best thing about the production on Southern Family is that it is not overproduced.
Miranda Labmbert sounds great on “Sweet By and By” (not be confused with the gospel song with a similar name). The song that has been getting the most internet buzz is Morgane and Chris Stapleton singing the classic, “You Are My Sunshine”. By now, we are all familiar with Chris Stapleton, but it was nice to see his wife, Morgane, step out front , and sing lead. She sounds great. Add those vocals to the bluesy guitar, and you have one very powerful song.
I really enjoyed Anderson East’s “Learning”. It has the mixture of Muscle Shoals and Memphis sounds, and although much louder than most of the rest of the album, for me, it fits perfectly. Also, Rich Robinson’s bluesy “The Way Home” includes the gospel sounds of a choir, and is a perfect way to end the album.

Dave Cobb and all the performers on Southern Family made this album one of my favorites of 2016. To deliver a project that is not pretentious, as some concept albums are, or disjointed, as some compilations are, is an amazing feat. The songs on Southern Family may not reach the top of the charts, although I believe they should, but they reach out and move the listener, reminding them of situations that are easy to identify with. Moving the listener In today’s musical climate is a special thing. That is why you need to give Southern Family a listen.

March 30, 2016

william michael morgan

You may have heard of William Michael Morgan because of his song “I Met a Girl”. It had 30,000 downloads and reached #34 on the Country Airplay Chart. Maybe you haven’t heard of him. A virtual unknown, the 22 year old Morgan was trying to crack a modern country music scene with his more traditional sound. Although “I Met a Girl”, written by Sam Hunt, received some airplay, it was not widespread. Now we have a better sample of his vocal delivery with the release of the William Michael Morgan EP.
We get the afore mentioned “I Met a Girl”, a song about that magical feeling when a guy meets a girl, and the way he views the world around changes. “Vinyl” is a nice song. It’s arrangement and Morgan’s voice sound great. The one problem I have with this song is use of the word “girl”. If “girl” had been said one more time in the song, I would have screamed. “Beer Drinker” is a good song with a memorable hook.
“Lonesomeville” , with it’s heavy steel guitar, is a classic sounding song that is enough to make a teetotaler buy a beer so they can cry in it. “Cheap Cologne” is another throwback to the cheating songs of yesteryear. “Smelling honky tonk in her hair”, catching a whiff of cigarettes and cheap cologne, makes him wonder if his wife has been stepping out. “Back Street Driver” is a song about a father’s advice as his son moves on to face the world, perhaps leaving home for the first time.
This is a great debut from William Michael Morgan. I hope that other radio stations and fans across the country give this project a try. As I mentioned earlier, the musical arrangements on these songs, support, but don’t cover, Morgan’s outstanding vocals. I strongly encourage you to check out William Michale Morgan’s EP.

March 16, 2016

dave adkins self titled
Dave Adkins is a great songwriter, and has one of the biggest voices in bluegrass music. After combining those talents with the equally talented Edgar Loudermilk to form Adkins and Loudermilk, the two recently ventured off to pursue solo projects. I have been looking forward to hearing both of their projects. We got a taste with singles from both Adkins and Loudermilk. Now we have a complete project from Dave Adkins.
The new, self titled album from Dave Adkins features not only his powerful vocals, but also great, bluegrass instrumentation, and expert songwriting. The first single from the album is the first track on the album, “Change Her Mind”. The single, one of five songs on the album that Adkins penned, has been performing very well, reaching #1 on the Bluegrass Today chart.
“Emmaline” is a pure Eastern Kentucky song, perfect for Dave. “Foolosophy”, written Larry Cordle and Chris Stapleton, is a classic country tear jerker. I love it!
“A Whole More To Tell” is a song Adkins wrote after a conversation with a man at a store near his home. The murder ballad “Russell Fork River” that ends with an interesting twist. Adkins cover of John Michael Montgomery’s “Sold” is solid. It makes me wonder why nobody in the bluegrass world, as far as I can tell, has ever covered this song.
The next two songs, “You Don’t Have To Go To Be Gone” and “It’s Not Over (Til I Get Over You)”, turn phrases to drive home their point. I am a fan of the turning of a phrase, and it is a tradition in bluegrass and country music. The latter song, co-written by Tom T. Hall, and recorded , but never released, by George Jones, is another song on this album that has a classic country sound, reminiscent of the late ’50’s and early ’60’s.
Truck drivers will love, “Turn And Burn” , an ode to gear jammers that keep our country moving. “Wasting Away” is a pure, bluegrass burner. If you are driving when this song comes on, take caution. It may give you a heavy foot, which may lead to a speeding ticket.
“Angel Song” is a very emotional song about someone missing a loved one that has passed away. It is one of the more unique sounding tracks on the album. I believe it will strike a chord with many people. The album closes out with a song that Adkins says he wrote for his wife, “One and Only”.
I encourage you to give a listen to Dave Adkins new, self titled album. With Dave’s strong vocals, expert songwriting (from Dave, Larry Cordle, Chris Stapleton, Tom T. Hall, and others), and great musicianship, this album is must have, especially for bluegrass fans.

March 09, 2016

loretta lynn full circle

I have been waiting for another Loretta Lynn album since 2004’s Van Lear Rose. Who knew if when, or if, we would see her put out another album. It was a pleasant surprise to hear the news at the first of this year that we would get another Loretta Lynn album. Full Circle is not a title of coincidence. This project takes us from Lynn’s childhood in Kentucky, through her career hits, to her interpretations of modern composition.
Produced by John Carter Cash, Johnny Cash’s son, and Lynn’s daughter, Patsy Lynn Reynolds, Full Circle is an album that actually started in 2007. It seems that the idea was to just go in the studio and record. There was not a real direction, as far as an album goes, but rather to just document the beautiful, country voice of Loretta Lynn.
The songs selection for Full Circle are perfect. From the traditional songs (“Black Jack David”, “In The Pines”, and “I Never Will Marry”), to remakes of her own hits (“Fist City” and “Everybody Wants to Go to Heaven”), Loretta sounds as good as ever. She also takes on the classic “Always On My Mind” and “Secret Love” , and nails the T. Graham Brown penned “Wine Into Water”. Full Circle also features a new recording of the first song she ever wrote, “Whispering Sea”. Elvis Costello shows up in a supporting role on one of my favorite tracks on the album, “Everything it Takes”. The album closes with , “Lay Me Down,” a duet with Willie Nelson. Loretta and Willie have recorded duets before, and there voice blend perfectly.
Many folks may find this album to be very good, but not to the level of Van Lear Rose. I think this album holds it own. Having this almost 83 year old country legend cover so much musical ground, from childhood to present, is a great idea. I am going to enjoy this album for a while, but it won’t be long until I will be craving more, especially with the knowledge that Loretta Lynn has recorded more than 90 songs since 2007, and this album includes only 13.

March 02, 2016

willie nelson gershwin

Last year, Willie Nelson received the Gershwin Prize for Popular Song. He was the first country artist to ever receive the award. Knowing about the award, Willie Nelson headed to the studio, and began work on Summertime: Willie Nelson Sings Gershwin.
Buddy Cannon produced this album of 11 George Gershwin tunes. Although it instantly draws comparisons to Nelson’s 1978 Stardust album, Summertime is a bit different. Whereas Stardust was Willie’s take on classic songs, Summertime is Willie singing classics in a straightforward manner. That is not necessarily a bad thing. Willie performs the songs on Summertime in such a light, familiar way, that you can’t help but to tap your toes and sing along. The one thing I particularly like about the album, is the songs kept their standard, jazzy feel, while using Texas Swing to achieve the sound.

The project includes:
“But Not for Me”
“Somebody Loves Me”
“Someone to Watch Over Me”
“Let’s Call the Whole Thing Off” (featuring Cyndi Lauper)
“It Ain’t Necessarily So”
“I Got Rhythm”
“Love is Here to Stay”
“They All Laughed”
“Embraceable You” (featuring Sheryl Crow)
“They Can’t Take That Away From Me”
and
“Summertime”

Although this album is tied to Nelson receiving the Gershwin Prize for Popular Song, it stands on it’s on. More than anything, Summertime: Willie Nelson sings Gershwin reminds us that the only way to categorize Willie Nelson’s music is “American”. The selection, and presentation, of this group of mellow, laid back songs makes this album one that I want to add to my collection. When you have had a hard day, put on Summertime, and let your troubles drift away.

February 17, 2016

vince-gill-down-to-my-last-bad-habit

One of the most highly anticipated country albums of this year is Vince Gill’s Down to My Last Bad Habit. I thoroughly enjoyed Gill’s last album, Bakersfield, but I was excited to hear the first solo Vince Gill album that featured all original material in about 5 years. It was definitely worth the wait.
Although we do get a few stone cold country songs, the majority of songs on Down to My Last Bad Habit are infused with a heavy dose of country soul. The album consists of twelve songs that were written or co-written by Gill, and feature his tasteful guitar work. He does get some help from notable acts, including Cam on “I’ll Be Waiting for You” , and Little Big Town on “Take Me Down”. Vince even turns to trumpeter Chris Botti on “One More Mistake I Made”. Make no mistake, even with the help, this album is all about Vince Gill. He goes from the piano driven ballad “I Can’t Do This”, to the boldly frisky “Make You Feel Real Good”. There are a couple of tracks that put me in mind of the Eagles: the title track and “Reasons for the Tears I Cry”. It’s not a copy of them, but it is hard to miss their influence. It is especially noticeable with the passing of Eagle Glenn Frey being so fresh on my mind. I love the upbeat “Me and My Girl”. That song is made to turn on and cruise down the road. Gill closes out the album with a classic country sounding tribute to George Jones, complete with pedal steel. “Sad One Comin’ On (A Song for George Jones)” is a great song, and knowing of the close relationship that Vince had with Jones.
I have been waiting on this new album ever since I heard Vince Gill was making it. His songwriting, guitar work and voice are as good as ever on Down to My Last Bad Habit. I encourage everyone to take a listen to Down to My Last Bad Habit. So far, it is one of the best country albums to come out this year, and, when it is all said and done, it may end up being one of the best for 2016

February 10, 2016

charles kelley

While Lady Antebellum is on hiatus, the members are stretching their musical wings. Charles Kelly’s solo attempt, The Driver, was released on February 5th. Although a solo record, it would not seem right if The Driver did not include Kelly’s harmonizing with someone. The someones that show up on the album are an A-list of singers: Dierks Bentley, Eric Paslay, Miranda Lambert, and Stevie Nicks.
There are some great songs on this album, including all of the ones with guest artists. Some of the others are good songs, but did not really knock my socks off. That is not a knock on the album, just an observation. Some of the highlights includes
The title track features Kelly with Dierks Bentley and Eric Paslay. It has the feel of a song that the audience can learn quickly, and sing along in concert. Stevie Nicks joins Kelley on Tom Petty’s “Southern Accents”. Let me say that I really like Petty’s version of the song. Although I still enjoy Tom’s recording the best, this is a very nice rendition, especially with Nicks’ harmony vocals. “I Wish You Were Here,” has Miranda Lambert adding her vocals to Kelly’s. They sound great together, and the song has steel guitar throughout. Who would have thought we’d hear that? The album ends with “Leaving Nashville,” an ode to the struggling singers and songwriters that call Nashville home. Although this is opening solo record, it is nice to see an artist from an established group, like Lady Antebellum, step up and address the struggles of the folks that have made Music City famous. It doesn’t sound like an old fashioned song, but the subject matter is the same as a song from yesteryear (see Lacy J. Dalton’s “16th Avenue”).
The Driver is a good debut album for an artist trying to show his worth apart from an established group. I would like to hear more piano, acoustic guitar, and steel guitar, and less drum machines. An artist should do what they do best, and not try to fit in with the in crowd. Charles Kelly is at his best when his voice is put out front, instead of buried in the mix. The Driver is worth giving a listen.

February 3, 2016

Buddy Miller-Cayamo-Sessions-at-Sea-album-cover

This Catch of the Week stems from vacation. A cruise to be exact. The Cayamo Festival Cruise is a time for singer/songwriters to get together with some of their fans for music and fun, while cruising the Caribbean. Singer, songwriter and producer Buddy Miller has been a part of this cruise for several years, and started recording some of the sessions for his radio show, The Buddy and Jim Radio Hour, with fellow singer-songwriter Jim Lauderdale. That process birthed Miller’s new album, Cayamo Sessions at Sea.
The album is features a who’s who of songwriters performing classic songs: Kris Kristofferson on “Sunday Morning Coming Down”, Kacey Musgraves with the Buck Owens classic “Love’s Gonna Live Here”, Shawn Colvin covers the Rolling Stones’ “Wild Horses”, Lucinda Williams on Gram Parsons’ “Hickory Wind”, Lee Ann Womack owns “After the Fire is Gone”, Brandi Carlile and The Lone Bellow performs John Prine’s “Angel From Montgomery”, and Doug Seegers with the gospel song “Take the Hand of Jesus”, just to name a few.
Miller provides vocal accompaniment as well, as well as his great guitar work on each track. In additon to Miller, there is a top notch band of musicians on this album, including bassist David Jacques, Fats Kaplan on several instruments, and drummer Marco Giovino.
Cayamo Sessions at Sea gives us a peek into what it is like when fellow singer-songwriters sit around , and have fun performing some of their favorite songs. It also makes me, for the first time ever, want to go on a cruise. Well, the Cayamo Festival Cruise, to be exact.

January 27, 2016

cactus blossoms

I love my job! One thing I get to do as part of my job is introduce artists that have not been discovered to the masses. This week, I get to do that again. I had never heard of The Cactus Blossoms until this week. In my never ending search for the best new music out there, I stumbled across this group and their new album, You’re Dreaming. Wow! Brothers Jack Torrey and Page Burkum , despite the different last names they are, indeed, brothers, make up The Cactus Blossoms. It is obvious the brothers have been influenced by The Everly Brothers, but this is no tribute band.
The Cactus Blossoms only cover a few songs on You’re Dreaming, and those are not even Everly Brothers tunes. They are writing new songs in the style of Phil and Don, but the Cactus Blossoms are able to stand on their own. This album has a very organic, stripped down feel. It is definitely not over produced, and that is hard to do in this era of more bells and whistles than you can shake a stick at that are available to producers and artists. I also encourage you to also look up live performances by The Cactus Blossoms on YouTube, but don’t forget to chekcout their new album, You’re Dreaming.

January 20, 2016

randy rogers band

After a stint with a major label in Nashville, Randy Rogers is back home in Texas. The Lone Star singer-songwriter, along with his band, consisting of Geoffrey Hill (guitar), Brady Black (fiddle), Jon Richardson (bass guitar), and Les Lawless (drums) , just released their first album on new music in three years. Many were awaiting the release of the new album, Nothing Shines Like Neon, to see what direction the Randy Rogers Band would go, especially with the critically acclaimed Buddy Cannon producing the album.
Here are my thoughts on the tracks from Nothing Shines Like Neon:
“San Antone” – This is kind of what I expected to hear after the boys headed back across the Red River. This song oozes steel guitars, fiddles and Lone Star pride.
“Rain And The Radio”- A romantic jam, unlike many songs heard on mainstream country radio that go to far, that goes just far enough. You have an imagination. Use it.
“Neon Blues”- This is a classic country motif of a woman trying to drown her heartache in the bottle. That doesn’t mean it is boring or tired. Rather, it is a great song in that country tradition.
“Things I Need To Quit”-This is is song about moving on after a bad break. If you could only change those habits, then you could change your situation.
“Look Out Yonder”- The guys team up with Alison Krauss and Dan Tyminski on this song that tells a sort of prodigal son story. The great arrangement and lyrics make this is my favorite song on the album.
“Tequila Eyes”- This song features a great fiddle melody. This is as classic country sounding as it gets!
“Taking It As It Comes”- This song features a duet with Jerry Jeff Walker. Look out! This one will get you going in a heartbeat.
“Old Moon New” – A love ballad about moonlight that doesn’t involve back roads, daisy dukes, or the good stuff up under the seat. It is the story of a guy trying his best to express his love. Refreshing!
“Meet Me Tonight”- A song about a desperate attempt to reignite an old flame, but that is easier said than done.
“Actin’ Crazy”-Jamey Johnson has become the go to guy for guest appearances on new albums. On this song, he shows out again. Clever lyrics and a great delivery make this one of the most fun songs on the album.
“Pour One For The Poor One”- Again, clever lyrics, fiddle, and steel guitar help to deliver a classic songs of a man dealing with unrequited love.

This album is a great way to start off the year for the Catch of the Week Segment. I am a huge fan of the instrumentation, song selection and the feel of this album. It feels new, while at the same time having a classic, broken in feel. The Randy Rogers Band is happy to be back in Texas, and you can hear that in Nothing Shines Like Neon.

January 13, 2016

mr misunderstood

While we are waiting for the first new releases of 2016, i thought we would take a look back at a 2015 album from Eric Church, Mr. Misunderstood. Do not lump Eric Church in with the Bro County crowd just because he is a new artist. Not only are his lyrics deeper than most songs that are delivered from Nashville these day, but you know an Eric Church song when you hear it. His delivery, and the way it is recorded is all his own.
Mr. Misunderstood includes the sounds of country, classic rock, swamp music, funk, and soul. It is not like those sounds are separated to one song or the other. It is integrated in a very natural sounding way that makes the album sound like, well, Eric Church.
The title track name drops Elvis Costello, Ray Wylie Hubbard, and Jeff Tweedy, and Jackson Pollock. It is the story of a artistically aware outsider. The duet “Mixed Drinks About Feelings” with blues star Susan Tedeschi is a beautifully sad song. Eric and Susan sound great together. Also, be sure to check out “Record Year”. This one caught my attention because I am a huge fan of vinyl records. When you are able to offer all the references to great records, and dealing with heartache, you can count me in .
With all due respect to Church, I prefer Mr. Misunderstood to The Outsiders. Where as The Outsiders was intentionally bombastic, Mr. Misunderstood is not only a more laid back, but complete album. I recommend giving Mr. Misunderstood a spin.

January 6, 2016

Traditionally, the last few weeks of December, and the first few weeks of January are a slow period for new album releases. It makes sense. So many people are visiting family, exchanging gifts, getting indigestion, and saying hello to next year. Therefore, we don’t have any new albums to feature this week. However, that doesn’t mean I don’t have something to say. I thought we would take a look at some highly anticipated albums that are scheduled for release in 2016.
Full Circle by Loretta Lynn-
This will be her first album in twelve years. Many younger fans were made aware of the legendary Loretta Lynn through records like Van Leer Rose. This new album will feature songs she sang as a child, as well as new recordings of some of her classic tracks.

Hymns That Are Important To Us -Joey + Rory:
Scheduled for release in February, the album will be an emotional release, as Joey stopped her cancer treatments late last year. The couple decided to proceed with releasing the album because it is an album of songs that are important to them. I believe it will prove to be important to many others, not only for the inspirational music included on the album, but also the inspirational couple performing the songs.

Jennifer Nettles-Unnamed Album
She has been touring hard, ahead of the release of her forthcoming album. Her single “Sugar” is already receiving airplay on 921 WLHR.

Hank Williams, Jr.-It’s About Time:
This album the 79th of Hank’s career, will be released in mid-January. Brad Paisley and Eric Church make guest appearances on this new album.

Lucinda Williams- The Ghosts Of Highway 20:
Expected to released in February, the album looks to concentrate on stories around the highway. I can’t wait to give this one a listen!

Vince Gill- Down To My last Bad Habit
One of the most revered, established stars in Nashville, Gill will put out an album in which he wrote, or co-wrote, every song. Vince will have a couple of vocal collaborations on this project, featuring Cam and Little Big Town. We should see this album by mid-February.

December 9, 2015

I am a great admirer of Buck Owens and the Buckaroos, and the Bakersfield Sound. That is why I was so excited to hear about the latest release of a Buck Owens collection, Buck ‘Em: The Music of Buck Owens, Vol. 2. This second compilation of Buck’s music focuses on the years 1967-1975, and showcases the variety of sounds and styles that he was able to produce: “Who’s Gonna Mow Your Grass” shows it’s psychedelic country combination, the bluegrass sound of the Osbourne Brothers’ “Ruby (Are You Mad)”, a rock and roll cover of “Johnny B. Goode”, and even an R&B tinged duet with Bettye Swann on Merle Haggard’s “Today I Started Loving You Again”. In addition to those selections, there are many live, concert recordings from Japan, Australia, Europe and U.S. venues (Las Vegas and the White House) of his hits. One of my favorite tracks on the album is the comedic “Las Vegas Lament”. The live performances are as strong as any live recordings I have ever heard from the country artists of that era.
This double album is a good representation of the second half of Buck and the Buckaroos career as they were riding high after his early chart success, and had moved on to television popularity with Hee-Haw, all the way through the untimely death of Buckaroo Don Rich, which Buck never really recovered. If you are a Buck Owens fan, I would recommend adding Buck ‘Em: The Music of Buck Owens, Vol. 2 to your collection, especially if you already have Vol. 1.

November 25, 2015

You might recognize the name Mac McAnally. He recently picked up his 8th CMA Musician of the Year Award. He has been one of the most desired session musicians for years. He has played with almost anyone of any significance in Nashville since the early 1980’s. In addition, McAnally is a member of the Nashville Songwriters Hall of Fame, writing songs for Alabama (“Old Flame”), Sawyer Brown (“All These Years”,”Cafe on the Corner”, “Thank God for You”) and Kenny Chesney (“Down the Road”). He has released his own albums over the years. His current album, A.K.A Nobody, is the 13th album of his career.
This album displays the diversity of styles that McAnally is not only capable of playing, but playing comfortably: From the gospel tinged blues of “Better Get the Story Straight” to the Django Rhinehardt-like jazz sounds of “Zanzibar” to the delta country sounds of “Mississippi You’re On My Mind”. He also calls on many of the friends he has made over the years to help with on this album: Fellow CMA award winner, Chris Stapleton, shares writing credits with McAnally on “A Little Bit Better”, Kenny Chesney co-wrote “Island Rain,” Zac Brown co-wrote “Last But Not Least “, and McAnally co-wrote “Coast Of Carolina” as a sequel to ‘Come Monday. By the way McAnally is, a longtime member of Buffett’s Coral Reefer Band.
This album is a songwriters album, but not for the obvious reason that McAnally wrote or co-wrote the songs. Rather, the songs that the penned for this album are of the storytelling variety. McAnally is a story teller, and he has always been one. Not everyone that writes a song, even from the perspective of a storyteller, is at the level of McAnally.
In a quote from his website, McAnally says, “William Faulkner once said something about wishing that it would be only the artist’s work, not the artist, who might be judged. I agree with him, so A.K.A. Nobody is what I call the album. It’s not that I think I’m uninteresting, but I have never been comfortable saying, ‘Hey, look at me!’ I just would like somebody to hear this music and say, ‘This is good work.'” If that is what McAnally was looking for, he’s got it. Check out the good work on Mac McAnally’s A.K.A Nobody.

November 18, 2015

***With all of the attention that is being paid to Chris Stapleton after his CMA performance and victories, I thought I would go back and revisit my Catch of the Week from earlier this year for Stapleton’s Traveller.*********************

Digging for the best music let’s me know a little about how a prospector feels. Sifting through all the dirt, just hoping to find the gold. Sometimes I hear about a forthcoming album, and have to exercise great patience in waiting for it’s release. Well, it is finally here. Let me tell you, Chris Stapleton’s Traveller does not disappoint. Stapleton’s voice has been treasured since his time with bluegrass group The SteelDrivers. Add his potent pen that has produced such hits as “Never Wanted Nothing More” for Kenny Chesney to the mix, and you have the ingredients for one of the strongest album to come out this year.

I am not going to run down each track on this album. You just need to listen to them and experience their full impact. Traveler will please those that are fans of traditional country, bluegrass, southern rock and blues music. With the exception of a few tracks, Stapleton wrote or co-wrote the songs on Traveller. He had some help writing the songs from the like of bluegrassers Barry Bales (Alison Krauss and Union Station) and Ronnie Bowman, pop songwriter Lee Miller, and country writer Jim Beavers, just to name a few. These songs are delivered with a soul, grit and pain that you don’t hear very much nowadays on any mainstream radio stations.
Because of the subject matter, musical arrangements and vocal styling, Traveller will draw comparisons to works of Jamey Johnson and Sturgill Simpson’s Metamodern Sounds in Country Music. You know what? That’s is fine. I think people who are attracted to those sounds are looking for like minded artists anywhere they can find them. It is not a concerted effort by the artist to band together. They seem to be playing what is on their hearts and minds, and it strikes a chord with a lot of listeners who are left empty by most modern music. I am one of them. Finding a gem like Stapleton’s Traveller makes the digging and waiting worth while.

November 11, 2015

I was a fan of the Cox Family’s sound when I first heard their collaboration with Alison Krauss on the 1994 release I Know Who Holds Tomorrow.
They followed that up with 1996’s Just When We’re Thinking It’s Over. Then, everything, as far as their next record, went haywire. The Cox Family were dropped by their label when the country music industry experienced a slump. They had been working on an album, and had all of the music for the tracks completed, plus some of the vocals. Despite that setback, they found more success when they recorded a song for the soundtrack, and appeared in the movie O Brother, Where Art Thou?
However, not long after that , in 2000, family patriarch Willard Cox was paralyzed from the waist down after being involved in a traffic accident. Also, his wife, Marie Cox, was fighting cancer at the time. She would eventually lose her battle in 2009. The professional and personal problems brought the Cox Family’s group to, an almost, complete stop.
Fast forward 17 years, and we received good news. The masters of the album from 1998 were found, and work began on finishing the project. Alison Krauss, heavily involved in the 1998 sessions, was also involved in the project’s resurrection. Thankfully some of Willard’s vocals were found from the 1998 recordings. Then, add the vocals of Evelyn, Sidney, and Suzanne Cox, and you have one great album.
Although most of the album was recorded 17 years ago, Gone Like the Cotton has a fresh sound. Maybe it is the eclectic, but not forced, diversity of musical styles that makes the album evergreen. As with anything released from The Cox Family, you can find a healthy dose of country, a dash of bluegrass, a smidgen of gospel, and a pinch of blues. Even though Gone Like the Cotton was a victim of the music business, the music that the album contains has not been tainted. The music is pure. That may seem like a broad, cliched statement, but a fact is a fact. One wonders what kind of success The Cox Family would have had if the album had been completed and released in the late 1990’s or early 2000’s. I don’t have that answer. It is just a guess that it would have made them a much more well known act. I will not lament the tardiness of the arrival of Gone Like the Cotton, but rather say it is better late than never.

November 4, 2015

The SteelDrivers have been known for walking the tightrope between traditional and progressive bluegrass. They have had the success of Nik Walenda on that tightrope. Their latest album, The Muscle Shoals Recordings, is another balancing act between old and new. I did not know what to expect when I saw the name of this album. When I think of Muscle Shoals, I think of Wilson Pickett, Percy Sledge, Aretha Franklin and Lynyrd Skynyrd. The Muscle Shoals Recordings were recording in the vicinity of where the classic soul and rock and roll were recorded, but besides that there are no other similarities.
Some of my favorite tracks of the album include:
“Ashes of Yesterday”- This is a heart breaker in 3/4 time. Jason Isbell provides some slide guitar work on this song.
“California Chainsaw”- This is a great instrumental track that reminds us that The SteelDrivers are more than just singers. They can hang with most groups instrumentally.
“Brother John”- What bluegrass album is complete without a murder ballad. Jason Isbell shows up again on this song, slide in hand.
“Six Feet Away”- A sober reminder that life can be fleeting. So, you better make it count while you can.
“River Runs Red”- A chilling Civil War ballad that is the best track on the album. “The winners are losers when you count the dead.”
If you are a fan of The SteelDrivers, then you will enjoy this album. It features the strong lead vocals of Gary Nichols (who took over for Chris Stapleton when he left in 2010), and the harmony vocals and great instrumentation of Tammy Rodgers on fiddle, Brent Truitt on mandolin, Richard Bailey on the banjo and Mike Fleming on the bass. Though the music on this album is not classified as soul music, there is a lot of soul in the songs on The Muscle Shoals Recordings.

October 28, 2015

Jason Isbell’s latest album, Something More Than Free, released this past July, is the much anticipated follow up album to his critically acclaimed album, Southeastern. While Southeastern was a stripped down, singer-songwriter type album, Something More Than Free sees Isbell re-united with his band, The 400 Unit, which includes his wife Amanda Shires, for a fuller sound. While Southeastern was an album dealing with just trying to survive, Something More Than Free goes beyond just surviving. It is an album of learning from , and growing because of past experiences. The redeeming of a life that at one time may have seemed a hopeless case.

Here’s my thoughts on some of the tracks on Something More Than Free:
“If It Takes a Lifetime”- This laid back ramble is about reaching the comfortable position of having harvested the crop of one’s wild oats, and finding some sort of peace in everyday occurrences. It has the feeling of a John Prine song. Not a copy by any means, rather an echo of influence.
“24 Frames” – The title is a reference to the number of frames to make one second of film. The sarcastic, cynical lyrics make this one of the more memorable tracks on the album. It is a reminder of the how real life works. Things happen that you cannot control, no matter your plans.
“Flagship”- Being in a relationship with someone should be more than just existing , like a old old building that has seen it’s better days. “Baby let’s not ever get that way/I’ll say what ever words I need to say/I’ll throw rocks at the window from the street/We’ll call ourselves the flagship of the fleet.” A wonderful, beautiful plan.
“How to Forget”- Trying to put your past behind you is easier said than done, especially with old friends who bring up, and remind you of decisions and actions that are now regretted.
“Children of Children”- This reflective song is from grown child of a young mother, thinking about “all the years I took from her just from being born”. It serves as an apology, but there is also an underlying gratitude. There is a great musical break at the end of the song, featuring slide guitar and strings.
“Life You Chose”- It features one of the most simple, yet profound lines on this album. “Are you living the life you chose? Are you living the life that chose you?” This very direct question, like the rest song, has a sting to it, and is delivered by someone that themselves has been stung.
“Something More Than Free”- The sentiment of this song is one that many a working man has held. Being slave to a routine that never changes: Go to work, home and back again. All the while, being thankful for the job you have, and looking forward to the day when you will gain eternal rest. And the people said, “Amen.”

“Speed Trap Town”-“Everyone knows you in a speed trap town.” Never a truer statement has been said. Most locals watch their speed in a speed trap town. That why when a crash happens, it is noticed by everyone.
“Hudson Commodore”- This song features Amanda Shires beautiful fiddle with an acoustic guitar. The chorus brings in thick, rich harmonies that make this my instant favorites.

“Palmetto Rose”- This song is about Charleston, SC. . The song is a sort of tribute to the workers of Charleston. It has a line that says,”Lord let me die in the Iodine State”. That is one of the old nicknames for South Carolina from the 1920’s. It was due to the high levels of iodine found naturally in fruits and vegetables grown in the state. By the way, a palmetto rose is fronds of the palmetto tree that are woven into the shape of a rose. It is an old tradition, and can be purchased in the Holy City.

Jason Isbell is one of the most talented lyricists of this generation. We already knew that. Something More Than Free proves Southeastern was not the pinnacle of his songwriting and performing career. It shows that Isbell, if not swallowed up by a major label, will continue to grow, explore and thrive, and , hopefully, provide us with more classics, like Something More Than Free, for years to come.

October 21, 2015

George Strait never has to release another song to cement his place in country music history. However, he continues to release new material. By the way, his new songs are great! Cold Beer Conversation, Strait’s 29th studio album, is chock full of wonderful songs delivered as only he can deliver them.
Here are my thoughts on each track:
“It Was Love”- There is something about this song that would make it at home on modern country radio, while at the same time sounding like a song that Strait could have released in the 1990’s. His music is truly timeless.
“Cold Beer Conversation”- This is the second single from the album. A great follow up to “Let It Go”. It really covers the real topics that are only discussed among the boys.
“Let It Go”- This song is the first single from the album, and it was a great choice. It embodies the spirit of the album; a laid back approach to life.
“Goin’, Goin’, Gone”- A new working class anthem. The struggles of the work week are behind you when it’s quitting time on Friday.
“Something Going Down”- A passionate, romantic song that stops at the bedroom door. It’s a nice to hear a song that is full of passion and romance, without the gritty details. It may seem old fashioned, but I like it.
“Take Me to Texas”- Not the first song about a Texan’s love of his homeland, but it is as strong and real as any of those other Lone Star State tunes.
“It Takes All Kinds”- George Strait does Texas Swing about as good as anyone this side of Asleep of the Wheel. Ahhhh Haaaa!
“Stop and Drink”- I love the word change in the popular phrase,”stop and think”. Sure, you can contemplate all of the world’s problems, but what good is it going to do you.
“Everything I See”- This is a beautiful song about the loss of a parent. Even if it is not a parent that has passed away, most everyone can identify with the pain in this song.
“Paper, Rock , Scissors”- This is a very clever song about a relationship falling apart. I vote we need more cleverly written songs like this in country music.
“Wish You Well”- This is another well written song based on the familiar phrases “wish you well” and “wish you were here”.
“Cheaper Than a Shrink”- This humorous song promotes a thought I have used for many different things in my life. In my case, it is music, hunting and fishing that is cheaper than therapy.
“Even When I Can’t Feel It”- This song about God and love, among other things, could sound corny if delivered by someone other than Strait. His presentation of the song bears a genuine authenticity.
I know that George Strait has cut out full time touring, although he has added some select shows, including some in Las Vegas. However, I hope that we continue to see more albums from King George like Cold Beer Conversation . Whether or not country radio plays it or not,by the way they should, his many fans will continue to buy his albums, kick back, relax, and sing along to his songs.

October 14, 2015

I am going to take another look at an album that was a “Catch of the Week” earlier this year, Dale Watson’s Call Me Insane. Dale Watson is a Texas honky tonk legend. In the “Music Capital of the World”, Watson is a member of the Austin Music Hall of Fame. He also founded a new genre of music, americopolitan, that encompasses many forms of roots music forms , including honky tonk, rockabilly, western swing and outlaw music. With all that being said, with Watson’s new album Call Me Insane, you get exactly what you would expect; pure, honky tonk drenched country.
“Day at a Time” – Dale hits the ground running with this song about hanging on till tomorrow, no matter what happens.
“Bug Ya For Love”- A song that just invites you to hit the dance floor with your sweetheart, or perhaps to try to find a sweetheart,
“Burden of the Cross”- a heart wrenching song that comes from Watson’s personal experiences.
“Everybody’s Somebody in Luchenbach, Texas”- This songs drops the name of the Texas location that was made famous by Waylon and Willie. A great honky tonk song.
“Crocodile Tears”- is a classic song that will make you cry real tears in your adult beverage. He even includes the required recitation to classify this as a tear jerker.
“Jonesin’ For Jones” – one of many tributes to the great George Jones that has surfaced since he passed away. This is a fun tribute. It starts with the sounds of the song “White Lightning”, includes the titles of the Possum’s hit songs as lyrics and Watson’s great imitation of George Jones.
“I’m Through Hurtin””- This song of regret features a wonderful steel guitar and harmony vocals that make it one of the highlights of the album.
“Call Me Insane”- The title track has a dark feeling that is aided by the horns and timpani drums. Add to that the chord progression and this song could have been released in 1965. This is my favorite track on the album.
“Heavens Gonna Have a Honky Tonk”- Watson’s view of what a heaven should be like for those that frequent honky tonk.
“Tienes Cabeza de Palo”- This Tex-Mex gem will make you want to Two Step, or do the Mexican Hat Dance…..or something. I know I started craving chips and salsa.
“I Owe It All to You”- The song features a shuffle that is infectious, and would make Ray Price proud.
“Forever Valentine”- This album would not be complete without a love song that is perfect for slow dancing. Beautiful!
“Hot Dang”- Song placement on an album may not mean as much in this world of hitting shuffle on your mp3 player. However, this is the perfect song to follow up “Forever Valentine”. A real toe tapper.
“Mama’s Don’t Let Your Cowboys Grow Up to be Babies”-This cover of the Tony Joe White song (which is a take off on “Mama’s Don’t Let Your Babies Grow Up to be Cowboys”) is a great way to close out the album. It has the funk of Tony Joe mixed with Waylon. To borrow a quote from Mr. White, “UHHH!”
The thing I have always like about Watson is his ability to stick to his guns, stylistically, while producing music that is new and fresh. I can promise you that nobody will think you have lost your mind when you flip your lid for Call Me Insane.

October 7, 2015

This week we venture to the world of bluegrass for the Catch of the Week. Flatt Lonesome is an award winning group that features some of the tightest family harmonies found this side of The Issacs, along with outstanding instrumental skills. Their latest album, Runaway Train, is another great example of those traits, plus expert song selection, with everything from original songs penned by the band members, to covers of Gram Parsons, Merle Haggard and Dwight Yoakam songs.
Here are my thoughts on some of the tracks on the Runaway Train:
“You’ll Pay”- A straight forward bluegrass burner. This song tells a story of what goes around, comes around. This song features a great example of the tight harmonies I mentioned early.
“Still Feeling Blue”- This cover captures the spirit of the original from Gram Parsons. Once again, outstanding harmonies.
“You’re the One”- Wow! Another stellar cover song, this time from the Dwight Yoakam catalog. This song displays Flatt Lonesome’s appreciation of country music.
“In the Heat of the Fire”, “In the Morning”, “Casting All Your Cares on Him” – Fans of gospel bluegrass will be pleased with these songs. The picking, singing, and message in the song is very strong. Amen!
“Road to Nottingham”- This instrumental track really showcases the instrument talents of Flatt Lonesome, and their ability to not only throw down some hot licks, but also some tasty accents and rhythmic changes.
“Mixed Up Mess of a Heart”- This song always sounded more like a Buck Owens tune than one from Haggard. You can really hear the Buck Owens sound-a-like with Flatt Lonesome’s harmonies. What a great choice of a cover song.
“Letting Go”- A beautiful ballad, from the pen of the group members Paul and Kelsi Harrigill. The husband and wife team tapped into the classic sounds of country ballads from yesteryear. It is a sound that is sorely missed in mainstream country music.

This is an album that is pleasing to not only the bluegrass aficionado, but also the disciple of gospel and the fan of country music. They have so many ways, you are bound to like some of them. I believe you will flat love Flatt Lonesome’s new album. Hop aboard the Runaway Train.

By the way, Flatt Lonesome will be a part of the star studded lineup of the inaugural Anderson County Boograss Festival in Anderson, SC at the Civic Center of Anderson, October 29th – 31st. Along with Flatt Lonesome will be Rhonda Vincent and the Rage, Doyle Lawson and Quicksilver, The Lonesome River Band, The Boxcars, Adkins and Loudermilk and many others. For more details visit their website at http://www.boograssbashsc.com/

September 30, 2015

I didn’t know when, or if, we would see another Don Henley solo album. It has been 15 years since his last solo effort. He has been a bit preoccupied, what with touring the world with the Eagles, and all. Well, Don Henley has just released his latest solo album, Cass County, and it is a country album. I say that, not as a statement of shock, but just as a matter of fact. Now before anyone starts pointing fingers and Mr. Henley, and comparing his latest effort to those of rockers Steven Tyler or Bret Michaels , just hold your horses. No offense to Tyler, Michaels or anyone else that finds country music as a forgiving place to land your career, but Don Henley, especially in his work with the Eagles, has shown a well documented affection for country music.
Here’s my thoughts on some of the tracks from Don Henley’s album, Cass County:
“Bramble Rose” – The album starts with this Tift Merritt song. The songe features Miranda Lambert and Mick Jagger with Henley. When I saw the lineup on this song, I was curious how it would sound. I was pleasantly surprised by this combination of diverse voices. We all know that Miranda Lambert can sing country songs, but remember that The Rolling Stones went through their country phase in the early 1970’s. Plus, Jagger plays harmonica on this tune.
“The Cost of Living”- This duet with Merle Haggard is one of the best songs on the album. I don’t know that I have ever heard Don or Merle ever sing a bad duet. They are two of the best at performing with other singers.
“Take a Picture of This”- We hear the higher register of Henley’s voice that we have come love. This song’s chord progression, along with the timpani hits, remind me of a Roy Orbison tune.
“Word Can Break Your Heart”- We all know this too well. A great reminder of the power that is in the words we speak.
“Praying for Rain” -Everyone knows Henley’s stand on environmental issues, and after hearing the first few lines, I wondering if the song was going to be preachy. However, it turns into the type of song I have heard before. It is just the story of farmers looking to the sky for an answer to their prayers. It makes you realize that when you think that your views are so far away from someone else, you may be closer than you think.
“When I Stop Dreaming”- Henley picks another great duet partner in Dolly Parton. They nail this Louvin Brothers classic.
“A Younger Man”- The beautiful, sad words from an older man to a younger woman involved in a May/December romance. The thing I like about this song is that I can’t tell if this is a case of self-pity, cynicism or wisdom that is being bestowed upon the young lady.
“Train in the Distance”- The lure of what lies beyond one’s immediate surroundings pulls at many people throughout their lives. This is a beautifully arranged song, featuring mandolin, acoustic guitar and dobro.

We have heard the country sounds Don Henley over the years, especially in the early years of the Eagles. However, we have not heard this much country music from Henley since the Eagles’ Desperado album. While exploring his roots, Henley had a great supporting cast. If you look deeper than the guest appearances mentioned on the surface of the album, you will find that the likes of Lucinda Williams, Lee Ann Womack, Trisha Yearwood, Alison Krauss, Ashley Monroe, Bryant Sutton and Jerry Douglas. When you add that kind of support to Don Henley’s voice, you have the ingredients of a great project. If you are a fan of Don Henley, The Eagles or traditional country music, give Cass County a listen.

September 23, 2015

I came across this album last week, Ward Davis’ 15 Years in a 10 Year Town. I knew I recognized the name, but couldn’t place it. As I read through the song titles on the album, I saw “Unfair Weather Friend”. Then, it hit me! Ward Davis was the co-writer of that song from Willie Nelson and Merle Haggard’s Django and Jimmy album. It is my favorite song on that album. If the rest of the songs were as good as “Unfair Weather Friend”, this was going to be a good album. They were, and it was.

Here are my thoughts on some of the tracks from 15 Years in a 10 Year Town:

“No Goin’ Home”- A modern take on a old west sound: harmonica, distorted guitar, the jingle of a tambourine that brings to mind the jingling of spurs as a cowboy walks down the street. The lyrics are that of an ominous warning. Davis’ voice is strong, and perfectly suits this song.
“More Goodbye”- A song of heartbreak and loss in a classic, barroom setting. This is a great country song!
“15 Years in a 10 Year Town”- The title track is one that many writers and wannabe stars can identify with. Keep on keeping on, brothers and sisters.
“Old Wore Out Cowboys”- This is the only song on the album not written by Davis. This Ed Bruce penned classic sounds as good as ever, with Jamey Johnson and Willie Nelson adding their voice to Davis’.
“The Overpass”- This is another song that benefits from Davis’ voice and delivery. It is a thought provoking song about the homeless of our country. It reminded me that the homeless were once like you and me. Then, due to circumstances, they wound up homeless.
“Unfair Weather Friend”- Davis does a great job on this song that is featured on Willie and Merle’s latest album. A beautiful song.
“I Got You”- This type of song runs the risk of coming across as corny, but not with Ward Davis. Having someone that takes the place of vices that could control your life is a story I have heard many times from people I know. Here’s to the calming influences in our lives.
“Skeptic’s Prayer”- I hope folks give this song a chance. I think it is an honest plea to the man upstairs. It seems to be about a person who is struggling to keep their faith.
It was a pleasant surprise to come across Ward Davis’ 15 Years in a 10 Year Town. For any fan of singer/songwriters, this album is a must have.
http://www.warddavismusic.com/

September 16, 2015

This week’s Catch of the Week has a sound that hearkens back to the 1950’s and early 1960’s era of both country and rock and roll. Canadian singer/songwriter Whitney Rose does a beautiful job of capturing the spirit of the music from that generation, while at the same time sounding fresh. It doesn’t hurt that Rose has fellow admirer of the 1950’s and 1960’s music, The Mavericks’ Raul Malo, producing, as well as playing and singing on Heartbreaker of the Year.
When creating an album that has such a definite sound of an era of music, one would expect many cover songs. However, there are only 2 cover songs: The Ronettes’ “Be My Baby” and Hank Williams’ “There’s a Tear in My Beer”. Both of these songs have been completely changed. The former is a duet with Malo, while the latter is a slowed down version of the classic. It turns the song into a true tear jerker, instead of a parody.

The rest of the songs on the album are originals from Rose. “Little Piece of You,” has elements of the girl group pop sounds of the early 1960’s and the twang of 1960’s country, with steel guitar and piano.
One of my favorite songs on the album is “The Last Party”. It features the slip note style piano, a la Floyd Cramer, and the whine of a steel guitar. Add Malo’s background vocals, and you have a great song. This is the most out and out country song on the record.
Some other highlights on the album includes the western meets surf twang “Lasso” and the
“”The Devil Borrowed My Boots”, which has a beat and riff similar to Harper Valley PTA.

Whitney Rose delivers great lyrics and beautiful vocal deliveries on Heartbreaker of the Year. This combines 2 styles that I am very fond of. Sometimes when an artists sets out to combine genres, it can come across as fake. Not here. This is the genuine article, and although it brings to mind some recordings by The Mavericks and Chris Issak, Heartbreaker of the Year stands by itself as a fresh, unique look at country music.

September 9, 2015

We are going to take a second look at an album that I picked as a “Catch of the Week” earlier this year. It is from Dwight Yoakam.
It is always a big event for me when a new Dwight Yoakam album comes out. Ever since I first laid ears on his music, I have loved it. His sound is a cool conglomeration of American music wth a rebel edge, that is inviting, pleasing even, without seeming to care if you are pleased are not. The recording seems to be made for the sakes of the songs. Dwight Yoakam’s latest album, Second Hand Heart, is in that same vain. Whenever you talk about Yoakam’s music, you have to talk about the influences. They are again evident on this album. As with almost all of his records, Second Hand Heart shows the influence of the Bakersfield sound. However, it also shows shades of other influences. Some of the harmonies are reminiscent of the Beach Boys, while the overall sound shows hues of The Byrds or the Flying Burrito Brothers ,with it’s California country rock sound, and rock-a-billy sounds of Memphis. I have addressed the influences, now let’s talk about this album because it is 100 percent Dwight Yoakam

“In Another World” has a classic country sound, but the chorus reminds me of another California sound, The Beach Boys. It is a very interesting and cool combination of American sounds.
“She” also features The Beach Boys type harmonies, but also sounds a little like the Byrds.
“Dreams of Clay” has a nice steel guitar, underlying Yoakam’s lead vocals and harmony accompaniment. The chorus, again, features a Beach Boys type vocal swell.
“Second Hand Heart”- has great lyrics and just the right amount of reverb on the vocals. The song is a definite country rocker. This is one of my favorite tracks on the album.
“Off Your Mind”- is more of an old time country sounding song, except for the organ at the beginning. The song has a solid sort of Johnny Cash beat .
“Believe”- from the first chords, it sounds like a song from The Byrds. Vocal it strictly Dwight Yoakam, but the prominent electric 12 string guitar points to Roger McGuinn.
“Man of Constant Sorrow” a heavy rock-a-billy cover of the bluegrass standard, that saw a revival with the movie “O, Brother Where Art Thou”. The Kentucky native does a fine version of the song, combining the vocals that would be welcomed at any bluegrass festival with the rock and roll guitars.
“Liar”- This is another song that has a rock-a-billy feel, with Scotty Moore style guitar licks and hand claps. Add a bluesy harmonica break to that, and the crowd has to be up on their feet.
“The Big Time”-Another great rock-a-billy sounding song. Go cat go!
“V’s of Birds”-The most polished track of the album. This song, written by songwriter Anthony Crawford, features a great combination of mandolin, organ, piano and guitar on the musical breaks. It very much reminds me of The Band. This is another one of my favorites on the album.

This is another great album from Dwight Yoakam. He can still hold his own with the likes of today’s country stars. He recorded most of the album in between dates opening for Eric Church. That’s right! Yoakam recorded this album with his road band. Not many people have the faith, guts or heart to that. Dwight Yoakam has always done things his own way, and given us so many memorable albums, and this is no exception. Check out Second Hand Heart today

September 2, 2015

I want to revisit a catch from earlier this year. I am so glad I discovered this group My catch of the week comes from mountains of North Carolina. The Honeycutters, from Asheville, are led by singer-songwriter Amanda Anne Platt. The rest of the band, consisting of Rick Cooper on bass, Josh Milligan on drums, Tal Taylor on mandolin, , and Matt Smith on everything else (pedal steel, electric guitar, and dobro) offer a musical sound that they have classified Appalachian Honky Tonk, and it is a great sound.I am glad I found them.
Here are a few of my favorite tracks on their latest album, Me Oh My
The opening track, “Jukebox”, has a light honky tonk feel that is a great way to start off the album.
“Lucky” is one of my favorites on the album. It has killer lines, such as , “I’m tired of the truth/ I’m tired of pretending/ I’m tired of smiling/ When my world is quietly ending. ”
“Edge of The Frame” has a catchy melody that draws you in before the deep lyrics hits you.

The title track is a song about the struggles of women in this modern society. Every guy needs to listen to this. Come to think of it, every women needs to listen to this, too.

“Carolina” is about leaving home with the fond memories of a life will soon be familiar but distant.
“Texas ’81” is a song of the inevitable end of an intimate relationship.
“Not That Simple” is a song of loving someone that you can’t have. Even though you tell yourself it will be better, it is not better now. In fact, it feels terrible.
The happy “Wedding Song” is about finding the person that reaches and understands you better than anyone else. As the song says, finding the person who “pieced me back together, kissed the hurting parts and made me new.”

“I’ll Be Loving You” is a song of hope that circumstances will be better come tomorrow. This is such an uplifting song that I didn’t even notice that the song is nearly six minutes long, and I bet you wouldn’t have noticed if I had not mentioned it.
“A Life for You” is a painful, yet beautiful song about the end of a relationship, but without the contempt that often follows a breakup. You can feel the pain in Platt’s voice. This is another wonderful song.
The Platt’s thoughtful, yet simple, songwriting, singing, along with the band’s musical arrangements, are a perfect match. I love the steel guitar lines , and how it is intertwined with the mandolin work. Me Oh My, I am happy

August 26, 2015

This week, we turn to the world of bluegrass once again. This time, it’s Chris Jones & the Night Drivers’ new album, Run Away Tonight. The unmistakable, unique sound of Chris Jones and the Night Drivers shines through on this album. Run Away Tonight features six original songs from Jones and the guys.
Along with Jones, The Night Drivers consisit of Jon Weisberger on bass, Ned Luberecki on banjo, and mandolin player Mark Stoffel.
Here’s my thoughts on the tracks from Run Away Tonight:

“Laurie”- A great way to start the album. A song that makes you wonder if things changed or was he left high and dry.
“One Night in Paducah” – One of my favorite tracks from the album. You know you have it bad it you have “neither love nor money”.
“Once You’re Gone”- This song is about pushing someone away from their comfortable surroundings, so they can chase a dream or fulfill their destiny. Who knows? Don’t look back. Keep going forward.
“Tonight I’m Gonna Ride”- This a great, uptempo train song. Even in these modern times, bluegrass music has a fascination with trains. I believe as long as their is bluegrass music, people will be singing train songs.
” She’s Just About To Say Goodbye”- You won’t hear a sadder song. The foreknowledge that a love is coming to an end does not make it any easier to handle.
“Dust Off the Pain”- A classic “I am not going to miss you anyway” song. At least try to keep a stiff upper lip. See you later, baby!
“Pinto The Wonder Horse Is Dead”- Chris and the guys do a great version of this song from “The Storyteller”, Tom T. Hall.
“Shelby 8″- Mark Stoffel’s instrumental is great, too. A very smooth instrumental. With most bluegrass instrumentals being at a blistering, melt your face speed, it is nice to have a change of pace.
“Thinking About You”- This Flatt and Scruggs songs comes to life in the skillful hands of Chris Jones and the Night Drivers. It a faithful rendition that hearkens back to Lester and Earl’s version.
“The Leaving Of Liverpool”- This classic folk song, popular in Ireland, Great Britain and the United States, has never sounded better.
“Bowties are Cool”- Ned Luberecki’s wonderful instrumental is , I assume, a tribute to Dr. Who. I wonder if he was wearing a fez, too?
“My Portion And My Cup”- This song, written by Jones and Donna Ulisse, is a beautiful way to close out the album.

Although Chris Jones is well known among folks in the industry, I don’t think he gets the credit he and The Night Drivers deserve for putting out great music. Give Chris Jones and the Night Drivers’ Run Away Tonight a listen. I believe you will take a liking to it.

August 19, 2015

This Catch of the Week is actually an album that was released last fall, The Lonesome River Band’s Turn on a Dime. The reason I have chosen it as my catch so long after being released is because the International Bluegrass Music Association (IBMA) Award nominees were released the other week, and the Lonesome River Band is nominated in several categories including, SONG OF THE YEAR for “Her Love Won’t Turn On A Dime” ; GOSPEL RECORDED EVENT OF THE YEAR for “Holding To The Right Hand” ; and INSTRUMENTAL RECORDED PERFORMANCE OF THE YEAR for “Cumberland Gap” Sammy Shelor has also been nominated for BANJO PERFORMER OF THE YEAR. By the way, the IBMA Awards ceremony will be on October 1st.
If you just checked out the album for the songs that I already mentioned, it would be worth it, but there is a whole album (12 songs total). From the lonely “Teardrop Express” to the cover of Merle Haggard’s “Shelly’s Winter Love”, from “Bonnie Brown” to “Lila Mae” this is another in a long line of great LRB albums.
The Lonesome River Band’s includes Sammy Shelor on Banjo & Vocals, Brandon Rickman on Guitar, Lead & Harmony Vocals; Mike Hartgrove on fiddle, Barry Reed on bass, and Jesse Smathers on Mandolin and Lead & Harmony Vocals, and they really deliver on Turn on a Dime. Best of luck to the LRB on the IBMA Awards nominations.

August 12, 2015

I wanted to revisit an album from earlier this year, Willie Nelson and Merle Haggard’s Django and Jimmie.

It has been 32 years since Willie Nelson and Merle Haggard released the album Pancho and Lefty. When that album was released, many people believed it to be the beginning of the end of Willie and Merle’s careers. Boy, were they wrong. Their new album, Django and Jimmie, shows that they duo still have a lot to offer.

The title track is performed with such conviction that I thought Willie and Merle must have written it. However, the song was penned by Jimmy Melton and Jeff Prince. By the way, if you are not familiar with “Django” Reinhardt or Jimmie Rodgers, make a note to look them up.

“It’s All Going to Pot”, written by Buddy Cannon (who produced the album), Jamey Johnson (who sings harmony on this track) and Larry Shell, is a classic tongue-in-cheek, double entendre. The horns a very nice touch.

Buddy Cannon shows up again on the credits of the album, as he and Willie co-wrote several songs for this project: “Alice in Hulaland”, “It’s Only Money”, “Where Dreams Come to Die” and “Driving the Herd”. Cannon and Nelson teamed up for a great number of songs on Willie’s last solo album, Band of Brothers, with the same results. They work well together as songwriters to put out great new songs.

“Unfair Weather Friend”, written by Marla Cannon-Goodman and Ward Davis, is my favorite track on the album. This beautiful track is simple, yet powerful.

“Missing Ol’ Johnny Cash” is a fun tribute to the Man in Black. Written by Merle Haggard, Bobby Bare helps Hag and The Red Headed Stranger reminisces about Johnny.

“Live This Long” , like the title track, is a song that when I heard it sounded like a Willie or Merle penned song. Wrong again. Shawn Camp and Merv Green’s song fits Haggard and Nelson perfectly.

Willie and Merle cover the Bob Dylan classic “Don’t Think Twice, It’s All Right”. The song has been covered by many people, including most recently Dolly Parton on her album Blue Smoke. Every artist puts a little different take on it. Willie and Merle’s version is as smooth as silk.

It is not a surprise that Haggard and Nelson revisit some of their own classics on the album. “Family Bible”, “Swinging Doors” and “Somewhere Between” sound as good as ever.

The album closes out nicely with Haggard’s new song, “The Only Man Wilder Than Me”.

The thing I like most about this album is that Willie and Merle don’t try to hide their age. In fact, it sounds as if they embrace their age along the experience that comes with it. This album reminds me of sitting down with older folks and listening to them talk about their past. Sometimes there is a bit of sadness, but it is mostly stories that are humorous and fun. If you are just now discovering Willie Nelson and Merle Haggard, this is not the album you should start with. Listen to their vast catalogs before coming back to Django and Jimmy. If you are a long time fan like me, this is almost icing on some of the best cake you have ever tasted. Willie Nelson and Merle Haggard may be heading into the sunset, but they are taking their sweet time. Gentlemen, take as much time as you need.

August 5, 2015

In my never ending search for the best new country albums, I undoubtedly will miss a few great projects. Luckily, with the help of listeners, friends and family, I am told about some great albums that I need to give a listen. My dad told me about a guy he saw on TV named Sam Outlaw. I thought it was a gimmick name. He assured me that I would enjoy his singing. So, I started to dig, and found out a little about this new act. First, the name Outlaw is actually his mother’s maiden name, and he uses it as a stage name to honor her memory. That explanation made me like him already. If you are tipping your hat to your mother, you are OK in my book. Then, I moved on to the singing. This southern California native’s EP was released in 2014. It caught a lot of people’s attention, including the legendary Ry Cooder. Cooder asked to produce Outlaw’s first full length project. That project, Angeleno, was just released in June of 2015. When you have legends asking to produce your album, plus the likes of Bo Koster of My Morning Jacket and Gabe Witcher of The Punch Brothers adding their talents to your album, it is a good indication that you are on your way.
Angeleno is an interesting album. It has elements of the countrypolitan sound, complete with strings that would rival a Glen Campbell song, matched with Mexican horns and guitars, and steel guitars.

Here are my thoughts on the tracks from the album:

“Who Do You Think You Are?” – As I just mentioned, the swell of strings at the beginning of this song reminded me of a Glen Campbell song. Then, there is the mariachi horn and southwestern guitars mixed with the Mexican shuffle of the percussion. Layer that with the steel guitar and you have a great love song. It is perfect combination of elements for an artist from southern California.
“Keep It Interesting”- This song has a more western sound, as in country and western. This is a song of dogged determination of perseverance in a relationship. Beautiful interplay between the fiddle and steel guitar.
“I’m Not Jealous” – This has a more classic country sound. This is a different look at a cheating song. Instead of the normal anger and sadness that is expressed in most of these types of songs, it embarrassment for the one who is cheating from the one being cheated on that is shown.
“Love Her for a While”- Outlaw’s voice is perfectly suited for this song. It is gentle and soft, yet when he sings he exudes a confidence that is matter of fact. It reminds me a little of a Paul Overstreet song.
“Angeleno”- The title track again goes back to the western and Mexican sounds mixed with strings. I think this is one of the strongest songs on the project.
“Country Love Song”- Here’s another love song on the album. A man out on the road wishing he were back home with his love. It is a beautiful song. I would normally be getting a bit queasy from this many love songs on one album, but it doesn’t bother me in the least. I think the way the songs are delivered (singing, music and production) make it enjoyable.
“Ghost Town”- If I had to pick one track for people to listen to, and try to convince them to check out the rest of the album, it would be this one. The ghost towns that he is going through are an allegory for his own past. This is a wonderful truck.
“Jesus Take The Wheel (And Drive Me to a Bar)”- A tongue in cheek, or better yet, bottle in hand song. It is so rediculous it is hilarious. These types of absurd songs are a country tradition that I am glad to see Outlaw is upholding.
“It Might Kill Me”- Another classic sounding song. We have all felt like this at sometime. We have gone through difficult times and you wonder if you will come out on the other side, or will you be a casualty to the hard time.
“Keep a Close Eye on Me”- This song is the most unique on the album. It has the sound of a gospel song, and not just because of the subject matter. The use of the piano in the song gives it a gospel feel.
“Old Fashioned”- It is a romantic look at romance. He is declaring his love for his lady to be of the old fashioned, stronger variety.
“Hole Down In My Heart”- This is up tempo song about being done wrong in love. Great echo on the voice. The harmony vocals really add a lot to this song. There is also an acoustic guitar break. Yes!
As I admitted earlier, you cannot judge a book, or in this case, a CD, by it’s cover, or by a performer’s name, to be exact. Sam Outlaw is worth checking out. It is a refreshing country sound that we don’t hear in today’s music, and I don’t know about you, but I need more variety in country music. Take a listen to Angeleno today.

July 29, 2015

Although Ashley Monroe has written hit songs for the likes of Miranda Lambert, as well as working with the Pistol Annie’s and a duet with Blake Shelton, The Blade may be the album that makes the public stand up and take notice of Ashley Monroe as a complete, solo artist. With the exception of one song, Monroe either wrote, or co-wrote, every song on this new album. Her co-writers include a well known list of wordsmiths, like Chris Stapleton, Miranda Lambert, Matraca Berg and Vince Gill (who also served as a co-producer on the album, Justin Niebank is the other ).
Here’s my thoughts on some of the tracks from The Blade:
“On to Something Good”- This is the first single off of the album. It has the sound of pop-country from years gone by. Maybe the early 1980’s. I can’t quite place it. When you hear this song, you defintley want to start tapping your toes.
“Bombshell”- A slow, straight forward, steel guitar drenched ballad. I love songs like this, and I think that many artists, for whatever reason, dodge songs like this. I also love that the ending of the song doesn’t resolve.
“The Blade”- “You caught it by the handle, and I caught it by the blade.” What a great and memorable hook.
“Winning Streak”- This has an early Elvis sound, complete with backing vocals that sound like the Jordanaires. Curl your lip and shake your hips!
“Dixie”- This is one of my favorites from the album. The song features these lyrics, ” It was the mines that killed my daddy, It was the law that killed my man, it was the Bible Belt that whipped me when I broke the fifth command.” Wow!
“if the Devil Don’t Want Me”- This is as classic as a love gone wrong, country song gets. Steel guitar and fiddles! Lord have mercy!
“I’m Good at Leaving”- Co-written with Miranda Lambert and Jessi Alexander, this song is a clever country tune in 3/4 time.

With all of the speed bumps and road blocks that Ashley Monroe has experienced in her solo career, it is nice to see that with her last album, Like a Rose and new album, The Blade, she is finally getting some of the recognition that is due her. Although it does not hurt to have famous friends Blake Shelton and Miranda Lambert singing her praises, Ashley Monroe’s work on The Blade stands on it’s on. I hope that Monroe receives the same acclaim from fans and country radio as it already has from critics.

July 22, 2015

After recording gospel and bluegrass albums in recent years, Alan Jackson has returned to his iconic country sound on his latest album, Angels and Alcohol. From the crying steel guitars, prominent fiddles, hot lead guitars, excellent writing and singing, this album will satisfy Jackson fans thoroughly.

Here’s my thoughts on the tracks from Angels and Alcohol:

-“You Can Always Come Home”-The slow, acoustic guitar intro drew me in. Then, it picks up into the sound of classic Alan Jackson. Having someone to encourage you to chase your dreams, while promising a safe, warm place to which you can return is the ultimate in support.
-“You Never Know”- This is a song that will get everybody up and dancing. It is the perfect combination of rockabilly, fiddle and steel guitar. “You never know when love’s gonna walk right through the door.”
“Angels and Alcohol”- The title track is as stone country as it gets. Although Jackson wrote this song, but I believe he drew heavily from Merle Haggard. Not only are the lyrics sharp, with no wasted words, but the musical arrangement echoes that of Merle.
“Gone Before You Met Me”- An ode to the rambler that has settled down. Even though from time to time he dreams of hitting the road, he comes back to his reality in the morning.
“The One You’re Waiting On”- A guy trying to let a girl know that he would not take her for granted like the one she is waiting on. The steel guitar work, mixed with the lead guitar and mandolin work set the mood nicely for this song.
“Jim and Jack and Hank”- Yes, sir! What a great lead single for this album. The title characters of this song being Jim Beam, Jack Daniels and Hank Williams will help him survive any rough spot he may encounter. He also mentions others that he can turn to at the end of the song: Jose , Willie , Merle, George and Tammy , Captain Morgan, Big John Cash, Jimmy Buffett, Hank Jr………
“I Leave a Light On”- Heartbreak in 3/4 time! Yes! “I leave a light on for your memory.” It is enough to make a deacon ask a lady, “Would you like to dance?”
“Flaws”- This is a fun song about what we all have. The flaws are what makes us unique, and makes life interesting.
“When God Paints”- This song reminds us to slow down and enjoy the simple mysteries of life. Beautiful.
“Mexico, Tequilia and Me”- This is a great way to end the album. Everybody is looking for a get away, but we don’t get to take those trips as often as we would like. So, we keep our hopes alive for future excursions with songs like this. Buenos Noches!

Alan Jackson wrote all but three of the songs on this album. I don’t want to beat a dead horse, but I am going to give him another swat. Modern country songwriters need to listen to this album, take notes and apply what they have learned. These songs mention drinking, heartbreak, God, love and hope, in no particular order. Some of these subjects are covered in modern country songs, but there is a difference in the way they are broached. I feel like modern songwriters are trying to convince everyone that they are country. So they mention the things they think are country: dirt roads, back roads, moonlight, tailgates, pretty girls, moonshine, etc. Then they repeat these key phrases, as if they mention them enough times we will believe that they are country. They need to ask themselves, “What Would Jackson Do?’ He would write, play and sing songs that are real, poetic and most definitely country, without one time reminding us that he is in fact a country singer. This is one of the best albums that Alan Jackson has ever put out. I would highly recommend giving Angels and Alcohol a try.

July 15, 2015

Jason Isbell’s much awaited follow up to Southeastern, Something More Than Free will finally be available on Friday, July 17th. While Southeastern was a stripped down, singer-songwriter type album, Something More Than Free sees Isbell re-united with his band, The 400 Unit, which includes his wife Amanda Shires, for a fuller sound. While Southeastern was an album dealing with just trying to survive, Something More Than Free goes beyond just surviving. It is an album of learning from , and growing because of past experiences. The redeeming of a life that at one time may have seemed a hopeless case.

July 8, 2015

I decided to revisit a pick from earlier this year because you don’t want to miss out on this album. This is one of the best albums to come out this year.

Allison Moorer has encountered a lot of changes in the last few years, all while trying to record her latest album, Down to Believing, including going through a divorce and having her son diagnosed with autism. Despite all of that, this is one of the best album’s that she has put out, ever.
The songs ring of her recent experiences. I would be tempted to tell my story through characters in each song, and there is nothing wrong with that. Both ways are cathartic. I think it takes a lot more guts and expert songwriting to tell your story without seeming trite. All these songs show Moorer’s vulnerability, but it shows here strengths, too.
Moorer comes out the gate very strong with “Like It Used to Be”. A strong declaration to anyone that doubted that things had changed.
“Thunderstorm Hurricane” features Moorer’s beautiful vocal over a mixture of strings, heavy percussion and electric guitar. It is a very powerful combination.
“I Lost My Crystal Ball” is about the point of return in a relationship, where you don’t know what do next, but the only thing to do is destroy what you have known. This is a great track. The title track, “Down to Believing”, is a melancholy walk down memory lane in 3/4 time. “Tear Me Apart” sees the emotional tensions coming to a boiling point. The vocals explode in a statement of enough is enough, but ends with the question of ,”why do you want to tear me apart?”
“If I Were Stronger,” is a song of accepting the resolution of a relationship ending after every avenue of compromise has been exercised.
“Wish I” is a song of what ifs and should have beens that anyone who has been through a breakup can identify with. This track is very strong.”Blood” is a beautiful song about unconditional love of a family member. Moorer says that she wrote this song for her sister, singer Shleby Lynne.
I love the swampy sound of “Mama Let the Wolf In”. It almost sounds like a song that should come from the CCR catalog. The lead guitar licks are even reminiscent of John Fogerty’s style.Speaking of CCR, the only cover song on this album is a version of “Have You Ever Seen the Rain?” Moorer does a great job with her version, and it echoes the sentiments of the rest of the album. “I’m Doing Fine” is a song about leaving the old life behind and trying to move on.”Back of My Mind” is pop driven song that has an simple, infectious chorus .”Gonna Get Wrong” is a song of perseverance. This song features one of my favorite lines on the album; “Everything I do turns into don’t/ Still I stand/ Still I try/ And I know I’m gonna get it wrong/ but it’s alright.”

The final song is a great way to end the album. It wraps up the feeling of Down To Believing. Things happen in life that are not fun, and doesn’t seem fair, but after all is said and done, she is still standing to face another day. As with many artists, the tough times produce some of the most beautiful and lasting masterpieces. Down to Believing is evidence of that very thing.

July 1, 2015

As many of you know, I am big fan of traditional country music. I wish all new country music had some elements of the traditional sounds that I am fond of, and I don’t mean random fiddles over electronic beats or six string banjos that are added to give it a country twang. I am no fool. I know music changes. It always has. It always will. However, when I hear an album that has those classic country elements that I grew up with, I am ready to gobble it up.
Easton Corbin’s third studio album, About to Get Real, is just the type of mainstream country album that people of similar tastes as mine will enjoy, while at the same time gain significant radio airplay and break through to the modern country listener.
You should recognize “Clockwork” and “Baby Be My Love Song” , the first two singles from the album. Both have done very well for Corbin.
Corbin should appease the modernist with songs like “Kiss Me One More Time”, “Yup” and “Guys and Girls”. It has enough modern elements, production and lyrics wise, while at the same time it is palatable for traditionalists.
“About to Get Real”- Another solid song on an album in which any of the songs could be a single. I am curious if this one will be released as single. I believe it should be.
“Wild Women and Whiskey”- This honky tonker, written by Ronnie Dunn and Terry McBride, is bound to make you want to hit the dance floor, with it’s fiddle, country lead guitar, steel guitar and piano. Who knows, you might even want to dust off the Boot Scoot dance in honor of the songs co-writer.
“Just Add Water”, with it’s content and sound, could have been a hit for Kenny Chesney. It is a very fun song.
“Are You With Me” and “Like A Song”- Praise the Lord! Country ballads that feature steel guitars and lyrics that sound like poetry. That is the way country love songs should be delivered.
About to Get Real is a very solid country album that merges the modern and classic country sounds (leaning a little more to the latter), and delivers heart felt ballads, and fun, up-tempo party songs. Although he has attained success in the past, I believe this album may push Easton Corbin into that next level of country super-stardom.

June 24, 2015

I have been anxiously anticipating Kacey Musgrasves latest album, Pageant Material, like the 2 finalist at Miss America waiting for the judges’ decision. I fell in love with her songwriting and vocal delivery on the album Same Trailer, Different Park. My love grows with Pageant Material ,and Musgraves songs of small town gossip, family problems and life delivered with a wit and satire that is noticeably absent in today’s country music. Although I am not putting her on the same level as Loretta Lynn, the humor and satire in Musgraves songs reminds me of early number by The Coal Miner’s Daughter.

Here’ my thoughts on each track of Pageant Material:

“High Time”- This is a song about returning to one’s roots. Not getting above your raising, so to speak. Beautiful classical, Spanish style guitar and string arrangements give this song a unique sound.
“Dime Store Cowgirl”- This continues in the Musgraves tradition of recording songs that are unapologetic for who she is. She not trying to keep up with the latest trends, rather trying to be herself, even if that may not meet some people’s standards.
“Late to the Party”- A love song delivered with a light pop sound intermixed with a steel guitar. Beautiful!
“Pageant Material”- This is another funny song about fighting through the expected template for a girl, especially in the south. The music sounds harkens back to the 1960’s.
“This Town”- A classic song of satire about small town gossip. The strings in this song reminds me of the strings in “Ode to Billy Joe”.
“Biscuits”- The lead single off the album has already grown on me. I was hooked at the title. A fat boy will at least tolerate a song that is named after food, but I more than tolerate the song. It echoes my own personal philosophy, and that of the Hank Williams, Sr., “mind your own business and you won’t be minding mine,”
“Somebody to Love”- I love the drone sounds of the fiddles at the beginning of this song. The lyrics makes generalities that actually apply to all of us. We are just trying to figure out life, but we are really looking for love.
“Miserable”- We all know someone like this. Heck, you may be that person. Not just the eternal pessimist, but the something more akin to Winnie the Pooh’s friend Eeyore. The line, “if misery loves company then I cain’t keep you company no more,” is words to live by. Try to cheer up someone, but you can’t dwell in constant negativity because it will bring you down, too.
“Die Fun”- Some people grow older, but never grow up. This song is a tribute to those that are able to accomplish this feat.
“Family is Family”- I laughed out loud when I first heard this song. She nails the feelings, albeit exaggerated, that we have all had about our kin folks. You got to love ’em.
“Good Ol’ Boys Club”- An anthem of doing things on your own, without backroom deals and slaps on the back.
“Cup of Tea”- You’ve heard the old saying , “You can’t please everybody.” This song reminds you that it is OK to make a mistake. Just don’t dwell on the failures. Pick up the pieces and keep going because life goes on.
“Fine”- A melancholy waltz about a faithful hearted person that has read the writing on the wall, but refuses to believe the situation is as it seems.

Wait for the hidden track, “Are You Sure” at the end of the album that features Hawaiian steel and the unmistakable picking pattern and vocals of Willie Nelson. Great day in the morning! What a way to end the album.

Pageant Material is a wonderful follow up, and I would even say a companion album, to . Although she has gained critical acclaim , I hope she gains more airplay on country radio. She deserves it.

June 17, 2015

June 10, 2015

Dale Watson is a Texas honky tonk legend. In the “Music Capital of the World”, Watson is a member of the Austin Music Hall of Fame. He also founded a new genre of music, americopolitan, that encompasses many forms of roots music forms , including honky tonk, rockabilly, western swing and outlaw music. With all that being said, with Watson’s new album Call Me Insane, you get exactly what you would expect; pure, honky tonk drenched country.
“Day at a Time” – Dale hits the ground running with this song about hanging on till tomorrow, no matter what happens.
“Bug Ya For Love”- A song that just invites you to hit the dance floor with your sweetheart, or perhaps to try to find a sweetheart,
“Burden of the Cross”- a heart wrenching song that comes from Watson’s personal experiences.
“Everybody’s Somebody in Luchenbach, Texas”- This songs drops the name of the Texas location that was made famous by Waylon and Willie. A great honky tonk song.
“Crocodile Tears”- is a classic song that will make you cry real tears in your adult beverage. He even includes the required recitation to classify this as a tear jerker.
“Jonesin’ For Jones” – one of many tributes to the great George Jones that has surfaced since he passed away. This is a fun tribute. It starts with the sounds of the song “White Lightning”, includes the titles of the Possum’s hit songs as lyrics and Watson’s great imitation of George Jones.
“I’m Through Hurtin””- This song of regret features a wonderful steel guitar and harmony vocals that make it one of the highlights of the album.
“Call Me Insane”- The title track has a dark feeling that is aided by the horns and timpani drums. Add to that the chord progression and this song could have been released in 1965. This is my favorite track on the album.
“Heavens Gonna Have a Honky Tonk”- Watson’s view of what a heaven should be like for those that frequent honky tonk.
“Tienes Cabeza de Palo”- This Tex-Mex gem will make you want to Two Step, or do the Mexican Hat Dance…..or something. I know I started craving chips and salsa.
“I Owe It All to You”- The song features a shuffle that is infectious, and would make Ray Price proud.
“Forever Valentine”- This album would not be complete without a love song that is perfect for slow dancing. Beautiful!
“Hot Dang”- Song placement on an album may not mean as much in this world of hitting shuffle on your mp3 player. However, this is the perfect song to follow up “Forever Valentine”. A real toe tapper.
“Mama’s Don’t Let Your Cowboys Grow Up to be Babies”-This cover of the Tony Joe White song (which is a take off on “Mama’s Don’t Let Your Babies Grow Up to be Babies”) is a great way to close out the album. It has the funk of Tony Joe mixed with Waylon. To borrow a quote from Mr. White, “UHHH!”
The thing I have always like about Watson is his ability to stick to his guns, stylistically, while producing music that is new and fresh. I can promise you that nobody will think you have lost your mind when you flip your lid for Call Me Insane.

June 3, 2015

“Unfair Weather Friend”, written by Marla Cannon-Goodman and Ward Davis, is my favorite track on the album. This beautiful track is simple, yet powerful.

“Missing Ol’ Johnny Cash” is a fun tribute to the Man in Black. Written by Merle Haggard, Bobby Bare helps Hag and The Red Headed Stranger reminisces about Johnny.

It is not a surprise that Haggard and Nelson revisit some of their own classics on the album. “Family Bible”, “Swinging Doors” and “Somewhere Between” sound as good as ever.

The album closes out nicely with Haggard’s new song, “The Only Man Wilder Than Me”.

May 27, 2015

I have always been a fan of John Anderson. From his early hits like “Swingin'”, “I’m Just and Old Chunk of Coal (But I’m Gonna Be a Diamond Someday)” and “Wild and Blue”, to his 1990’s resurgence with songs like “Straight Tequila Night” and “Seminole Wind”, I have been on the bandwagon. The thing that I love is that his songs hold up despite the changing times. They are poignant, fun and memorable and musically in a particular style that I am fond of. It’s called country. Add to that his recognizable voice and he can’t miss.
I got charged up when I read that he would be releasing a new album at the end of the May. Well, here it is! John Anderson’s Goldmine is a collection of 13 new songs, all written or co-written by Anderson.

The opening track “Freedom Isn’t Free” is a rocking way to start the album. It is a song about America and the freedom we have. It is quickly pointed out that it is not perfect, but it’s the best place to be because of the freedoms we enjoy in this country.

The next song, “Magic Mama” is a playful song that John delivers expertly. I have always believed that not every singer can deliver a humorous song. It takes a special talent to deliver those songs (see Roger Miller and Johnny Cash). John Anderson does a fine job with this song.

“I Work A Lot Better,” the first radio single from the album. Anderson co-wrote this song with singer Josh Turner. “I Work A Lot Better” is another fun song. It is reminiscent of earlier Anderson songs, such as “Money in the Bank”.

“Back Home” is a song that will bring tears and goose bumps. I will not give away the story in the song because I do not want spoil the experience of hearing it for the first time.

The gospel tinged “I Will Cross O’er The River” and “Don’t Forget the Lord” are great songs of faith that you don’t hear as much now a days as you used to in country music.
“Song the Mountain Sings” features a beautiful fiddle and 3 part harmony vocals that will make any fan of bluegrass music sit up and take notice.

For all the heartbreak songs that are prevalent in country music, there are great love songs as well. “Happily Ever After” is a simply said expression of love from a husband to his wife.
“Goldmine” continues in the same vein (no pun intended). It says he hit the jackpot when he met the love of his life.

“Holdin’ On” is a song in which most listeners will be shouting, “Amen!” Everyone has had the feeling of struggling to hold on and somehow keep going.

“On and On and On” is about the process of forgiveness of someone that you were once close with.

“You Are All Beautiful,” rounds out the album. It is John Anderson’s tribute to his loyal fans.

Sometimes when an artist that you grew up with puts out a new album, it is not very good. It can be a rehashing of old songs, or, Lord forbid, the artist trying to change their sound to fit modern music tastes. That is not what you will find here. John Anderson has always stuck to his style of music, and I appreciate that. The songs on Goldmine are as good as anything that John has ever released. Eureka! We have struck it rich with John Anderson’s Goldmine.

May 20, 2015

This week I am going to revisit an album from earlier this year that you may have missed. Gretchen Peters’ Blackbirds is an album that will be instantly appreciated by not only your everyday listeners, but also by songwriters, and not because of Peters’ writing creditinals ( Trisha Yearwood, Pam Tillis, George Strait, Martina McBride, and Patty Loveless). This album features songs full of moving poetry set to chord combinations that seem to have been saved by the gods just for this particular album. That may be far fetched. There are only so many chords and combinations of said chords that can be administered to any collection of songs. Sometimes it seems that every combination is perfect, as on Blackbirds. Peters visit different genres with each song, and it is not for the sake of being eclectic. In fact, the style that is chosen for each tune is done to support the song.
“When All You Got Is a Hammer” is a heavy song that tells the story of a war veteran who comes home, and cannot adjust to everyday life. On this song, Jason Isbell provides harmony vocals and Jerry Douglas adds dobro.

“Pretty Things” is a a haunting song, melodically and lyrically, that made the hair on my arms stand up the first time I heard it.

“The House on Auburn Street” has a much lighter approach that reminds me of the – songwriters of the late 1960′s and 1970′s. It is the storyteller’s recollection of bittersweet memories of friendship and pain.
“When You Comin’ Home,” is a beautiful duet ,with Jimmy LaFave, about a couple torn apart by an all too familiar problems of hard living and substance abuse.
“Jubilee” is a song that will surely bring tears to your eyes. It is from the perspective of someone saying farewell to this world, and embracing death. Besides Peters’ voice, a piano and a cello provide the only music on this powerful song.
“Black Ribbon” is a Cajun flavored folk song that deals with the event that forever changed Louisiana, Hurricane Katrina. This song sounds much older, and could be about any of the numerous hurricanes that have slammed the Gulf Coast. This is a very haunting song.
“The Cure for the Pain” deals with someone in a hospital room that has just about reached the end of the line. I don’t like to compare songs because I believe each one stands on it’s own. However, from time to time, a song will put me in mind of another song. The honesty of this song reminds me of the stark lyrics of Jason Isbell’s “Elephant”.
The 2 versions of “Blackbird”, the opening track and the reprise at the end, is a chilling murder ballad. What a way to bookend this album!
Gretchen Peters is a member of the Nashville Songwriters Hall of Fame for a reason, and you can hear that reason on Blackbirds. This album leaves me wanting more from Gretchen Peters. Until we are graced with more songs, I will savor Blackbirds again and again.

May 13, 2015

Emmylou Harris has said that the first time she and Rodney Crowell met in 1974 they agreed to cut a duet album together. They did just that, but it was not until 2013’s Old Yellow Moon. Now they have followed that up with another album. Unlike the 2013 offering which featured songs penned by other great songwriters, the just released The Traveling Kind features six tunes that Crowell and Harris co-wrote, thus putting their stamp on not only the expert vocal delivery, but also in the creation of stories through the lyrics.
Emmylou Harris has been singing Rodney Crowell’s songs for many moons. Even when he was a member of Harris’ Hot Band and provided not only songs, but vocal harmony and instrumental backup that produced great albums and stage performances over the years, it did not have the same feeling as this album. The Traveling Kind is something altogether different. I hesitate to throw an overused label on this album, but I think it could be described as a true Americana recording. The rock and roll and blues sounds of Memphis can be heard on some tracks, while classic country sounds can be enjoyed on yet other songs.
What I enjoyed about this album is the straight forward manner in which it is delivered. There are no tracks that seem to be included just to please the brass at the recording companies. Nor are there tracks that are forced to be artsy for the sake of being artsy. Rather, I think The Traveling Kind is an example of two friends collaborating on a project that showcases their wonderful talents. Attention Music Executives: We need more albums like this. That is all.

May 06, 2015

I am not going to run down each track on this album. You just need to listen to them and experience their full impact. Traveler will please those that are fans of traditional country, bluegrass, southern rock and blues music. With the exception of a few tracks, Stapleton wrote or co-wrote the songs on Traveller. He had some help writing the songs from the like of bluegrassers Barry Bales (Alison Krauss and Union Station) and Ronnie Bowman, pop songwriter Lee Miller, and country writer Jim Beavers, just to name a few. These songs are delivered with a soul, grit and pain that you don’t hear very much nowadays on any mainstream radio stations.
Because of the subject matter, musical arrangements and vocal styling, Traveller will draw comparisons to works of Jamey Johnson and Sturgill Simpson’s Metamodern Sounds in Country Music. You know what? That’s is fine. I think people who are attracted to those sounds are looking for like minded artists anywhere they can find them. It is not a concerted effort by the artist to band together. They seem to be playing what is on their hearts and minds, and it strikes a chord with a lot of listeners who are left empty by most modern music. I am one of them. Finding a gem like Stapleton’s Traveller makes the digging and waiting worth while.

April 29, 2015

William Clark Green’s Ringling Road is an album I knew that I would pick as my Catch of the Week as soon as I heard it. Green, a singer-songwriter, is known, especially in Texas, as a rising star in country music. This album may help him gain more attention, not only inside the Lonestar state, but also across the country.
Here’s my review of the tracks on Ringling Road:

“Next Big Thing”- This is Green’s attempt to talk about his career, and not it an arrogant way. Folks have called him the next big thing for a while now, but as Green points out, accolades will not fill the gas tank.

“Sticks and Stones”-We have all gossiped, been gossiped about, or, most likely, both. This song says that he is not worried about the gossip that is being spread about him.

“Creek Don’t Rise”- This the most traditional county song on the project. It features a prominent fiddle, and is about a relationship that is trying to bounce back from a tough time.

“Ringling Road”- This is the strangest track on the album. You will either love it or hate it. I love it, but I do like unusual songs. This one is about the dysfunctional lives of circus entertainers and freaks. Great word play in this song!

“Final This Time”- Green sings with the song’s co-writer, Dani Flowers, on this song about a relationship that is over. In this fast paced world, I hope people give songs like this one enough time to develop. It is worth the wait.

“Fool Me Once”- This is a song about a lady’s man that is looking for a little security in a relationship, even if it is a ruse.

“Sympathy”- This is a rocking song about karma. After being dumped, he takes delight in seeing the same thing happen to his ex.

“Hey Sarah”- Sarah has quite a hold on the singer, and he will use any and everything to get over her.

“Old Fashioned”- William Clark Green talks about simpler times in Austin, TX. Now he says that Austin has been turned into L.A. This is not a new subject. People of have talked about the good ole days since, well, since the good ole days. It is something most folks can identify with, and and may even give him an “amen”.

“Going Home”-After being away from home, out on the road, Green is ready to get back home and see his lover. A beautiful song.

“Still Think About You” – This one will tear out your heart. An honest confession of the mistakes that have been made that brought them to this point, where the relationship is over. Great use of the piano on this song to bring about the right mood.
Ringling Road is worth giving a listen. It is as good as ,and maybe better than, anything that can be heard on country radio. It is time to step right up and hear William Clark Green’s Ringling Road.

April 22, 2015

My catch of the week comes from mountains of North Carolina. The Honeycutters, from Asheville, are led by singer-songwriter Amanda Anne Platt. The rest of the band, consisting of Rick Cooper on bass, Josh Milligan on drums, Tal Taylor on mandolin, , and Matt Smith on everything else (pedal steel, electric guitar, and dobro) offer a musical sound that they have classified Appalachian Honky Tonk, and it is a great sound. I have to admit, I had not heard this group until I was researching this week’s releases. I am glad I found them.
Here are a few of my favorite tracks on their latest album, Me Oh My
The opening track, “Jukebox”, has a light honky tonk feel that is a great way to start off the album.
“Lucky” is one of my favorites on the album. It has killer lines, such as , “I’m tired of the truth/ I’m tired of pretending/ I’m tired of smiling/ When my world is quietly ending. ”
“Edge of The Frame” has a catchy melody that draws you in before the deep lyrics hits you.

The title track is a song about the struggles of women in this modern society. Every guy needs to listen to this. Come to think of it, every women needs to listen to this, too.

April 15, 2015

It is always a big event for me when a new Dwight Yoakam album comes out. Ever since I first laid ears on his music, I have loved it. His sound is a cool conglomeration of American music wth a rebel edge, that is inviting, pleasing even, without seeming to care if you are pleased are not. The recording seems to be made for the sakes of the songs. Dwight Yoakam’s latest album, Second Hand Heart, is in that same vain. Whenever you talk about Yoakam’s music, you have to talk about the influences. They are again evident on this album. As with almost all of his records, Second Hand Heart shows the influence of the Bakersfield sound. However, it also shows shades of other influences. Some of the harmonies are reminiscent of the Beach Boys, while the overall sound shows hues of The Byrds or the Flying Burrito Brothers ,with it’s California country rock sound, and rock-a-billy sounds of Memphis. I have addressed the influences, now let’s talk about this album because it is 100 percent Dwight Yoakam

April 08, 2015

Many songwriters, authors and poets have written about the small town experience in a negative way. The small town was looked upon as a starting point that you only want to come back to for a visit. It was also viewed as an nearly inescapable quagmire, not a place you want to be very long. Songwriter Will Hoge’s latest album, Small Town Dreams, takes a look at life in a small town, but, for the most part, with a more positive view.
Hoge is no stranger to the who’s who of singers and songwriters . He has written songs that have placed in the charts (Eli Young Band’s #1 song, “Even If it Breaks Your Heart”) and toured with the likes of ZZ Top, Needtobreathe, Jason Isbell and Lisa Loeb. Because of all of Hoge’s previous records and his role as an outsider, this may album may be hard for longtime fans to accept. Small Town Dreams is his most country album, and commercial sounding album to date.
Some of my favorite tracks on the album include:
“They Don’t Make ’em Like They Used To” is a tribute to family members (grandparents and parents) that paved the way for future generations, despite having very little money and possessions to offer as an inheritance.
“Just Up the Road” is a country ballad that features <gasp> a steel guitar! Don’t get me wrong, there is a rocking guitar in the mix, but it sounds more like a song from the 1990’s or early 2000. Why is this song not being played on country radio. I believe people would like this song, and others on this album, but the public is never offered this music. Instead, you have to dig and dig for music like this.
“The Last Thing I Need” is a bluesy, country number that offers Hoge’s soulful voice is as much an instrument as the slide guitar and organ that are featured in this song.
“Till I Do it Again” is a sinner vs saint song that rocks. It has shades of Steve Earle and John Mellancamp.
I love the fact that this is a complete album. It’s not a concept album, but it has a definite theme: life in a small town. An album can be great without having a theme. However, I love the idea of an album having a theme, being a project, that can elicit thoughts and feelings of a life you are familiar with. The album is very pop tinged at times, but the singing and songwriting is as good or better than some of the songs that are receiving significant spins on country stations across the nation. Will Hoge’s Small Town Dreams deserves to be given a listen.

April 01, 2015

How can an artist that had his most recent release top the Billboard County Album Chart be considered an underdog? I bet most of you have never heard of Aaron Watson. Who? Exactly. His Underdog album topped the chart for the week of March 7, 2015. How does someone that most country music fans have never heard of accomplish such a feat? It was done through word of mouth, social media and a strong, loyal fan base for the Texas/Red Dirt style music. Watson has been working at this for over 15 years and 12 album, so he is not a new kid on the block.
I will not mislead you. This is not the best album of the year, but this album is as enjoyable as anything I have heard in the past 6 months. This an album that you can just put on and enjoy it without much critical thinking. Many of the sounds from Underdog reminds me of the country music that was coming out in the 1990’s. Other times I can hear shades of Chris Ledoux. Yet again, I hear some of the modern sounds in current country music that would please the newest country convert.
Here are a few of the highlights from this 15 track album:
“The Prayer” is about a man’s spiritual struggle. This is very reminscent of Chris Ledoux.

“Wildfire” is a John Mayer song. This is the same song that has been covered by Rascal Flatts. The chorus of Watson’s version is very catchy with very stipped down instrumentation, and just a lot of hand claps. Don’t confuse this with bro country. The words and melody flows as freely as country creek.

Please don’t classify “Freight Train” as a country rap song. It is not. It is a spoken/auctioneer style that has a tradition in country music (ex. “I’ve Been Everywhere”-Hank Snow, “The Auctioneer”-Leroy Van Dyke, “The Devil Went Down to Georgia”-The Charlie Daniels Band and”Grundy County Auction”-John Michael Montgomery).

“Bluebonnets (Julia’s Song)” is a beautiful song that reminds us all of what we already know; life is short and should not be taken for granted. “That’s Gonna Leave a Mark” has a Texas sound that I love: walking bass line, smooth fiddles and steel guitars.
The title track, “Underdog”, is a song that could be from the Brad Paisley songbook. Hey, if you are going to emmulate someone’s songwriting, it might as well be one of the best.

“One of Your Nights” is a romantic song that tells you everything you need to know without telling you everything. Everyone knows what he is talking about without using the phrases like “naked in my bed”. Hallelujah!

“Rodeo Queen” has a more modern beat, but uses the humor that has been all but absent in current country music.

“Fence Post” is a great way to end the album. It embodies the spirit of the underdog. It has some killer lines: “I do have a problem with someone that can’t even play a D chord on a guitar/Telling someone with a dream that they won’t get far”, “God knows I would never sell my soul to rock and roll/ or rap or wear those tight skinny jeans”, and “I would rather be an old fence post in Texas than the king of Tennessee”.

If the Nashville brass would pay attention to Underdog, they would find the compromise that many longtime coutry fans have been looking for. It sounds current, but is familiar enough to seem like an old friend. Aaron Watson looks country, the music is country and the subject matter of the songs (many of which he wrote) are country. Who could ask for anything more? Well, I could ask that you give this album a listen. Then, tell your friends. Maybe they will tell a few friends, and maybe, just maybe, Music Row will have to give the underdog his day.

March 25, 2015

March 18, 2015

Asleep at the Wheel has almost solely kept Texas swing in front of country music fans since the 1970’s. They have produced two previous tributes to the music of Bob Wills and the Texas Playboys (A Tribute to the Music of Bob Wills and the Texas Playboys and Ride with Bob). Those albums along with their latest offering, Still the King: Remembering the Music of Bob Wills and the Texas Playboys, is to Texas swing music what the Nitty Gritty Dirt Band’s three volumes of Will the Circle Be Unbroken is to country music. Ray Benson and crew have invited old Friends like Merle Haggard and George Strait along with new stars, such as Old Crow Medicine Show and The Avett Brothers to participate in this tribute.
Some of the highlights of the album include:
Amos Lee’s bluesy performance of “I Hear You Talkin'” . It sounds as if he has been singing Texas swing his entire career.
Poky LaFarge delivers an excellent performance of “What’s a Matter With the Mill”.
Willie Nelson and the Quebe Sisters sing “Navajo Trail”. Willie’s one of a kind of delivery is enough to make this song enjoyable. Add to that the Quebe Sisters’ harmonies, reminiscent of the Andrews Sisters, makes this song sound as if it could have been recorded in the 1940’s by Bob Wills, himself.
Bluegrass stars The Del McCoury Band perform “Silver Dew on the Bluegrass Tonight” displays that Texas sing and bluegrass are kindred musical spirits.
The Time Jumpers tackle one of the most famous Bob Wills songs, “Faded Love”, and they do so with expert instrumental and vocal delivery.
“South of the Border (Down Mexico Way)” features the mariachi horns mixed with fiddles and steel guitars. Throw George Strait lead vocal with Ray Benson’s harmony and you have an excellent song. I won’t refer to George Strait as King George because Bob Wills is still the king, as far as this album is concerned.
Brad Paisley exercises his fingers with some hot licks on “My Window Faces South”. He isn’t a bad singer either.
Speaking of a guitar workout, the “Twin Guitar Special” features Brent Mason, Tommy Emmanuel and Billy Briggs mixed in with some scorching saxophone solos. This song will get you moving.
These are just some of my favorites, but let me tell you, there is not a bad track on Still the King: Remembering the Music of Bob Wills and the Texas Playboys . It features a lot of other names you will recognize, including Jamey Johnson, Robert Earl Keen, Shooter Jennings, and Lyle Lovett. It is a must have if you are as big a fan of Texas swing as I am. All hail the king……AHHHH, HAAA! YES! YES!

March 11, 2015

I am still catching up on reviewing albums that were released a few weeks ago during the winter weather. This album was released on February 17th, although an EP consisting of 5 of the songs featured on the most recent recording was released in September 2014. Glen Campbell’s I’ll Be Me, the soundtrack to the documentary of the same name, features the final recordings of the country superstar. Campbell who was diagnosed with Alzheimer’s Disease, decided to document his final tour.

The film’s soundtrack album features Campbell on only six of its ten tracks. “I’m Not Going to Miss You” , is featured twice on the album, as bookends. The opening version features the Wrecking Crew, a group of L.A. studio musicians, of which Campbell was a member. The Wrecking Crew played on many albums in the 1960’s and 1970’s, including The Mamas and Papas, The 5th Dimension, The Beach Boys, and Phil Spector’s Wall of Sound. ”
“I’m Not Going to Miss You”, co-written by Campbell, deals with his condition directly. It’s sad and somber tone sets the mood for the remainder of the album.
Glen Campbell’s other offerings on the album includes, “All I Need is You”, ” The Long Walk Home”, along with “A Better Place” and “Wichita Lineman”, recorded live at the Ryman Auditorium.
The remainder of the album features Campbell’s daughter, Ashley, on “Remembering” and “Home Again”. She co-wrote both songs, which showcases her beautiful singing voice. I hope to hear more from her in the future. The Band Perry provide two versions of the John Hartford penned, Campbell classic, “Gentle of My Mind”, which has received airplay on country radio. Their poppy, rootsy interpretation of the song is surprisingly enjoyable.
I’ll Be Me reminds of us of how important music was and is to Glen Campbell’s life. Already knowing the situation that Glen Campbell and his family are going through did not lessen the feeling of watching a friend slowly fade away, in song, no less. Many people have watched family members and friends fight the losing battle with Alzheimer’s. Just as with those loved ones, Glen Campbell may lose his memories, but history will never forget.

March 4, 2015

Gretchen Peters new album, Blackbirds, is an album that will be instantly appreciated by not only your everyday listeners, but also by songwriters, and not because of Peters’ writing creditinals ( Trisha Yearwood, Pam Tillis, George Strait, Martina McBride, and Patty Loveless). This album features songs full of moving poetry set to chord combinations that seem to have been saved by the gods just for this particular album. That may be far fetched. There are only so many chords and combinations of said chords that can be administered to any collection of songs. Sometimes it seems that every combination is perfect, as on Blackbirds. Peters visit differents genres with each song, and it is not for the sake of being eclectic. In fact, the style that is chosen for each tune is done to support the song.
“When All You Got Is a Hammer” is a heavy song that tells the story of a war veteran who comes home, and cannot adjust to everyday life. On this song, Jason Isbell provides harmony vocals and Jerry Douglas adds dobro.

“Pretty Things” is a a haunting song, melodically and lyrically, that made the hair on my arms stand up the first time I heard it.

“The House on Auburn Street” has a much lighter approach that reminds me of the – songwriters of the late 1960’s and 1970’s. It is the storyteller’s recollection of bittersweet memories of friendship and pain.
“When You Comin’ Home,” is a beautiful duet ,with Jimmy LaFave, about a couple torn apart by an all too familiar problems of hard living and substance abuse.
“Jubilee” is a song that will surely bring tears to your eyes. It is from the perspective of someone saying farewell to this world, and embracing death. Besides Peters’ voice, a piano and a cello provide the only music on this powerful song.
“Black Ribbon” is a Cajun flavored folk song that deals with the event that forever changed Louisiana, Hurricane Katrina. This song sounds much older, and could be about any of the numerous hurricanes that have slammed the Gulf Coast. This is a very haunting song.
“The Cure for the Pain” deals with someone in a hospital room that has just about reached the end of the line. I don’t like to compare songs because I believe each one stands on it’s own. However, from time to time, a song will put me in mind of another song. The honesty of this song reminds me of the stark lyrics of Jason Isbell’s “Elephant”.
The 2 versions of “Blackbird”, the opening track and the reprise at the end, is a chilling murder ballad. What a way to bookend this album!
Gretchen Peters is a member of the Nashville Songwriters Hall of Fame for a reason, and you can hear that reason on Blackbirds. This album leaves me wanting more from Gretchen Peters. Until we are graced with more songs, I will savor Blackbirds again and again.

February 25, 2015

Many of you know that I love all genres of music, but I am especially fond of bluegrass music. In addition to that I am huge fan of great songwriting. That is why Shawn Lanes’ Mountain Songs is my Catch of the Week. You may know Shawn as a member of the bluegrass group Blue Highway. Their work has highlighted Lane’s lead and harmony singing, as well as his instrumental prowess. Therefore, it should come as no surprise that Lane’s Mountain Songs does the same.
On this solo project, Shawn Lane receives help from family, including his brother Chad, wife Gracie, and sons Grayson , and Garrett Lane. He also calls on Barry Bales, Patton Wages, Marcus Smith, Jimmy Stewart, Josh Miller and, Rob Ickes to add musical support to the project.
Mountain Songs features tunes that speak of family, history and religion. Ten of Twelves of the project’s songs were written or co-written by Lane. He receives help with the writing duties from Gerald Ellenburg on “Charlestown” and “Journey of a Soldier”, Ronnie Bowman on “A Mother’s Prayer”, and Jimmy Stewart on “It’s Time to Roll”.
It is hard for me to pick a favorite track off this album. Some of the songs grabbed me instantly include, “Charlestown”, “Just Not Today”, “We Must Be in Heaven”, ” A Little While” and “Journey of a Soldier” and the smooth, jazzy cover of the Toy Caldwell penned “Texas on My Mind”. Many of the songs on the album pays tribute to the music of yesterday, while at the same time having a modern sound to it. This is very hard to describe, but you will know it when you hear it, and you can hear it throughout this album.
I recommend giving my Catch of the Week, Shawn Lane’s Mountain Songs, a try. You will not regret it.

www.shawnlane.net

February 11, 2015

The story sounds like a Hollywood script. A singer/songwriter who tried to make it in Nashville for almost two decades, playing on the streets, recently homeless, discovered by a Sweedish country star, and, eventually, finding success in Nashville via Sweeden. However, this is not a Hollywood creation. It is as real as it gets. It is true story of Doug Seegers.

The 62 year old Seegers’ debut album, was recorded in just three days at Cowboy Jack Clement’s Sound Emporium. According to a review on All Music, all of the vocals on this album are scratch vocals. That means no overdubs; just raw, real singing. Going Down to the River showcases Seegers’ writing skills, with 10 of his original compositions included on the recording. The words stand on their own, but add that to his life drenched, soulful, country voice, and you have a classic.
The title track is the song that brought him fame in Sweeden . The bluesy, gritty sound of “Going Down to the River” brings the listener down to the banks of the river, ready for a dip in the renewing, redemptive waters, Seegers’ honky-tonk infused “Hard Working Man” and Hank Williams influenced “Pour Me” recall sounds of early eras of country music, but it’s is not a take-off on retro music. Seegers’ has two covers on this album: Hank Williams’ “There’ll Be No More Teardrops Tonight” (featuring his friend Buddy Miller on guitar) and the Gram Parson/Emmylou Harris song “She”. Harris steps back into her role on the song, singing with Seegers’.
The songs on Going Down to the River are as breath taking and eye opening as straight whiskey shots.
Call it gritty. Call it raw. Call it real.

– See more at: https://921wlhr.com/breakfastwithporkchop/#sthash.gNqzsvve.dpuf

I have had a lot of folks contact me recently about Doug Seegers. They want to hear his music and want to know where he is from. Since so many people are asking, I thought I would revisit a Catch of the Week from last October.

February 4, 2015

Forever Changed, is T. Graham Brown’s first album in over eight years. This album is a collection of inspirational songs. Now before you let that turn you off, let me say most of the songs are not beat you over the head with the Bible religious songs. Many of the songs seem to be delivered from very deep personal experiences and seem to more like a helping hand than a sermon.
Speaking of labels that may be deceiving, this album is classified as country. We all know that T. Graham Brown’s music is heavily influenced by R & B and soul, and Forever Changed is no exception. That is not meant to be a knock on the album. Some people are hung up on labels, so I thought I would address it. I would say that this album, like all of his music, is gloriously T. Graham Brown. Simply, it’s great songs, great music and the great, soulful voice of Brown. He also gets some help from some of his friends, including Vince Gill, Sonya Isaacs, former Statler Brother Jimmy Fortune, Leon Russell and the Oak Ridge Boys
The first single released off the album, “He’ll Take Care of You”, a duet with Vince Gill, is receiving significant air time on my morning show, the Breakfast with Porkchop Show, on 921 WLHR. It’s a great song, with an uplifting message. I love the song “Soul Talk”. It has a very heavy R & B groove that will get you clapping your hands about 5 seconds into the song. The Oak Ridge Boys go back to their gospel quartet harmony roots on “How Do You Know”. There is also a remake of Charley Pride’s “Power of Love”, and the Curtis Mayfield classic “People Get Ready”, featuring gospel singer Jason Crabb, The Oak Ridge Boys, Leon Russell and former Booker T and the M.G.’s guitarist Steve Cropper. Brown also revists his own 1998 song “Wine Into Water”, with help from Jimmy Fortune.
Forever Changed was recently nominated for a Grammy. It is deserving of the nomination. I like this album for the fact that T. Graham Brown doesn’t pull any punches. He doesn’t try to change his style to fit a current trend and sell records. The album leaves me feeling uplifted and a little happier after listening to it. Pick up Forever Changed today.

January 28, 2015

As many of you know, I am a fan of bluegrass music. I am not one that draws a line at traditional or progressive. If the music is good, it is good. Well, the music on the the latest album, Voices, from Volume Five is very good.
If you are familiar with Volume Five, you know about their expert playing and singing. It goes without saying that any project from the group will highlight their vocal prowess and muscianship. However, the selection and delivery of songs on Voices sets them apart from many other acts.

There are many types of songs. My favorite type of song is one that tells a story. This album is full of story songs. From the opening track, “King of California” to Hal Kethum’s “Strangest Dreams” to Dolly Parton and Porter Wagoner’s “Daddy was an Ole Time Preacher Man” (featuring Rhonda Vincent), the songs are delivered with an emotional connectivity that draws you into each story.

“Dream Softly My Love” is a beautiful, Randall Hylton classic that V5 makes their own. “Faithfully” has the feeling of song from a different time, and is about subjects as old as time itself: love, hate , rage and revenge.
There are also songs that present a creepy vibe: “Satan’s Ridge” and “Crazy Night”. From the pen of Jeff Partin, the songs will send a chill down your spine. The latter tells the story of someone that is restrained, chained to his bed, but you don’t know why. He tells of being in pain and hearing voices around him. The source of the terror the man experiences is never revealed. Is he in prison, a mental institution or has he been kidnapped? It is left to the listener’s imagination.
I can’t leave out “Sam’s Gap”, the only instrumental track on the album. Most groups use an instrumental track to feature the instrumental expertise of it’s members, and this song does show that. However, each song on the album showcases the musical abilities of Volume 5.

Emotional vocals and expert musicianship delivering well written songs, Volume Five’s Voices is a fulfilling, complete musical experience. Add it to your music library today.

http://volumefivebg.com/

December 9, 2014

Willie and Bobbie Nelson have been playing music together for decades. This brother and sister performed in church as youngsters, and the pair has performed on the road together since 1973, with Bobbie being a member of The Family Band. I believe that Bobbie’s contribution to Willie’s musical presentation is under appreciated by the casual Willie Nelson fan. The new album, December Day: Willie’s Stash Vol. 1, showcases her contribution, and the musical interaction between Willie and Bobbie.
Although a great number of Willie’s recording have a laid back feel, this project is even more so. It gives me the impression that I am relaxing in Willie’s house or bus, and he and Bobbie are just jamming. As usual with any Nelson album, there is no boundaries. It is just good music, and if I had to name the genre it would by “Willie”. What I really love about December Day is how much Bobbie’s piano is put on display.
There is 18 tracks on this album. Some of my favorites include the first track, Irving Berlin’s “Alexander’s Rag Time Band”. Bobbie’s rollicking piano with Willie’s unique vocals draw you into the album. Another Berlin number, “Always”, is a favorite. A new song from Willie’s pen, “Amnesia”, is a song that should strike a chord with every want to be wordsmith. “Sad Songs and Waltzes” sounds as good as ever.
December Day: Willie’s Stash Vol. 1, is a must have for any Willie Nelson fan. Even if you are a casual fan, give this album a listen, and see if you don’t get the feeling that you are sitting in on a family jam session.

November 18, 2014

On his Reverbnation page, it is said that Kurt “plays real music, by, for, and about real people. Amen.” No truer statement could be said of this Nashville singer-songwriter. Fortmeyer is a veteran of the Nashville music scene, making appearances all over town, including the famous Bluebird Cafe. His latest album, called One More Night In Nashville, is excellent. His writing style has shades of Roger Miller and Shel Silverstein in songs like ” (I Got My Heart) Broke In” and “Better Hearts Than Yours”, while other songs use humor to talk about familiar, tough situations like “(All You Taught Me How To Do Was) Drink”. He pulls at heartstrings with “Inside That Box”, a story of grandfather and grandson. Fortmeyer’s song “Dickel, Strait and Jones” is how a country song should sound. When I heard it I went into a fiddle induced trance complete with visions of neon lights.

When I hear songwriters like Fortmeyer, it makes me wonder if the Music City record executives ever leave their offices. How can so many great wordsmiths, like Fortmeyer, be overlooked, while mediocre songs are shoved down our throats. If you are tired of the steady diet of bland gruel that is being served up from the Nashville music cafeteria, do yourself a favor and get Kurt Fortmeyer One MoreNight In Nashville today.

November 11, 2014

A greatest hits album is usually worth a mention, but not an entire review. However, The Zac Brown Band’s Greatest Hits So Far is the exception. It features 14 singles the Zac Brown Band released between 2008 and 2013, in chronological order. The album includes the Number 1 hits “Chicken Fried,” “Highway 20 Ride,” “Free,” “Toes,” “As She’s Walking Away,” “Colder Weather,” “Knee Deep,” and “Keep Me in Mind”. The songs highlight Brown’s expert songwriting, showcasing his ability to have a catchy melody and thoughtful, emotional words. Many times in music, you get one, but not the other. Brown’s writing style reminds me of the writers from the golden age of country music: Kristofferson, Haggard and Tom T. Hall.
This album shows the Zac Brown Band’s ability to produce great records that feature wonderful musicians, and a top of the line lead singer. This album should be played and enjoyed, but let’s not forget that the Zac Brown Band is one of the best live acts touring today.
Instructions for listening to Greatest Hits So Far:
Play, listen, and enjoy. Repeat this process as often as possible for optimum listening pleasure.

November 4, 2014

There is only 1 new album out today. It is a Doobie Brothers tribute, Southbound, featuring country artists. One thing I will say about it is that they did not try to change the song arrangements. That is very smart. The songs are so recognizable that messing with them would have spelled disaster. With that being said, it is not one I am going to add to my collection. It is good but not great. So, I will recommend an album that has been out for a little while. Sturgill Simpson’s . A friend of mine turned me on to Simpson. I was late to the party, but better late than never. I was not familiar with Simpson or his 2013 debut album, High Top Mountain.

For his sophomore release, “Metamodern Sounds in Country Music”, Simpson and his band cut an album that has the sound of the Outlaw Movement of the 1970′s, but it sounds fresh. Not a direct impersonation, but rather similar in style, Sturgill Simpson’s voice has a Waylon Jennings quality. Simpson’s songwriting may be the strongest element of the album. I love quality, fresh material, and this album is full of it. Some of my favorite tracks are the Simpson penned “Living the Dream,” and “Life of Sin.” Simpson’s rendition of the Charlie Moore’s and Bill Napier’s trucker anthem “Long White Line” is excellent. He has recently received a lot of attention for the song “Turtles All the Way Down”, which he played on the Tonight Show with Jimmy Fallon. But it and all the other songs are pure Sturgill Simpson. .
This album won’t be for everybody’s taste, but if you are a real fan of the Outlaw Movement of the 1970′s, I would recommend at least giving “Metamodern Sounds in Country Music” a try.

October 28, 2014

The new albums that came out today just did not strike my fancy. So, I am going to recommend an album that was released in June of 2013, prior to the beginning of this feature, Southeastern by Jason Isbell.
I am late in learning about Jason Isbell, but better later than never. In case you are like I was and are in the dark , here’s some information about him. Jason Isbell was a member of the Drive-By Truckers, which featured 3 excellent songwriters: Isbell along with Patterson Hood and Mike Cooley. Isbell left in 2007 for a solo career. It seems that many expected his solo projects to sound similar to his work with the Truckers. Instead, his songs sounded more like that of a singer/songwriter, albeit with more of an edge than you usually associate with singer/songwriter.
On Southeastern, Isbell really strips the songs down to a level that we have never heard from him before. The subject matters are real, dealing with the beauty and ugliness of life in such a way that you almost feel like a voyeur. There is not a bad song on this project. I can listen to this from beginning, but some of my favorites include, “Travel Alone’, “Different Days,” “Elephant,” and “Live Oak.” I do want to warn you that there is some adult language on this album. I issue that warning because I know some of you play music around your children, which is wonderful, but preview this album prior to playing it when they are present.
As a side note, Isbell recently sold our a 3 night engagement at The Ryman in Nashville. Folks are finally catching on that there is still country music that tells believable stories, instead of silly fabricated tales of moonlight, tailgates and dirt roads.

Don’t delay. Get Jason Isbell’s Southeastern.

October 21, 2014

Bluegrass dobro player Phil Leadbetter’s latest release is The Next Move on Pinecastle Records release.
If you are familiar with the dobro playing, Leadbetter’s story, you may think that my pick is sentimental. Leadbetter has been diagnosed with cancer, and has been fighting it on and off for several years now. By the way, at last report, everything looks Ok for Phil. I assure you, my picks are never sentimental. Sometimes sentimental choices are not easy on the ears. Not to sound like a music snob, but I take this responsibility seriously. If an album is not up to snuff, then I won’t recommend it. That is why you can know that when I recommend The Next Move, it is a great album.
The Next Move features an all star cast. Normally I am wary of such gatherings of pickers and players, but this collection of pickers and singers will make you want to jump for joy: vocals from the likes of Shawn Camp, Marty Raybon and Joe Diffie, “Sweet Georgia Brown”, featuring Buck White on piano Béla Fleck on banjo, Sierra Hull on mandolin, Steve Thomas on fiddle, Mike Bub on bass and Kenny Smith on guitar; former members of the New Grass Revival, John Cowan and Sam Bush, playing and singing on Ramblin’ Rolling Stone; Jerry Douglas and Rob Ickes swap dobro licks on Just Joshin’.
Your next move should be to get Phil Leadbetter’s The Next Move.

October 14, 2014

The last of the Pistol Annies , Angaleena Presley, delivers her own solo record, American Middle Class. You won’t find the attitude or slick Nashville production of fellow Pistol Annie, Miranda Lambert, on this album. That is not a knock on Miranda, but more of an indicator of what to expect. American Middle Class is more direct and to the point than albums from many other country singers of this era, with a light, airy vocal delivery that lulls you into a comfortable place, and then jolts your senses with the issues that Presley covers. Humor is used throughout this album, but it is hard to tell if it is an out and out joke or laughing rather than crying at one’s circumstances. Presley’s expert songwriting skills are highlighted on this album, having wrote or co-wrote many of the songs on American Middle Class. Two of my favorites on the album are “American Middle Class”, a song of the struggles of most Americans, and “Dry County Blues”, the story of a life of mistakes and addictions. It is well worth the wait for this album from the final of the Pistol Annie’s to release a solo project. Angaleena Presley hits the bull’s-eye with American Middle Class.

October 7, 2014

September 30, 2014

Marty Stuart and His Fabulous Superlatives’ new double album Saturday Night /Sunday Morning, addresses the dichotomy of activities on those back to back days that causes so much heartache and hope. This is not a new idea. In fact, Dr. Ralph Stanley released a double album with the same name in the early 1990’s that included songs of partying to piousness. The songs on the Saturday Night are brilliant new versions of classic country songs that are expressed in honky tonk, rockabilly and blues forms, that don’t feel stale.
For me, the highlights of Saturday Night are the Chuck Berry styled ,“Geraldine” (with a guest harmonica break from Mickey Raphael), the harmony driven , Stuart penned, “ When It Comes to Loving You,” the Hank Williams/Bill Monroe number “I’m Blue, I’m Lonesome,” and the George Jones’ tune, “Old Old House.”
Sunday Morning combines the sounds of blues and soul based black gospel with country gospel in a way that has not been done too often. The opening song “Uncloudy Day,” is directly inspired by the Staple Singers. In fact, Mavis Staples accompanies Stuart and the Superlatives in a moving version of the song. The recognizable riff of John Lee Hooker provides the base for “Boogie Woogie Down the Jericho Road,” and “The Gospel Way” could be perceived as gospel or blues, according to the listeners ears.
Marty Stuart has made it clear through the years that he loves all roots music. Saturday Night/Sunday Morning reminds us of his love, not only of the music, but for the journey of the pilgrims that sing the music, whether it be the excesses and heartache of Saturday Night or the repentance and redemption of Sunday Morning.

September 23, 2014

Again, there are three new albums this week to pick from, and again, you can’t go wrong with any of the three.
Big and Rich’s Gravity is the first on their new record label. The album is classic Big and Rich, with both of the performers contributing songs that they penned. However, it does not sound like a re-hash of old material. This album sounds fresh. Gravity is a must for Big and Rich fans.
Kenny Chesney’s The Big Revival, is proof that he is still able to cut the mustard when it comes to producing hits. “American Kids” is already a hit. I predict there will be at least one more hit from The Big Revival. This album rings of early Kenny Chesney, with it’s ring of classic rock guitars and his distinctive voice, while at the same time keeping up with Aldean’s and Bryan’s of the world, with sampled loops and beats. You can’t please everyone all the time, but Kenny Chesney puts forth his best effort with The Big Revival.

My catch of the week is from Lee Ann Womack. Many have been awaiting the release of Lee Ann Womack’s The Way I’m Livin’, her first album since 2008’s Call Me Crazy was shelved by MCA due to the lack of chart success of the singles from that album. After that decision by the record label, Womack patiently waited for her contract with MCA to end. The two went their separate ways in 2012. She signed with 2014 with Sugar Hill Records, and, ever since that announcement, fans have been waiting for this comeback album.
It is a comeback album, of sorts, but not a comeback for chart success. That is not a negative. It could be the best thing to happen for the artist , as well as the listener. Womack’s husband, Frank Liddell, produced The Way I’m Livin’. Recently, Liddell has produced recordings by Miranda Lambert, Pistol Annies, and the Eli Young Band. Womack and Liddell seem to have forgotten about chart success, instead,focusing on just performing, and that is something she does expertly.
It is difficult for me to pick a favorite track on the album. Every song is wonderful in it’s on right, but I think this is an album that needs to be listened to in it’s entirety. I would not recommend grabbing a song or two for your mp3 player. The Way I’m Livin’ will take you from damnation to redemption. Hallelujah! We have been given salvation from Nashville’s cookie cutter sounds.

September 16, 2014

There are 3 new albums out this week that you may want to add to your collection.

The first is Tim McGraw’s second album on Big Machine Records, Sundown Heaven Town.
The freedom that McGraw has found in his association with Big Machine is evident in this album, which sounds like it could have been released in the earlier in his career. That is a good thing. Artists develop and change throughout their career, and I support that. However, I believe sometimes, whether through the artistic desire for new musical ventures or pressure from record labels,the decision for change is not a wise one. If it ain’t broke, don’t fix it.
This album features the hit single “Meanwhile Back at Mama’s.” This is a sentimental song that doesn’t cross over into the cheesy lane. Two of my favorites are “City Lights” and “Shotgun Rider”. Although this is a keeper, it is not my catch of the week.

Bill Monroe is cited as the father of bluegrass, as he should be. However Flatt and Scruggs are as responsible for the expansion of bluegrass as anyone.
Dobro player Jerry Douglas, guitarist and singer Shawn Camp, banjo player Charlie Cushman, mandolin player Tim O’Brien, fiddler Johnny Warren, and longtime Alison Krauss bassist Barry Bales combine their forces as the Earls of Leicester (a take off on Earl and Lester) to pay tribute to Flatt and Scruggs on this self titled album.
This album features 14 songs from the classic Flatt and Scruggs songbook in the traditional style. Although the pickers and singers assembled for this project are some of the hottest pickers around, this is not an album that features much exploration. It seeks the old paths, finds them, and stays on that straight and narrow from beginning to end.
To some this may be a disappointment, but I think the Earls of Leciester have accomplished what they set out to do; pay tribute to the musical giants of Flatt and Scruggs, and, perhaps, point younger fans of bluegrass back to the early stars that laid the foundation for this music genre that is growing in popularity among young people. It is also appropriate that the album is released on the anniversary of Monroe first recording with Flatt and Scruggs, as well as Chubby Wise and Cedric Rainwater in 1946. That collection of men, “The Bluegrass Boys”, are considered the history’s first bluegrass group. Pick it Earls!

My catch of the week is George Strait’s The Cowboy Rides Away: Live From AT&T Stadium.
Recorded at Strait’s final concert on June 7th, 2014, this album reminds us of what the concert scene will be missing when it cranks up next year: King George.
He is joined by a who’s who of country singers: Jason Aldean, Ray Benson, Kenny Chesney, Eric Church, Sheryl Crow,Vince Gill, Faith Hill, Alan Jackson, Miranda Lambert, Martina McBride).
Each one of the familiar hits that is featured on this 20 track CD sounds as good as when I first heard them. One thing is for sure, George Strait never sold out for the sake of selling records. He stuck to his Texas style of country music and the only thing he sold out was concert after concert, year after year in his rise to the top of the country music world. Long Live the King.

Here’s the complete track listing for The Cowboy Rides Away: Live From AT&T Stadium.

1. Check Yes Or No
2. The Love Bug (with Vince Gill)
3. Fool Hearted Memory (with Jason Aldean)
4. Arkansas Dave (with Bubba Strait)
5. Cowboys Like Us (with Eric Church)
6. That’s What Breaking Hearts Do
7. Marina Del Rey
8. Here For A Good Time (with Sheryl Crow)
9. I Can Still Make Cheyenne
10. Jackson (with Martina McBride)
11. A Showman’s Life (with Faith Hill)
12. Murder On Music Row (with Alan Jackson)
13. The Chair
14. Give It All We Got Tonight
15. Run (with Miranda Lambert)
16. I’ll Always Remember You
17. Ocean Front Property (with Kenny Chesney)
18. Troubadour
19. All My Ex’s Live In Texas (with Jason Aldean, Ray Benson, Kenny Chesney, Eric Church, Sheryl Crow,
Vince Gill, Faith Hill, Alan Jackson, Miranda Lambert, Martina McBride)
20. The Cowboy Rides Away

September 9, 2014

This is the rare occasion that I recommend an album that is already available. This album escaped my radar and although there are new albums that you need to check out from Lee Brice (I Don’t Dance), Dustin Lynch (Where It’s At) and the Brothers Osborne (Brothers Osborne {EP}), the latest from Billy Joe Shaver is my catch of the week.

Billy Joe Shaver was a member of the 1970s outlaw country movement. In fact, the majority of the songs on Waylon Jennings’ album, Honky Tonk Heroes , considered by many to be the first outlaw country music album, was written by Shaver. However, he never became a recognized name like Willie Nelson or Waylon Jennings, but I bet you do recognize some of his compositions: “I Been to Georgia on a Fast Train,” “Willie the Wandering Gypsy and Me,” and “I’m Just an Old Chunk of Coal (But I’m Gonna Be a Diamond Some Day)”
The new album, Long in the Tooth, features ten new Shaver penned songs, including 2 that were included on Willie Nelson’s 2014 album Band of Brothers: “Hard to Be an Outlaw” (a duet with Willie Nelson) and “The Git Go”. The album also features humorous songs such as “Checkers and Chess” and the storytelling “Music City USA”.
Billy Jo Shaver will probably never be a household name, but his catalog of songs and this new album , Long in the Tooth, reminds us that he is one of the best songwriters in country music history.

August 19, 2014

We have not heard very much from Randy Travis since his health scare last year. Hopefully, one day, we will see him back on stage. Until then, we can enjoy his music, including his latest album, Influence, Vol. 2: The Man I Am.
The second installment in the Influence series is much more varied than Vol. 1, which was Merle Haggard heavy. That is not a complaint, just an observation. You can never have to much of The Hag. Randy Travis does tip his hat to Merle with his version of “Are the Good Times Really Over,” plus a cover of Lefty Frizzell’s “That’s the Way Love Goes”, which was covered by Haggard. Travis also covers Jimmie Rodgers’ “California Blues, Hank Snow’s “I’m Movin’ On” Ernest Tubb’s “You Nearly Lose Your Mind”, Waylon Jennings’ “Only Daddy That’ll Walk the Line” and the Kris Kristofferson penned “Sunday Morning Coming Down” and “For the Good Times”.
Randy Travis doesn’t pull any punches with this album. It is stone cold country covers of songs by his musical heroes. However, Influence, Vol. 2: The Man I Am is not an album of country karaoke covers. It is a collection of classic songs, made famous by musical masters, placed in the hands of a reverent admirer and fellow master.

August 5, 2014

In a recent interview with Billboard , when Kershaw was asked to name his favorite singers he said, “I have four heroes – Hank Williams, George Jones, Mel Street, and the late Ronnie Van Zant,” he admitted to Billboard, though he stressed “If someone made me put them in order, it would be George Jones at the top.”
Kershaw worked with Jones over the years, and his influence on Sammy was evident from the first time I heard him sing.
I am not a big fan of impersonators or tribute artists. Some of them are great, but it is not my cup of tea. However, the album, “Do You Know Me? A Tribute to George Jones,” is an exception. The singer covers “Walk Through This World With Me”, “The Race is On” and “ The Grand Tour” along with many other classics from The Possum. . He also shares the spotlight with Georgette Jones, George and Tammy’s daughter, on “Near You,” a number-one hit for her parents in 1977. “The Route That I Took”, written by Kershaw, is a perfect song in the George Jones style, although it was never recorded by Jones.
If you are a George Jones fan, I would recommend that you make sure this one shows up in your music collection.

July 29, 2014

I am staying at home for this week’s catch. Sand Therapy by local singer, songwriter, Reggie Starrett, is the perfect summertime companion on the lake, at the beach or where ever you happen to be daydreaming. Reggie is one of the most well liked artists in our area. Anytime he performs, the crowds show up. This album is an example of why the masses follow Reggie. Sand Therapy displays not only Reggie’s performing ability, but also his songwriting skills. He is able to grab that summertime, island feel that puts a smile on your face. His music is a lot of fun, along the same lines of the music of Jimmy Buffett.
Speaking of Buffett, Reggie is playing on a regular basis at Margaritaville in Pigeon Forge, TN. Plans are for him to be visiting various Maritaville’s around the country very soon. The crowds there will find out what we have known for while, that everybody deserves Sand Therapy.

July 22nd, 2014

Again, this week there is not many new albums to speak of. So, I will recommend an album that has been out for a little while. Dave Adkins’ “Nothin’ to Lose” is a solo record from the soulful singer that was released earlier this year. Adkins produced this album with band mate Edgar Loudermilk. I complain all the time about modern country music artist trying to convince the rest of the world that they are really country by talking about dirt roads in the moonlight while drinking moonshine. Well Adkins, a Kentucky native, sings about those subjects it is believable. It seems like a matter of fact, instead of a stretch. This album features the hit single “Pike County Jail”, a song about making moonshine and going to jail. It doesn’t get any more country than that.

If you are not a fan of bluegrass music, I would recommend giving this album a try. Adkins’ version of “Tennessee Whiskey” would surely make George Jones smile. Also, Dave’s soulful voice is a breath of fresh air in the bluegrass world. I am bluegrass fan, and I love the traditional sound. However, it is nice to get a little different vocal sound in the genre. It is the same feeling I got when Chris Stapleton was singing with the The SteelDrivers.

I had a chance to see Dave Adkins perform with Adkins and Loudermilk recently in Hartwell and The Bluegrass Express. It was a great show, and Adkins’ solo album is an excellent example of the energy and soul that you will experience at one of his live performances. I recommend giving Dave Adkins’ “Nothin’ to Lose”, and catching an Adkins and Loudermilk show as soon as you can.

July 15th, 2014

Well, there is not a lot of new albums out this week in the Country Music field. So, I will recommend an album that has been out for a little while. Sturgill Simpson’s . A friend of mine turned me on to Simpson. I was late to the party, but better late than never. I was not familiar with Simpson or his 2013 debut album, High Top Mountain.

For his sophomore release, “Metamodern Sounds in Country Music”, Simpson and his band cut an album that has the sound of the Outlaw Movement of the 1970’s, but it sounds fresh. Not a direct impersonation, but rather similar in style, Sturgill Simpson’s voice has a Waylon Jennings quality. Simpson’s songwriting may be the strongest element of the album. I love quality, fresh material, and this album is full of it. One of my favorite tracks is the Simpson penned “Living the Dream,” which at times sounds like a country song, and at times a classic rock song. But it and all the other songs are pure Sturgill Simpson. However, I am not cover, and There are a couple of covers on the album. In particular, Simpson’s rendition of the Charlie Moore’s and Bill Napier’s trucker anthem “Long White Line” is excellent.
This album won’t be for everybody’s taste, but if you are a real fan of the Outlaw Movement of the 1970’s, I would recommend at least giving “Metamodern Sounds in Country Music” a try.

July 8, 2014

We haven’t heard anything from the group Blackhawk since 2002’s “Spirit Dancer”, but they have returned in a big way. The album “Brothers of the Southland” is a solid outing . They have not tried modernizing their sound on this album. Rather, their sound, as it as always been, is unique. With Henry Paul’s one of a kind vocal delivery, Blackhawk delivers an album that stands out. It is not just for the vocals, but also in the fact that the album is not produced in the cookie cutter way that is so popular in Nashville at this time that helps “Brothers of the Southland” stand apart. The rich vocal harmonies are a refreshing sanctuary from the muddled, over produced albums that are being released from today’s hit factories.
The title track pays tribute to Southern rock’s fallen heroes, like Ronnie Van Zant and the other members of Lynyrd Skynyrd who died in a 1977 plane crash, the Marshall Tucker Band’s Tommy and Toy Caldwell, Duane Allman; and the Outlaws’ Hughie Thomasson, Frank O’Keefe and Billy Jones. The song is not an attempt to name drop to be recognized. Lead singer Henry Paul was a member of The Outlaws, and toured alongside the people mentioned in the song. It is a heartfelt salute to gone but not forgotten friends. Many country music fans are also fond of Southern rock. The song will remind you of a cross between Charlie Daniels Band’s The South’s Gonna Do It Again and George Jones’ Who’s Gonna Fill Their Shoes, bring out pride in the music and it’s roots, and sadness that the moment may never in musical history may never be replicated.
However, don’t be fooled into thinking that this album is more rock than country. It is country as cornbread. For those that liked “Goodbye Says It All” or any of their other hits of the 1990’s, Blackhawk’s “Brothers of the Southland” is a definite keeper.

June 24, 2014

There is not a lot of new music coming out this week, so I am going to make my catch of the week an album that you might have missed. Don Williams, new album, “Reflections” , is as good as anything the silver throated baritone has ever released. It is a rare thing to be able to listen to every track on an album and not be tempted to skip at least one track. That rarity is accomplished in “Reflections”.

Don Williams covers songs by songwriting giants Townes Van Zandt (“I’ll Be Here In the Morning”), Guy Clark (“Talk is Cheap”) and Merle Haggard. His version of Haggard’s classic”Sing Me Back Home”, is somehow different than the original. Making such a well known song your own is very hard to do, but Williams does it with such ease.

It is always good to see a legendary artist still performing. It is even better to see that legend producing new material that holds the standard of their previous work. If you are a fan of Don Williams, or just great singing,I recommend picking the album up today.
For June 17, 2014

Willie Nelson became well known as a singer and guitarist in the 1970’s. Keep in mind, that Willie is the fellow who wrote hit songs for Ray Price, Patsy Cline, Billy Walker, and Johnny Cash, but he hasn’t flexed his songwriting muscle on an album since 1996. Let the muscle flexing begin. Willie Nelson’s new album, Band of Brothers, includes nine new songs by Willie and a handful of fine covers.

“Bring It On” is a song that inspires the listener, not with a dreamy story of overcoming obstacles. Instead, it is a song of outlasting the trouble with a gritty determination that only a person who has experienced life can display.

Willie’s “Wives and Girlfriends” is an irreverent song that rings to an earlier era, when songs like this were more widespread in country music.
Willie covers two Billy Joe Shaver on. “Hard to Be an Outlaw” and “The Git Go,” a duet with Jamey Johnson”, as well as a cover of Vince Gill’s “Whenever You Come Around.”

Band of Brothers sounds retro. It is clean recording, not the muddy sound of noisy that you sometimes experience today in all genres of music. You can hear every instrument: Willie’s Trigger,electric guitars, steel guitar and Mickey Raphael’s harmonica fills.
Band of Brothers serves notice that not only can Willie still deliver a song with a great vocal and guitar style, but there is still ink in his pen.

For June 10, 2014

Clay Page– Homemade

The catch of the week is Clay Page’s “Homemade”.

The 4 track EP is homemade by local artist, Clay Page. He wrote the songs, played, sang and produced the entire album. His abundence of talent is evient in every song. Don’t be fooled by the beginning of “You Gone”. The song starts with the recording quality of a home tape recorder. It is by design. A nod to the title of the album.

Pick up Clay Page’s “Homemade” . It is available on itunes and on http://claypagecountry.com/

Here are some other releases of note for this week-

Toby Keith– 5 Rounds

This box set rounds up five albums from Toby Keith:
2008’s That Don’t Make Me a Bad Guy,
2009’s American Ride,
2010’s Bullets in the Gun,
2011’s Clancy’s Tavern,
and
2012’s Hope on the Rocks.
This box set includes the hits “God Love Her,” “American Ride,” “Made in America,” “Red Solo Cup,” and “Beers Ago”. This is a great way to get some of Toby Keith’s later albums in on place and at a good price.

David Allan Coe-The Illustrated David Allan : 4 Classic Albums 1977-1979

This double CD includes 4 albums from Coe:
“Tattoo” (1977),
“Family Album” (1978),
“Human Emotions” (1978)
and
“Spectrum VII” (1979).
It also includes a bonus track from the “Compass Point” (1979).

This is from Coe’s time on Columbia records. Coe recorded for Columbia Records.
Early in his career, his music was raunchy and not for the general public, but by the mid-70’s he’d proven to be one of Music City’s most sought after songwriters:Tanya Tucker’s version of ‘Would You Lay with Me (In A Field Of Stone)’ and Johnny Paycheck’s version of ‘Take This Job And Shove It’ went to number 1.
This collection also includes all of the original liner notes from each album.

For June 3, 2014

Miranda Lambert- Platinum

It doesn’t seem like that big a risk for Miranda Lambert to name her latest album Platinum since all four of her previous projects have reached platinum sales status. Still, Miranda insists there’s more to that title than selling a million records, though.
While she’d love to see this album go platinum, Miranda says, “It’s a lifestyle kind of thing. It’s about blondes and Airstreams and platinum jewelry. Once I had that in my head, Platinum, for the title, there was no going back. I couldn’t think of anything else that would fit. So, we just went with it.”
Because Miranda Lambert has already made it, she is free to explore musical interests that new artists are not allowed by their record companies. Lambert effortlessly jumps from one style to another on Platinum: from honky tonk to rock and roll to western swing to blues to modern hip hop country sounds.

Platinum features Miranda’s duet with Carrie Underwood on “Somethin’ Bad.” Although the duet with Underwood will get a great deal of interest, it is not the best track on the album. It is hard to say which track is the best, but the current single, “Automatic” is in contention. It pulls the older listener into a walk down memory lane, and at the same time sends younger fans to their smart phones to look up “Sun Tea”
It is said that you can’t please all of the people, all of the time, but Miranda Lambert gets pretty close in doing just that with her new album, Platinum. Because of that I believe you will see Platinum go platinum very soon.

For May 27, 2014

There’s not a lot of new music out this week. We will get to new music in just a moment, but first, there’s a new box set out from Sony Music that features the music of Tammy Wynnette.

This box set covers the most prolific years of Wynette’s career (the 1960’s and 1970’s), and includes her hits “D-I-V-O-R-C-E” and “Stand By Your Man” as well as others. This 4 disc set is definitely something that classic country music fans would want to add to their collection.

Jamie O’Neal – Eternal

Best known for her hits “There Is No Arizona” and “When I Think About Angels,” Australian songstress, Jamie O’Neal returns with her first album since 2005’s “Brave” . One has to be brave to tackle songs that were made famous by country legends.

Jamie O’Neal aptly covers the songs with a powerful vocal range that only a few current female singers could match. Carrie Underwood and Martina McBride come to mind. O’Neal’s new album “Eternal” is a collection of songs from a diverse group of singers, including: Born To Run (#3 hit for Emmylou Harris in 1982), Golden Ring (w/ Andy Griggs) (#1 hit for George Jones & Tammy Wynette in 1976) “I’ve Done Enough Dying Today (Top 10 hit for Larry Gatlin & The Gatlin Bros. in 1978) , Just One Time (#2 hit for Connie Smith in 1982), “Leavin’ On Your Mind (Top 10 hit for Patsy Cline in 1963) , “Help Me Make It Through The Night (#1 hit by Sammi Smith in 1970; #4 hit by Willie Nelson in 1979).

The album does have one new song, Wide Awake, co-written by Jamie and her father, James Murphy). She says , “I wrote this funny song with my Dad. It’s an ode to everyone out there who sleeps next to a snoring moose every night.”

All in all, it’s a good album. “Eternal” is no average, run of the mill, karaoke album of covers. However, “Wide Awake” left me craving more original offerings from Jamie O’Neal. Hopefully, soon, we will see such an album.

For May 20, 2014

Brantley Gilbert–Just as I Am

If you are a fan of Brantley Gilbert, you will love this album. I am not a huge fan of Brantley Gilbert. One thing you can say about Gilbert is that he doesn’t seem to care what people think of him. Sure a lot of people say this, but he means it. He is not out to offend you, but if you don’t like his music, he would probably tell you to go jump in the lake. His rebel spirit shines through in his latest album, “Just as I Am”. Despite his stand alone attitude, there are plenty of fans that are willing to take Brantley Gilbert just as he is, as this album has already produced the number 1 single “Bottoms Up” and his current single “Small Town Throwdown” featuring Justin Moore and Thomas Rhett is starting a steady climb up the charts.

Hank Thompson–Songs for Rounders/At the Golden Nugget

I normally reserve this space for new releases, but this is such a great re-release , I can’t pass up the chance to mention it. Hank Thompson’s music was a little Texas swing and a little honky tonk. In some ways, his music is the connecting link between the music of Hank Williams and the outlaw movement. Don’t misunderstand , Thompson’s music was his own. He was no Williams imitator, nor a long haired rebel that left Nashville. However, his songs are a little bit grittier than the polished music of his outstanding backing band, the Brazos Valley Boys, would indicate. On both of these recordings, Hank Thompson’s voice has an aire of rebelliousness and edginess that many country fans may have forgotten about.
“At the Golden Nugget” is the first live album by a solo country artist of any significance. It features the expert guitar of Merle Travis, including a couple of Travis standards: “John Henry” and “Nine Pound Hammer”.

Two rebels from two different eras. Old or new, there’s a little bit of something for everybody this week with Porkchop’s Catch of the Week.

May 13, 2014-
Dolly Parton – Blue Smoke

If you ask folks how to describe Dolly Parton’s music, it would be hard to define to one style. Of course she is country, but within that framework, Dolly is mountain with songs like “Coat of Many Colors” and “Jolene”, and she is pop with songs like “9 to 5”. Dolly is all things to all fans. Most importantly, she is Dolly, with a genuineness that is sometimes hard to find in the overproduced world of music today.
Blue Smoke is not eclectic for the sake of being eclectic. Dolly’s stardom has allowed her to express herself and branch out and paint the canvas that is Blue Smoke with strokes as different as a bluegrass version of Bob Dylan’s “Don’t Think Twice”,recent duets with Kenny Rogers “You Can’t Make Old Friends”, the title track from Rogers’ 2013 album and “From Here to the Moon and Back” from Willie Nelson’s 2013 duets album, “To All the Girls…”, to the traditional “Banks of the Ohio”, to “Lay Your Hands on Me” the Jon Bon Jovi, Richie Sambora penned rock number.
When you hear these songs, it is almost as if you are hearing them for the first time. Dolly’s interpretation of the songs on Blue Smoke makes them sound as if they were written for her. She owns them, and you should own them. Blue Smoke hits the shelves today, May 13th.

Album Review:

Don Williams’ Reflections

The Gentle Giant, Don Williams, new album, “Reflections” , is as good as anything the silver throated baritone has ever released. It is a rare thing to be able to listen to every track on an album and not be tempted to skip at least one track. That rarity is accomplished in “Reflections”.

Remember, you can contact me via email at

[email protected]dio.com, by facebook at

https://www.facebook.com/921wlhr or by calling me Monday -Friday from 6-10am at 706-356-WLHR (9547).

Porkchop